“…Fabricating the Absolute Fake applies elements of postmodern theory-Jean Baudrillard's hyperreality and Umberto Eco's "absolute fake", among others-to this globally mediated American pop culture in order to examine both the phenomenon itself and its specific appropriation in the Netherlands, as evidenced by diverse cultural icons like the Elvis-inspired crooner Lee Towers, the Moroccan-Dutch white rapper Ali B, musical tributes to an assassinated politician, and the Dutch reality soap opera scene. …”