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18101por Martínez, Manuel Silvestre
Publicado 1774Biblioteca Episcopal de Plasencia (Otras Fuentes: Bibliotecas de la Diócesis de Teruel y Albarracín, Biblioteca Central de Capuchinos de España)Libro -
18102
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18103
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18104por Pluche, Noël-Antoine ( 1688-1761)
Publicado 1753Biblioteca Central de Capuchinos de España (Otras Fuentes: Biblioteca S.M. e Instituto Teológico «San Xosé» de Vigo, Red de bibliotecas Iglesia Navarra)Libro -
18105por Bourdaloue, Louis (S.I.)
Publicado 1796Biblioteca Central de Capuchinos de España (Otras Fuentes: Biblioteca de la Universidad Pontificia de Salamanca, Biblioteca Seminario Metropolitano de Oviedo, Biblioteca Diocesana Bilbao)Libro -
18106
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18107
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18108por Salazar de Mendoza, Pedro, 1549-1629
Publicado 1770Biblioteca de la Universidad de Navarra (Otras Fuentes: Red de Bibliotecas de la Archidiócesis de Granada)Libro -
18109
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18110por Teresa de Jesús, Santa (1515-1582)
Publicado 1778Biblioteca Episcopal de Plasencia (Otras Fuentes: Biblioteca de la Universidad de Navarra)Libro -
18111por Burriel, Andrés Marcos (S.I.), 1719-1762
Publicado 1780Biblioteca Universidad de Deusto (Otras Fuentes: Biblioteca Universidad Eclesiástica San Dámaso, Biblioteca Episcopal de Plasencia, Biblioteca de la Universidad de Navarra)Libro -
18112
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18113por Arbiol, Antonio (O.F.M.)
Publicado 1717Biblioteca Central de Capuchinos de España (Otras Fuentes: Red de Bibliotecas de la Archidiócesis de Granada, Biblioteca de la Universidad de Navarra)Libro -
18114
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18115Publicado 2012“…The aspects of the poetry of Cavafis and Gil de Biedma that I have analysed are the following: a) the irony; b) the dramatic character of their poetry (the poem as representation of the reality); c) the dramatic monologue; d) polyphony and dialogism (the presence of various voices and points of view); e) the role of the memory (the memory of the erotic experience lived in the past); f) the hedonism: the pleasure, the ultimate aim of life; g) the anxiety for the passage of time and the therapeutic function of the art (the art that heals up the wounds); h) the relation of Cavafis and Gil de Biedma with the socalled «poetry of experience»; i) the poet and the city (the urban scene seen not only as background but as a main character more of the poem); The final conclusion of my study is that the Greek and the Spanish poet share the hedonism as a vital and aesthetic principle. …”
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18116Publicado 2014“…The notebooks record/illuminate/complicate his visits to twelve Paleolithic art sites as well as his deep, eccentric reading of texts concerned in some way with the subject of cave drawings by an array of scientists, anthropologists, archeologists, art historians, and other sundry enthusiasts and experts, so-called and otherwise.I saw the caves and didn't know what to do with them. …”
Libro electrónico -
18117Publicado 2015“…So let the Garters initiate you into the mysteries that are already yours, once you rid yourself of fear, anxiety and the need to be respectable.Conceived in 2004 as a gritty mail art project called TresPassions Unlimited, the Iron Garters were established as a full-fledged "art gang" in the Bernal Heights area of San Francisco in 2010. …”
Electrónico -
18118Publicado 2010“…Relative costs and impacts, the role of institutional arrangements and actors, as well as approaches for linking hygiene behavior change and sanitation demand creation (so called software investments) with hardware investments are examined. …”
Electrónico -
18119The lost art of connecting the gather, ask, do method for building meaningful business relationshipsPublicado 2021“…If you can find people's uniqueness or "secret sauce," what McPherson calls their "Chief Differentiating Factor" and show it to them-they'll never forget it. …”
Libro electrónico -
18120Publicado 2023“…Understanding Borrowing in Rust looks at a concept called "borrowing", which is effectively where you take a reference to a variable without claiming ownership. …”
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