Tabla de Contenidos: “…: Kommentar : Fabian Jonietz -- Giovanni Marinello : Kosmetische Rezepte (1562) : Kommentar : Elena Lazzarini -- Alessandro Allori : Schöne Oberfläche und traurig stimmende Knochen (1560er Jahre) : Kommentar : Helen Barr -- Lodovico Dolce : die Schönheit des weiblichen Inkarnats (1565) : Kommentar : Romana Sammern -- Giovanni Paolo Lomazzo : Anmutige Falten : die textile Hülle des Körpers (1584) : Kommentar : Julia Saviello -- Giovan Battista Deila Porta : die Physiognomie der schönen Gestalt (1586) : Kommentar : Romana Sammern -- Peter Paul Rubens : die Schönheit trainierter Körper (ca. 1610) : Kommentar : Romana Sammern -- William Shakespeare : die Natur des Schönen (ca. 1610/1611) : Kommentar : Laura Gronius -- Girard Thibault : Bewegung in Harmonie mit dem Körper (1630) : Kommentar : Julia Saviello -- Gian Lorenzo Bernini : Ähnlichkeit und Idealisierung (1665) : Kommentar : Heiko Damm -- Gérard Audran : die Vermessung des antiken Idealkörpers (1683) : Kommentar : Julia Saviello -- Gerard de Lairesse : die Farben der Natur (1707) : Kommentar : Ulrike Kern -- William Hogarth : Locken und andere schöne Verwicklungen (1753) : Kommentar : Julia Saviello -- Alexander Cozens : das Ende des Schönheitskanons (1778) : Kommentar : Anja Zimmermann -- Francisco de Goya : Malerei als Schminke (1794) : Kommentar : Wolfram Pichler --…”

Tabla de Contenidos: “…Cover -- Half Title -- Title Page -- Copyright Page -- Contents -- List of Figures -- Acknowledgements -- Introduction -- The Sister Arts Theory -- Self-Reflexive W riting -- Terms and Methods -- Material and Chapter Contents -- 1 "Painted in Its Low-priz'd Colours": The Realist and the Allegorical in Daniel Defoe's Roxana -- 2 William Hogarth and Mid-Eighteenth-Century Novelistic Projects -- Fielding, Hogarth and Character -- Smollett and Hogarthian Variety -- Sterne and "Howgarth's Witty Chissel" -- 3 The Animated Portrait in The Castle of Otranto and the Post-Walpolean Gothic -- 4 The "Complete Beauty" and Its Shadows: Picturing the Body in Frances Burney's Evelina -- 5 Sentimental Iconography from Laurence Sterne to Ann Radcliffe: The Case of Guido Reni -- Conclusion -- Bibliography -- Index…”

Tabla de Contenidos: “…Introduction / James Grande and Carmel Raz -- William Hogarth : Looking and Listening for a Painting / Lydia Goehr -- Collecting Ballads, Historicizing Sounds : Appropriating Scottish National Music in the Eighteenth Century / Maria Semi -- Realising The Enraged Musician / Oskar Cox Jensen -- 'A Strange Jingle of Sounds' : Scenes of Aural Recognition in Early Nineteenth-Century English Literature / Josephine McDonagh -- The Sound of News : Affective Rhythm, Rupture, and Nostalgia / William Tullett -- The Resounding Fame of Fingal's Cave / Jonathan Hicks -- Echoing Sounds : What Was Poetry for Gilbert White? …”

Tabla de Contenidos: “…Lichtenberg's commentaries on William Hogarth / Claire Baldwin…”

Tabla de Contenidos: “…LE IDEE ARTISTICHE DI WILLIAM HOGARTH - p. 405 FUSELI SHAKESPEARE'S PAINTER - p. 423. …”

“…The third earl of Shaftesbury, the founder of aesthetics, replaced the Christian God of rewards and punishments with beauty - worship of God, with a taste for a work of art. William Hogarth, reacting against Shaftesbury's "disinterestedness," replaced his Platonic abstractions with an aesthetics centered on the human body, gendered female, and based on an epistemology of curiosity, pursuit, and seduction. …”

“…Mind, Body, Motion, Matter investigates the relationship between the eighteenth century's two predominant approaches to the natural world - mechanistic materialism and vitalism - in the works of leading British and French writers such as Daniel Defoe, William Hogarth, Laurence Sterne, the third Earl of Shaftesbury and Denis Diderot. …”