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5por Portnoy, Kenneth, 1946-Tabla de Contenidos: “…"The Altar of the Dead""The Blue Hotel"; "Rear Window"; The Wild One; Adapting from the Novel; Adapting from the Short Story; Holiday Song; 2001; "Rita Hayworth and the Shawshank Redemption"; Summary; Exercises; 9. Plays; Stage versus Film; Adapting Shakespeare; Adapting Other Plays; "Marvin's Room "; "A Streetcar Named Desire"; "Who's Afraid of Virginia Woolf?"…”
Publicado 1998
Libro electrónico -
6por Bellantoni, PattiTabla de Contenidos: “…Ripley; Malcolm X; Gladiator; 3 Blue: The Detached Color; Chapter 5-Powerless, Cerebral, and Warm Blues; Powerless Blues; Tootsie; The Wizard of Oz; Sense and Sensibility; The Shawshank Redemption; Rosemary's Baby; Cerebral Blues; Crouching Tiger, Hidden Dragon; Malcolm X; Blow-Up; Warm Blues; Working Girl; Billy Elliot; Chocolat; Chapter 6-Melancholy, Cold, and Passive Blues; Melancholy Blues; The Shipping News; About Schmidt; Cold Blues; The Sixth Sense; Snow Falling on Cedars; Romeo + Juliet; Passive Blues; American Beauty; The Cider House Rules…”
Publicado 2005
Biblioteca Universitat Ramon Llull (Otras Fuentes: Universidad Loyola - Universidad Loyola Granada, Biblioteca de la Universidad Pontificia de Salamanca)Libro electrónico -
7por Reinhartz, Adele, 1953-“…Topics covered include:how filmmakers make use of scripture to address and reflect their own time and place.the Bible as a vehicle through which films can address social and political issues, reflect human experiences and emotions, explore existential issues such as evil and death, and express themes such as destruction and redemption.the role of the Bible as a source of ethics and morality, and how this connection is both perpetuated and undermined in a range of contemporary Hollywood films. films that create an experience of transcendence, and the ways in which the Bible figures in that experience.Reinhartz offers insightful analysis of numerous films including The Ten Commandments and The Shawshank Redemption, paying attention to visual and aural elements as well as plot, character, and dialogue. …”
Publicado 2013
Libro