Tabla de Contenidos: “…XXXIa:36 -- If e'er ye do well it's a wonder : Hob. XXXIa:95 -- Nanny O : Hob. XXXIa:37 -- Ye gods! was Strephon's picture blest : Hob. …”

Tabla de Contenidos: “…Environmental Conservation and Indigenous Development through Indigenous Protected Areas and Payments for Environmental Services: A review - Nanni Concu; Contributors; Index…”

Tabla de Contenidos: “…: foregrounding stereotypes on The nanny / Barbara Wilinsky. IV. Representing progress. …”

“…But this is a double-decker memoir that also tells the poignant, bittersweet, and adventurous story of Guillermo's mother Maria, who supports herself and her son cleaning houses and then working as a nanny in Washington, D.C., and eventually in Hollywood In one memorable scene, after realizing that her friend Carmen is cleaning the house of one of the producers of Annie Hall, Maria recruits her to take her picture as she poses dramatically with Mr. …”

Tabla de Contenidos: “…L'évergétisme et la construction des ponts en Chine à la fin de l'époque impériale tardive / Nanny Kim ; Financer les phares en France et en Angleterre : l'exemple de Cordouan / Élodie Bertrand et Vincent Guigueno ; De la rentabilité des routes à péages : les conditions locales et les rendements financiers des routes à péages en Angleterre en 1820 / Dan Bogart…”

“…La vida de una familia inglesa de la época del rey Eduardo, formada por un padre banquero, una madre sufraguista y dos niños rebeldes -que pretenden llamar la atención de su padre haciendo imposible la vida de todas las niñeras-, se verá alterada con la llegada de Mary Poppins, una nanny muy especial…”

Tabla de Contenidos: “…Vergeschlechtlichende Subjektivierungen in antizipatorischen diskursiven Praktiken Christiane Micus-Loos, Melanie Plößer "Du kannst natürlich nicht alles irgendwie auf andere Leute schieben und nur so Nannys besorgen" - Überlegungen zur Analyse normativer Anforderungen an die Vereinbarkeit von Mutterschaft und Beruf in Gruppendiskussionen Sarah Wieners, Susanne Maria Weber Im Blickfeld der Kamera: Visuelle Geschlechterordnungen in Organisationen diskursanalytisch untersuchen Empirische Erkundungen Kerstin Jergus, Sandra Koch Vater, Mutter, Kind(er)!? …”

Tabla de Contenidos: “…Introduction -- The spelling of the 1844 collection -- A note on the text -- The milk-mâid o' the farm (a line-by-line phonemic analysis) -- 1844 Poems with phonemic transcripts -- Spring -- The Spring -- The woodlands -- Liady-Day an' ridden house -- Easter time -- Dock leaves -- The blackbird -- Woodcom' feäst -- The milk-mâid o' the farm -- The girt woak tree that's in the dell -- Vellen the tree -- Bringen oon gwâin o' Zundays -- Evemen twilight -- Evemen in the village -- Mây -- Bob the fiddler -- Hope in Spring -- The white road up athirt the hill -- The woody holler -- Jenny's ribbons -- Eclogue: the 'lotments -- Eclogue: A bit o' sly coortèn -- Summer -- Evemen, an' mâidens out at door -- The shepherd o' the farm -- Vields in the light -- Whitsuntide an' club wa'kèn -- Woodley -- The brook that runn'd by Gramfer's -- Sleep did come wi' the dew -- Sweet music in the wind -- Uncle an' Ānt -- Havèn oon's fortun a-tuold -- Jeän's weddèn dae in marnen -- Rivers don't gi'e out -- Miakèn up a miff -- Hây-miakèn -- Hây-carrèn -- Eclogue: The best man in the vield -- Wher we did kip our flagon -- Wik's end in Zummer, in the wold vo'ke's time -- The meäd a-mow'd -- The sky a-clearèn -- The evemen star o' Zummer -- The clote -- I got two viel's -- Polly be-èn upzides wi' Tom -- Be'mi'ster -- Thatchèn o' the rick -- Bees a-zwarmen -- Readèn ov a headstuone -- Zummer evemen dānce -- Eclogue: Viairies -- Fall -- Carn a-turnèn yoller -- A-halèn carn -- Harvest huome: The vust piart: the supper -- Harvest huome: Second piart: what tha done āter supper -- A zong ov harvest huome -- Poll's jack dā -- The ivy -- The welshnut tree -- Jenny out vrom huome -- Grenley water -- The viary veet that I da meet -- Marnen -- Out a-nuttèn -- Tiakèn in apples -- Miaple leaves be yoller -- The weather-beäten tree -- Shodon fiair: The vust piart -- Shodon Fiair: The rest ō't -- Martin's tide -- Guy Faux's night -- Night a-zettèn in -- Eclogue : The common a-took in -- Eclogue : Two farms in oone -- Winter -- The vrost -- A bit o' fun -- Fanny's bethdae -- What Dick an' I done -- Grammer's shoes -- Zunsheen in the Winter -- The weepèn liady -- The happy daes when I wer young -- In the stillness o' the night -- The settle an' the girt wood vire -- The carter -- Christmas invitation -- Keepèn up o' Chris'mas -- Zittèn out the wold year -- Woak wer good enough oonce -- Miary-Ann's chile -- Eclogue: Faether come huome -- Eclogue: A ghost -- Miscellaneous pieces -- A zong -- The mâid var my bride -- The huomestead -- The farmer's woldest daeter -- Uncle out o' debt an' out o' dannger -- The church an' happy Zunday -- The wold waggon -- The common a-took in -- A wold friend -- The ruose that deck'd her breast -- Nanny's cow -- The shep'erd buoy -- Hope a-left behine -- A good faether -- The beam in Grenley Church -- The vâices that be gone -- Poll -- Looks a-know'd avore -- The music o' the dead -- The pliace a tiale's a-tuold o' -- Ānt's tantrums -- The stuonen puorch -- Farmers' sons -- Jeän -- The dree woaks -- The huomestead a-vell into han' -- The d'rection Post -- Jeän o' Grenley Mill -- The bells of Alderburnham -- The girt wold house o' mossy stuone -- Eclogue: The times -- A witch -- Appendix: A summary of sections 7 and 8 of WBPG -- Glossary…”

Tabla de Contenidos: “…Science Fiction and Fantasy -- Television -- Theater and Musicals -- 6 Family/Parenting -- Adoption -- Babies/Toddlers -- Boys -- Caregivers/Nannies/Babysitters -- Child Abuse and Missing Children -- Child Custody -- Divorce -- Fathers -- Girls -- Mothers -- Parents -- Pregnancy and Childbirth -- Schools -- Single Parents -- Special-Needs Children -- Stay-at-Home Parents -- Teens -- Working Mothers -- 7 Food and Drink -- Bakeries -- Baking -- Beer -- Beverages -- Beverages: Alcoholic -- Beverages: Coffee and Tea -- Cooking and Recipes -- Food: General -- Groceries -- Organic Foods -- Restaurants -- Special Diets: Gluten Free -- Special Diets: Kosher -- Special Diets: Low Carb -- Special Diets:Vegetarian and Vegan -- Wine -- 8 Going Green/Environment -- Animal Rescue -- Biodiversity -- Conservation and Preservation -- Fair Trade -- Global Warming and Climate Change -- Government Agencies -- Green Living -- Nuclear Energy and Nuclear Waste -- Rainforests -- Recycling -- Renewable and Alternative Energy -- 9 Health -- Alternative Medicine -- Cancer -- Children's Health -- Death and Dying -- Dental Care -- Diabetes -- Diet and Nutrition -- Disabilities -- Drug Information -- Exercise and Fitness -- First Aid and Safety -- Healthcare Administration and Management -- Health Insurance -- HIV/AIDS -- Medical Education and Professions -- Medical History -- Medical Reference and Diagnosis Tools -- Men's Health and Issues -- Mental Health -- Pain Management -- Sexuality -- Substance Abuse and Recovery -- Travel Health -- Vitamins and Supplements -- Women's Health -- Yoga -- 10 Hobbies -- Amateur Radio -- Antiques -- Art -- Boating -- Books -- Camping -- Coins -- Crafts -- Crocheting -- Hiking and Backpacking -- Hunting -- Knitting -- Model Trains -- Photography -- Quilting -- Sewing -- Stamps -- Woodworking -- Writing -- 11 Home -- Automobiles…”

Tabla de Contenidos: “…Introduction, p.7; Aino Aalto, p.14; Rand Abdul Jabbar, p.15; Susi Aczel, p.16; Lindsey Adelman, p.17; Lani Adeoye, p.18; Ruth Adler Schnee, p.19; Anni Albers, p.20; Kawther Alsaffar, p.21; Jeannette Altherr, p.22; Karin Schou Andersen, p.23; Joyce Anderson, p.24; Carina Seth Andersson, p.25; Wendy Andreu, p.26; Antonia Astori, p.37; Jane Atfield, p.38; Gae Aulenti, p.29; Tamoko Azumi, p.30; Cleo Baldon, p.31; Lucia Bartolini, p.32; Stephanie Beamer, Crystal Ellis & Hillary Petrie, p.33; Dorothee Becker, p.34; Liisi Beckmann, p.35; Martine Bedin, p.36; Vivian Beer, p.37; Mercedes “Ched” Berenguer-Topacio, p. 38; Otti Berger, p.39; Susi Berger, p.40; Laelie Berzon & Lisa Vincitorio, p. 42; Nikita Bhate, p.43; Ilaria Bianchi, p. 44; Ayse Birsel, p.45; Aída Boal, p.47; Lina Bo Bardi, p.48; Cini Boeri, p.50; Hedwing Bollhagen, p.51; Marianne Brandt, p.52; Bec Brittain, p.53; Gegia Bronzini, p.54; Barbara Brown, p.55; Maria Bruun , p.56; Rachel Bullock & Molly Purnell, p.57; Marie Burgos, p.58; Louise Campbell, p.58; Gloria Caranica, p.60; Etel Carmona, p.61; Maddalena Casadei, p. 62; Anna Castelli Ferrieri, p.63; Carol Catalano, p.64 Jungyou Choi, p.65; Maria Chomentowska, p.66; Karen Clemmensen, p.67; Muriel Coleman, p.68; Kim Colin, p.69; Janete Costa, p.70; Matali Crasset, p.71; Ilse Crawford, p.72; Gabriella Crespi, p. 74; Raffaella Crespi, p.75; Veronica Dagnert & Helena Jonasson, p.76; Lucienne Day, p.77; Nada Debs, p.78; Qiyun Deng, p.79; Marie Dessuant, p.80; Freda Diamond, p.82; Friedl Dicker-Brandeis, p.84; Jane Dillon, p.85; Aïssa Dione, p.86; Nanna Ditzel, p.87; Helen Dryden, p.88; Helen Hughes Dulany, p.89; Nathalie Du Pasquier, p.90; Ray Eames, p.92; Kiki Van Eijk, p.94; Yeşim Eröktem, p. 95; Lisa Ertel, p.96; Felicia Ferrone , p.98; Andrea Flores & Lucía Soto, p.99; Marisa Forlani, p.100; Monica Förster, p.101; Carol Gay, p.102; Marion Geller, p.103; Ruth Hidegard Geyer-Raack, p.104; Emiliana Gonzalez & Jessie Young, p.105; Anne Krohn Graham, p.106; Johanna Grawunder, p.107; Eileen Gray, p.108; Rachel Griffin, p.110; Greta Grossman, p.111; Zaha Hadid , p.112; Virgina Hamill, p.114; Ineke Hans, p.115; Eszter Haraszty, p.116; Trix Haussmann, p. 117; Mette Hay, p. 118; Edith Heath, p. 119; Franca Helg, p. 120; Margarete Heymann-Löbenstein, p. 121; Franziska Hosken, p. 122, Rossana Hu, p. 123; Marialaura Rossiello Irvine, p. 124; Shinobu Ito, p. 125; Sophie Lou Jacobsen & Sarita Posada, p. 126; Grete Jalk, p. 127; Nata Janberidze & Keti Toloraia, p. 128; Ania Jaworska, p. 129; Hilda Jesse-Schmid, p. 130; Lisa Johansson-Pape, p. 131; Hella Jongerius, p. 132; Merve Kahraman, p. 134; Ilonka Karasz, p.135; Anna Karlin, p. 136; Bodil Kjær, p.137; Florence Knoll, p.138; Belle Kohan, p.139; Lucie Koldová, p.140; Ana Kraš, p.141; Teresa Kruszewska, p.142; Agata Kulik-Pomorska, p.143; Sofia Lagerkvist & Anna Lindgren, p.144; Claude Lalanne, p.145; Elisabeth Eyre de Lanux, p.146; Francesca Fanzavecchia, p.148; Estelle Laverne, p.149; Monling Lee, p.150; Olga Lee, p.151; Geke Lensink, p.152; Rosie Li, p.153; Francesca Lindh, p.154; Aljoud Lootah, p.155; Althea McNish, p.156; India Mahdavi, p.157; Rianne Makkink, p.158; Cecile Manz, p.159; Sabine Marcelis, p.160; Grethe Meyer, p.162; Hikaru Mori, p.163; Renate Müller, p.164; Ignacia Murtagh, p.165; Mira Nakashima, p.166; Paola Navone, p.167; Greta von Nessen, p.168; Stephanie Ng, p.169; Anna Maria Niemeyer, p.170; Libuše Niklová, p.172; Dina Nur Satti, p.173; Gunnel Nyman, p.174; Moyo Ogunseinde, p.175; Jay Sae Jung Oh, p.176; Ann Pamintuan, p.177; Luisa Parisi, p.178; Tamara Pérez, p.179; Maria Pergay, p.180; Charlotte Perriand, p.181; Clara Porset, p.182; Andrée Putman, p.183; Ingegerd Råman, p.184; Mary Ratcliffe, p.185; Samira Rathod, p.186; Noémi Raymond, p.187; Lilly Reich, p.188; Margaretha Reichardt, p.189; Sylvia Reid, p.190; Coco Reynolds, p. 191; Lucie Rie, p.192; Estefanía de Ros, p.193; Pipsan Saarinen-Swanson, p.194; Latifa Saeed, p.195; Mentalla Said & Jumana Taha, p.196; Clauda Moreira Salles, p.197; Maria Sanchez, p.198; Cynthia Sargent, p.199; Afra Scarpa, p.200; Bertha Schaefer, p.201; Zahara Schatz, p.202; Margarete Schütte-Lihotzky, p.203; Emma Schweinberger, p.204; Denise Scott Brown, p.205; Kazuyo Sejima, p.206; Inga Sempé, p.208; Mia Senekal, p.209; Mimi Shodeinde, p.210; Alma Siedhoff-Buscher, p.211; Jutta Sika, p.212; Trudi Sitterle, p.213; Alison Smithson, p.214; Sylvia Stave, p.215; Nanny Still, p.216; Gunta Stölzl, p.217; Marianne Straub, p.218; Marianne Strengell, p.219; Saša Štucin, p.220; Claudia Suarez Ahedo, p.221, Hiroko Takeda, p.222; Reiko Tanabe, p.223; Jacqueline Terpins, p.224; Faye Toogood, p.226; Helena Tynell, p.227; Patricia Urquiola, p.228; Mpho Vackier, p.229; Garance Vallée, p.230; Ionna Vautrin, p.131; Lella Vignelli, p.232; Nanda Vigo, p.233; Hisako Watanabe, p.234; Chen-Yen Wei, p.235; Donna Wilson, p.236; Esther Wood, p.237; Sohyun Yun, p.238; Utharaa Zacharias, p.239; Eva Zeisel, p.240; Sandrine Ébène de Zorzi, p.241; Timeline, p.244; Endnotes, p.256; Index, p.258…”