“…Man who wasn't there (Guió cinematogràfic). Castellà…”

“…Man who wasn't there (Pel·lícula cinematogràfica). Castellà i anglès…”

Tabla de Contenidos: “…Introduction : rethinking subjectivity in film / From mind to film, from film to mind -- The cinema as art of the mind : Hugo Münsterberg, first theorist of subjectivity in film / The representation of experience in cinema / Beyond subjectivity : the film experience / Ways of expressing subjectivity -- The man who wasn't there : the production of subjectivity in Delmer Daves' Dark passage / From aesthetic experience to the loss of identity, in three steps / Robert Bresson and the voices of an inner world : "I" can never be "you," or the impossible identification / The silence of the lenses : Blow up and the subject of photography / Subjectivity and the epistemology of film studies -- Beyond subjectivity : Bakhtin's dialogism and the moving image / Imaginary subject / A philosophical approach to subjectivity in film form / Conversation ; Subjectivity in artistic coupling -- Conversation with Maria Klonaris and Katerina Thomadaki : dissident subjectivities : the filmmakers as a double subject…”

“…This book offers a new methodology for examining the ethico-political dimensions of religion and film which foregrounds film's social power both to shape subjectivity and to image contemporary social contradictions and analyses three specific films: Kurosawa's Dersu Uzala ; Kiarostami's Taste of Cherry ; and the Coens' The Man Who Wasn't There …”
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Tabla de Contenidos: “…Selbstinszenierungen der Leni Riefenstahl am Beispiel ihrer Homepage 172 Die Ordnung der Geschlechter als heterosexuelle Romanze: Foto-Lovestories in Jugendzeitschriften 201 Virtuelle Gefährtinnen in der Hyperwelt. ›Digital Beauties‹ als Allegorien des Posthumanismus 222 Que(e)rräume: Trans, Homo, Hetero 245 Heartland of Darkness: Female Masculinity, White Trash und die Strategien der Repräsentation in »Boys Don't Cry« 250 The Man Who Wasn't There 275 Gefährliche Liebschaften: Formwandler und Homosexualität in »Star Trek: Deep Space Nine« aus einer queeren Perspektive 292 Identität im Cyberspace. …”