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Tabla de Contenidos: “…. ; Vagant ; Lady X ; El British Museum ; L'exilada ; The Savoy ; Passant el Canal ; Vària ; Pa de vida; Nocturns a mar ; Al·leluia!…”

Tabla de Contenidos: “…B) Archivo y Biblioteca Nacionales de Bolivia (Sucre) ABNB -- C) Archivo Histórico de la Casa Nacional de Moneda (Potosí), AHCM -- D) British Museum, Ms. Room (Londres) -- E) Biblioteca Nacional (Madrid), manuscritos de America -- F) Archivo General de la Nación (Bogotá) -- G) Archivo Ministerio de Minas (Andagoya, Chocó) -- II. …”

Tabla de Contenidos: “…Three dimensional offering tables (British Museum EA 22832 -- EA 21702 -- EA 975 -- EA 414). -- CHAPTER 3: SOCIETY AND DEATH -- 3.1 Being Egyptian: States of Existence for the Living and the Dead -- 3.2 Transformation and Transition -- 3.3 Gender and the deceased -- CHAPTER 4: LIMINAL CONTEXTS -- 4.1 Talking to the Dead -- 4.2 Offering Table Scene Composition: False Doors, Stelae and Coffins -- 4.3 Deconstructing Ritual: Libation, Purification and Censing -- Figure 6: The Double False Door of Ky and Sat-Sd-Abd, First Intermediate Period. -- Figure 7: The first Intermediate Period false door exemplifies the concept of the door as a condensed substitute for more elaborate tombs of the earlier Old Kingdom Period. -- Figure 8: A comparative exploration of table scenes belonging to two women, Nefretiabet at Giza (in the Fourth Dynasty) and that of Senet at Thebes six hundred years later…”

“…This volume represents the culmination of the European Research Council (ERC) Synergy project Asia Beyond Boundaries: Religion, Region, Language and the State, a research consortium of the British Museum, the British Library and the School of Oriental and African Studies, in partnership with Leiden University…”

“…Saxl was a truly original thinker, a congenial teacher, very demanding to his students and colleagues, but also fiercely supportive, for instance, to Roger Hinks, when he lost his post at the British Museum in the course of the affair of the cleaning of the Elgin Marbles. …”

“…Et l’on reste en proie à la stupéfaction devant ce manque de discernement des autorités françaises alors qu’au cours de la décade 1845-1855 se jouait le sort de l’archéologie assyrienne [xe2][x80][x93] avec les conséquences que l’on sait sur les collections respectives du Louvre et du British Museum. À côté des figures emblématiques de Rawlinson, Botta, Layard, Ross, Kennett Loftus et Place, voici ce portrait de Simon Rouet destiné à le tirer de l’oubli où, fâcheusement, il était tombé -- Contracubierta…”