Tabla de Contenidos: “…YORK 1966) -- THELONIOUS MONK (ROCKY MOUNT 1917 WEEHAWKEN 1982) -- RED GARLAND (1923-1984) -- WYNTON KELLY (1931-1971) -- BILL EVANS (PLANDFI ELD 1929 NUEVA YORK 1980) -- MC COY TYNER (FILADELFI A 1938) -- HERBIE HANCOCK (1940 CHICAGO) -- CHICK COREA (1941 CHELSE, MASSACHUSETTS) -- KEITH JARRETT (1945 ALLENTOWN) -- PIANO FUNK -- HORACE SILVER -- STEVIE WONDER (SAGINAW 1950)…”

Tabla de Contenidos: “…Introduction : Eccentric performance and embodied music in the post-soul moment -- Becoming post-soul : Eartha Kitt, the Stranger, and the melancholy pleasures of racial reinvention -- Stevie Wonder's "Quare" teachings and cross-species collaboration in Journey through the secret life of plants and other songs -- "Here's a chance to dance our way out of our constrictions" : P-Funk's Black masculinity and the performance of imaginative freedom -- Michael Jackson, queer world making, and the trans erotics of voice, gender, and age -- "Feeling like a woman, looking like a man, sounding like a no-no" : Grace Jones and the performance of "Strangé" in the post-soul moment -- Funking toward the future in Meshell Ndegeocello's The world has made me the man of my dreams -- Epilogue : Janelle Monáe's collective vision…”

Tabla de Contenidos: “…Introduction : Eccentric performance and embodied music in the post-soul moment -- Becoming post-soul : Eartha Kitt, the Stranger, and the melancholy pleasures of racial reinvention -- Stevie Wonder's "Quare" teachings and cross-species collaboration in Journey through the secret life of plants and other songs -- "Here's a chance to dance our way out of our constrictions" : P-Funk's black masculinity and the performance of imaginative freedom -- Michael Jackson, queer world making, and the trans erotics of voice, gender, and age -- "Feeling like a woman, looking like a man, sounding like a no-no" : Grace Jones and the performance of "Strangé" in the post-soul moment -- Funking toward the future in Meshell Ndegeocello's The world has made me the man of my dreams -- Epilogue : Janelle Monáe's collective vision…”