Materias: “…Stand-up comedy…”
Enlace del recurso

Tabla de Contenidos: “…; Written texts--literature; Spoken humour--television and radio; Stand-up comedy; Index of terms; References…”

Tabla de Contenidos: “…Performing arts -- 7. Stand-up comedy -- Part III. Implications : 8. On separating the art and the artist -- Conclusion…”

Tabla de Contenidos: “…-- A ‘Stupid Lur’ Mocks Allah and Mullah: Sociocultural Implications of the Luri Jokes Cycle -- Muslim Humour Practices in Islamicate Societies: Visual Media and Performance -- Al-Bernameg: How Bassem Youssef Ridiculed Religious Fundamentalists and Survived the ‘Defamation of Religion’ Charge -- Arab Cartoonists and Religion: The Interdependence of Transgression and Taboo -- Hizbullah’s Humour: Political Satire, Comedy, and Revolutionary Theatre -- ‘Putting the Fun Back into Fundamentalism’: Toying with Islam and Extremism in Comedy -- Muslim Comedy in North America -- Queering Islam in Performance: Gender and Sexuality in American Muslim Women’s Stand-up Comedy -- Comedy as Social Commentary in Little Mosque on the Prairie: Decoding Humour in the First ‘Muslim Sitcom’ -- Conclusion -- Bibliography on Islam and Humour -- Index…”

“…This publication deals with artistically designed identities at the intersections of visual art, performance, theatre, film, cabaret, stand-up comedy and music, analysing the currently widespread but as yet rarely explored nature of such artistic characters’ representation. …”

Tabla de Contenidos: “…/ -- r Alexandra Negri -- -- t The Denunciation of Religious Collusion with Colonization in Devil on the Cross & Matigari / -- r Christophe Se ́ke`ne Diouf -- -- t The Weapons of Subjugation in Imbolo Mbue's How Beautiful We Were / -- r Benedicta Adeola Ehanire -- -- t Abrogating Aesthetic Boundaries in Contemporary Nigerian Poetry: A Reading of Femi Abodunrin's Poetry as Drama / -- r Sani Gambo -- -- t The End of Robert Mugabe: On Knowledge Production & Political Power / -- r Tinashe Mushakavanhu -- -- t The Text & Textual Fields of African Popular Literature: The Agency of Nigerian Stand-Up Comedy / -- r John Uwa -- -- t 'Ezuga' (Short Story) / -- r Kasimma -- -- t Four Poems: 'Mis/Identity'; 'Portable Longing'; 'Darkling Shores'; 'Mea Culpa' / -- r Eugen M. …”

Tabla de Contenidos: “…9 "Tell Your Neighbor Life is Very Tricky": Performing the City in Swahili Comedy Shows in Nairobi -- 1 Introduction -- 2 The Comedian: MCA Tricky -- 3 Stage Name and Persona -- 4 Stand-up Comedy -- 5 The Subject of Tricky's Performances -- 6 Nine Steps in the Episode "MCA Tricky Writes a Letter to the President" -- 7 Conclusion -- YouTube Videos -- Section 3: Intermedial Inquiries -- 10 A World(-System) of Debris: Ruins, Remains, and Self-Writing in Narratives across -- 1 Literary and Visual Storytelling across the Indian Ocean -- 2 Self-Writing, Indian Ocean Studies, and World-literature: Toward New Theoretical Departures -- 11 Unraveling Dichotomies in the Indian Ocean World -- 1 Reframing Mauritius: from Island State to Ocean State -- 2 Fluidity -- 3 Binarisms versus Oneness -- 4 Interconnectedness -- 5 Conclusion -- Part 3: Transatlantic Worlds and Artworks -- Section 4: Remembering Relations -- 12 The Transatlantic Slave Trade and the Reimagination of Colombian -- 1 Introduction -- 2 Jorge Artel and Tidalectic Poetry -- 3 Conclusion -- 13 Quaseilhas: a Performative and Transmedial Memory -- 1 Introduction -- 2 The Performance Space as Space-Time Capsule -- 3 Telling Stories and Fragmented Memories -- 4 Fragmented Stories -- 4.1 The Story Told in Camamu -- 4.2 The Story Told in Pantaleon -- 4.3 The Story Told in Quebra Machado -- 5 The In-Betweens: Visual, Sonic, and Symbolic Connections and Ruptures -- 6 Beyond Fragmented Memories: Afrofuturistic Perspectives -- 14 The Slave-Trade Trauma in Léonora Miano's La Saison de l'ombre (Season of the Shadow) -- 1 The Promise and Potential of African Narratives for the Study of Trauma -- 2 Miano's Origin, Career, and Interest in Slavery -- 3 Trauma Studies and the Postcolonial Movement -- 4 Miano and the Slave-Trade Trauma -- 5 The Traumatic Memory of Capture…”

“…McWilliams is no dusty economist; he is a communicator at the highest level, a highly telegenic and marketable expert who is as comfortable in front of a large audience talking about his favourite subject as he is appearing on podcasts, social media, and even in stand-up comedy. He's been called Ireland's most important economist and is ranked among the leading economists working today. …”