Materias:

Materias: Enlace del recurso

Tabla de Contenidos: “…Preface -- The art of sound design -- The science of sound and digital audio -- apturing original source material -- Optimizing your sound files -- Introduction to streaming media -- Encoding, serving, and streaming sound with RealAudio -- Designing multimedia presentations with SMIL and RealSystem G2 -- Playing, serving, and streaming MP3 -- Interactive sound design with flash and shockwave -- MIDI: quick and easy audio for the Web -- Designing audio Web sites with Beatnik -- A: Creating the ultimate Web sound studio, buyers guide and Web resources -- B: Audio format comparison -- Glossary -- Index…”

Tabla de Contenidos: “…5.8 Optimizing the Time–Frequency Resolution of DirAC for Critical Signals 119 -- 5.9 Example Implementation 120 -- 5.9.1 Executing DirAC and Plotting Parameter History 122 -- 5.9.2 DirAC Initialization 125 -- 5.9.3 DirAC Runtime 131 -- 5.9.4 Simplistic Binaural Synthesis of Loudspeaker Listening 136 -- 5.10 Summary 137 -- References 138 -- 6 Higher-Order Directional Audio Coding 141 /Archontis Politis and Ville Pulkki -- 6.1 Introduction 141 -- 6.2 Sound Field Model 144 -- 6.3 Energetic Analysis and Estimation of Parameters 145 -- 6.3.1 Analysis of Intensity and Diffuseness in the Spherical Harmonic Domain 146 -- 6.3.2 Higher-Order Energetic Analysis 147 -- 6.3.3 Sector Profiles 149 -- 6.4 Synthesis of Target Setup Signals 151 -- 6.4.1 Loudspeaker Rendering 152 -- 6.4.2 Binaural Rendering 155 -- 6.5 Subjective Evaluation 157 -- 6.6 Conclusions 157 -- References 158 -- 7 Multi-Channel Sound Acquisition Using a Multi-Wave Sound Field Model 161 /Oliver Thiergart and Emanue¨l Habets -- 7.1 Introduction 161 -- 7.2 Parametric Sound Acquisition and Processing 163 -- 7.2.1 Problem Formulation 163 -- 7.2.2 Principal Estimation of the Target Signal 166 -- 7.3 Multi-Wave Sound Field and Signal Model 167 -- 7.3.1 Direct Sound Model 168 -- 7.3.2 Diffuse Sound Model 169 -- 7.3.3 Noise Model 169 -- 7.4 Direct and Diffuse Signal Estimation 170 -- 7.4.1 Estimation of the Direct Signal Ys(k, n) 170 -- 7.4.2 Estimation of the Diffuse Signal Yd(k, n) 176 -- 7.5 Parameter Estimation 179 -- 7.5.1 Estimation of the Number of Sources 179 -- 7.5.2 Direction of Arrival Estimation 181 -- 7.5.3 Microphone Input PSD Matrix 181 -- 7.5.4 Noise PSD Estimation 182 -- 7.5.5 Diffuse Sound PSD Estimation 182 -- 7.5.6 Signal PSD Estimation in Multi-Wave Scenarios 185 -- 7.6 Application to Spatial Sound Reproduction 186 -- 7.6.1 State of the Art 186 -- 7.6.2 Spatial Sound Reproduction Based on Informed Spatial Filtering 187 -- 7.7 Summary 194 -- References 195 -- 8 Adaptive Mixing of Excessively Directive and Robust Beamformers for Reproduction of Spatial Sound 201 /Symeon Delikaris-Manias and Juha Vilkamo…”

Materias:

Materias:

Materias: “…Sound Recording and reproducing…”

Tabla de Contenidos: “…List of ContributorsChapter 1: Gender In Music Production- An IntroductionRuss Hepworth-Sawyer, Liesl King & Mark Marrington Part I: History and ContextChapter 2: Mark Marrington, Women in music production: a contextualized history from the 1890s to the 1980sChapter 3: Marco Antonio Juan de Dios Cuartas, The role of women in music production in Spain during the 1960s: Maryní Callejo and the "Brincos Sound"Chapter 4: Gurutze Lasa Zuzuarregui, The Representation of Women in the Twentieth and Twenty-First Centuries TrikitixaChapter 5: Rebekka Kill, "Hey boy, hey girl, superstar DJ, here we go..." …”

Materias:

Materias:

Tabla de Contenidos: “…Cover; Audio Engineer's Reference Book; Copyright; Contents; Preface to first edition; Preface to second edition; Contributors; 1 Basic principles; 1.1 Mathematics, formulae and equations; 1.2 Units used in audio engineering; 1.3 The physics of sound waves; 1.4 The hearing process; 1.5 Perceptual audio coding; 1.6 Noise measurement; 1.7 Electromechanical analogies; 1.8 Introduction to digital audio; 2 Acoustics and acoustic devices; 2.1 Room acoustics; 2.2 Sound isolation and noise control; 2.3 Microphones; 2.4 Loudspeakers and headphones; 2.5 Stereo; 2.6 Microphones for stereo…”

Tabla de Contenidos: “…Introduction -- ch. 2. Sound and hearing -- ch. 3. Studio acoustics and design -- ch. 4. …”

Materias:

Tabla de Contenidos: “…Good Vibrations - The nature of sound; The physics of sound; Fourier; The Fourier transform; Transients; Musical ranges; Musical scales and temperaments; The harmonic series; Measuring sound; Radiation of sound; The near and far field…”

Tabla de Contenidos: “…Intro -- Cover -- Copyright -- Credits -- About the Author -- About the Reviewer -- Acknowledgments -- www.PacktPub.com -- Customer Feedback -- Table of Contents -- Preface -- Chapter 1: Introducing Game Audio with Unity -- Introduction to game audio -- Main game audio components -- Diegetic versus non-diegetic sound -- Audio layers or groups -- Getting started with unity -- Downloading unity -- An introduction to unity -- Downloading and importing project assets -- A tour of the village -- Importing audio into unity -- Inspecting the imported audio files -- Audio sources and listeners -- Adding an audio source -- 3D sound and spatial blending -- Summary -- Chapter 2: Scripting Audio -- Introduction to scripting in Unity -- Building a musical keyboard -- Importing and playing notes -- Enhancing the virtual keyboard -- Weapons and sound -- Throwing the ax -- Understanding the axController script -- Playing sounds on collision -- Randomizing audio -- Background music -- Summary -- Chapter 3: Introduction to the Audio Mixer -- Introducing the Unity Audio mixer -- Creating mixer groups -- Shaping audio with effects -- Visualizing audio equalization -- The master mixer and controlling signal flow -- Routing audio signals in the mixer to effects -- Audio effects breakdown -- Equalization effects -- Lowpass and Lowpass simple -- Highpass and Highpass simple -- ParamEQ -- Delay effects -- Echo -- SFX reverb -- Flange -- Chorus -- Other effects -- Pitch Shifter -- Normalize -- Compressor -- The duck volume effect -- Summary -- Chapter 4: Advanced Audio Mixing -- Recording audio changes with snapshots -- Pausing the scene -- Audio Mixer scripting with parameters -- A dynamic audio wind effect -- Creating environmental audio zones -- Dynamic music mixing -- Summary -- Chapter 5: Using the Audio Mixer for Adaptive Audio -- Introducing adaptive audio…”

Materias:

Tabla de Contenidos: “…Behind the ScenesCareer Development; The Recording Process; Preparation; Recording; Overdubbing; Mixing Down; Mastering; Product Manufacture; The Transducer; CHAPTER 2 Sound and Hearing; The Basics of Sound; Waveform Characteristics; Amplitude; Frequency; Velocity; Wavelength; Phase; Phase Shift; Harmonic Content; Envelope; Loudness Levels: The Decibel (dB); Logarithmic Basics; The dB; The Simple Heart of the Matter; The Ear; Threshold of Hearing; Threshold of Feeling; Threshold of Pain; Taking Care of Your Hearing; Psycho-acoustics; Auditory Perception; Beats; Combination Tones; Masking…”

Tabla de Contenidos: “…-- A Word on Professionalism -- In Conclusion -- Chapter 2 Sound and Hearing -- The Basics of Sound -- Waveform Characteristics -- Amplitude -- Frequency -- Frequency Response -- Velocity -- Wavelength -- Reflection of Sound -- Diffraction of Sound -- Phase -- Harmonic Content -- Envelope -- Loudness Levels: The Decibel -- Logarithmic Basics -- The Decibel -- Sound-Pressure Level -- Voltage -- Power -- The "Simple" Heart of the Matter -- The Ear -- Threshold of Hearing -- Threshold of Feeling -- Threshold of Pain -- Taking Care of Your Hearing -- Psychoacoustics -- Auditory Perception -- Beats -- Combination Tones -- Masking -- Perception of Direction -- Perception of Space -- Direct Sound -- Early Reflections -- Reverberation -- Chapter 3 Studio Acoustics and Design -- Studio Types -- The Professional Recording Studio…”