Recurso relacionado

Tabla de Contenidos: “…; 2.13 Sound Defined; 2.14 Key Characteristics of Sound Waves; 2.15 Frequency Response; 2.16 Conclusion; Self-Study; Questions; Answers; Projects…”

Materias: “…Sound in motion pictures…”

Tabla de Contenidos: “…PC Audio Editing: Broadcast, desktop and CD audio production; Copyright; Contents; Foreword; Preface; 1 Visual editing; 2 Some technical bits; 2.1 Loudness, decibels and frequencies; 2.2 Hearing safety; 2.3 Analogue and digital audio; 2.4 Time code; 3 Hardware and software requirements; 3.1 PC; 3.2 Sound card; 3.3 Loudspeakers/headphones; 3.4 Hard disks; 3.5 Universal serial bus; 3.6 Firewire; 3.7 Audio editors; 3.8 Linear editors; 3.9 Non-linear editors; 3.10 Multitrack; 3.11 Audio processing; 3.12 Mastering; 3.13 CD recording software; 3.14 DVD; 3.15 MIDI; 3.16 Control surface; 4 Recording…”

Tabla de Contenidos: “…; 2.13 Sound Defined; 2.14 Key Characteristics of Sound Waves; 2.15 Frequency Response; 2.16 Conclusion; Self-Study; Questions; Answers; Projects…”

Materias: “…Acoustics & Sound|Aeronautics, Astronautics|Engineering and Technology|Physics|Science…”
Acceso restringido, con credenciales UPSA

Materias: “…Sound recordings Collectors and collecting…”
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Tabla de Contenidos: “….) -- 14 SONIDO EN EL CINE -- 14.1 LOCATION SOUND RECORDING (GRABACIÓN (...) -- 14.2 AMBIENCE (SONIDO DE AMBIENTE) -- 14.3 DIALOGUE (DIÁLOGOS) -- 14.4 POST PRODUCTION (POSPRODUCCIÓN) -- 14.5 ADR, AUTOMATED DIALOGUE REPLACEMENT (...) -- 14.6 FOLEY -- 14.7 SONIDO 3D -- 14.8 AMBISIONICS -- 15 EL ESTUDIO DE GRABACIÓN -- 15.1 EN EL ESTUDIO -- 15.1.1 LA SALA DE GRABACIÓN -- 15.1.2 EL CONTROL ROOM (SALA DE CONTROL) -- 15.2 PERSONAL HUMANO QUE INTERVIENE EN (...) -- 15.2.1 LOS MÚSICOS -- 15.2.2 LOS MÚSICOS DE ESTUDIO O SESIÓN -- 15.2.3 EL PRODUCTOR -- 15.2.4 EL INGENIERO -- 15.2.5 EL ASISTENTE -- 16 PREPARACIÓN DE UNA SESIÓN DE GRABACIÓN -- 16.1 PREPRODUCCIÓN -- 16.2 LA ELECCIÓN DE LA MICROFONÍA -- 16.3 POSICIONAMIENTO DE LA MICROFONÍA (SWEET (...) -- 16.4 MEZCLA DE AURICULARES (FOLDBACK MIX) -- 17 ALGUNOS DE LOS PRINCIPALES ESTUDIOS (...) -- 17.1 HISTORIA Y ORÍGENES DE LA INDUSTRIA (...)…”

Materias: “…Sound…”

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Materias: “…Computer sound processing Congresses…”

Tabla de Contenidos: “…Painless MIDI SignalsHow to Get a Sound Out with a Hardware MIDI Module; How to Get a Sound Out with a Soft Synth; Setting Up a MIDI Track and Recording onto It; Inputting Notes in the Piano Roll View; Inputting Notes in the Staff View; Recording Multiple Tracks; Saving MIDI Files; Working with Commercial MIDI Files; 5. …”

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Tabla de Contenidos: “…Cover; Dedications; Title; Copyright; CONTENTS; Introduction; Chapter 1 The Video Editor; Know Your Material; Workflow; Picture Lock; Sound Editing with Final Cut Pro and Sound Editors; The Audio Post Personnel; Chapter 2 What is Audio Post?…”

Tabla de Contenidos: “…chapter 1 The World of Mixing -- About the Profession and This Book / chapter 2 Listening -- Everything Is Relative / chapter 3 Laying the Foundation -- Creating a Starting Position / chapter 4 The Frequency Spectrum -- No Light without Darkness / chapter 5 Dynamics -- Without Soft There Is No Loud / chapter 6 Space -- There’s More Room than You Think / chapter 7 Time and Phase -- It’s All About the Sum of the Parts / chapter 8 Identity -- A Unique Sound / chapter 9 Effects -- Craziness with a Purpose / chapter 10 Automation -- Performing the Mix / chapter 11 Advanced Techniques -- Exploring the Boundaries / chapter 12 Bus Compression -- The Sum of the Parts / chapter 13 Templates -- Working Faster Means a Better Mix / chapter 14 Preparing for Mastering -- A Good Relationship / chapter 15 Mindset -- A Competition against Yourself / chapter 16 The Outside World -- Sound Engineering Means Working for Others / chapter 17 Tools -- Preconditions for Mixing Reliably / chapter Recommended Literature…”

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