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Tabla de Contenidos: “…Front Cover -- Applied Underwater Acoustics -- Applied Underwater Acoustics -- Copyright -- Dedication -- Contents -- List of Contributors -- Preface -- 1 - General Characteristics of the Underwater Environment -- 1.1 INTRODUCTION -- 1.2 A BRIEF EXPOSITION OF THE HISTORY OF UNDERWATER ACOUSTICS -- 1.2.1 UNDERWATER ACOUSTICS BEFORE 1912 -- 1.2.2 THE YEARS 1912 THROUGH 1918 -- 1.2.3 THE YEARS 1919 THROUGH 1939 -- 1.2.4 THE YEARS 1940 THROUGH 1946 -- 1.2.5 THE YEARS AFTER 1946 -- 1.3 INTERNATIONAL STANDARD UNITS -- 1.4 THE DECIBEL SCALES -- 1.5 FEATURES OF OCEANOGRAPHY -- 1.5.1 SOUND SPEED PROFILES -- 1.5.2 THERMOCLINES -- 1.5.3 ARCTIC REGIONS -- 1.5.4 DEEP ISOTHERMAL LAYERS -- 1.5.5 EXPRESSIONS FOR THE SPEED OF SOUND -- 1.5.6 SURFACE WAVES -- 1.5.7 INTERNAL WAVES -- 1.5.8 BUBBLES FROM WAVE BREAKING -- 1.5.9 OCEAN ACIDIFICATION -- 1.5.10 DEEP-OCEAN HYDROTHERMAL FLOWS -- 1.5.11 EDDIES, FRONTS, AND LARGE-SCALE TURBULENCE -- 1.5.12 DIURNAL AND SEASONAL CHANGES -- 1.6 SONAR EQUATIONS -- 1.6.1 DEFINITIONS OF THE SONAR EQUATION TERMS -- 1.6.2 SONAR EQUATIONS -- 1.7 ABBREVIATIONS -- Acknowledgment -- REFERENCES -- 2 - Sound Propagation -- 2.1 THE CONCEPT OF WAVES -- 2.1.1 THE WAVE EQUATION FOR AN INVISCID FLUID -- 2.1.2 THE HELMHOLTZ EQUATION -- 2.1.3 HARMONIC WAVES -- 2.1.4 PLANE WAVES -- 2.1.5 CYLINDRICAL WAVES -- 2.1.6 SPHERICAL WAVES -- 2.1.7 PLANE WAVE DECOMPOSITION OF A SPHERICAL WAVE -- 2.2 SOUND PROPAGATION IN A VISCOUS FLUID -- 2.2.1 DISPERSION FORMULAS -- 2.2.2 KRAMERS-KRONIG DISPERSION RELATIONS -- 2.2.3 CAUSALITY AND STOKES' EQUATION -- 2.2.4 PULSE PROPAGATION IN A VISCOUS FLUID -- 2.3 SOUND WAVES AND SHEAR WAVES IN MARINE SEDIMENTS -- 2.3.1 THE BIOT THEORY -- 2.3.2 THE GRAIN-SHEARING THEORY -- 2.4 SOURCE OR RECEIVER IN MOTION -- 2.4.1 DOPPLER FREQUENCY SHIFTS (SOURCE STATIONARY, OBSERVER IN MOTION)…”

Materias:

Materias: “…Engineering and Technology|Fine Arts and Music|Literature on music|Music|Music and books on music|Sound Recordings and Systems|Sound Technology…”
Acceso restringido, con credenciales UPSA

Materias: Acceso restringido con credenciales, usuarios UPSA

Materias: “…Sound Recording and reproducing…”

Tabla de Contenidos: “…Introduction to programming in ChucK. Basics: sound, waves, and ChucK programming ; Libraries: ChucK's built-in tools ; Arrays: arranging and accessing your compositional data ; Sound files and sound manipulation ; Functions: making your own tools -- Now it gets really interesting! …”

Tabla de Contenidos: “…; 3.5.2 Inputs, outputs, tracks and channels; 3.5.3 Track usage, storage capacity and disk assignment; 3.5.4 Dropping-in; 3.6 System latency; 3.7 Principles of audio editing; 3.7.1 Advantages of non-linear editing; 3.7.2 Sound files and sound segments; 3.7.3 Edit point handling; 3.7.4 Crossfading; 3.7.5 Editing modes; 3.7.6 Simulation of 'reel-rocking'; 4 MIDI and synthetic audio control; 4.1 Background; 4.2 What is MIDI?…”

Tabla de Contenidos: “…A Professional Guide to Audio Plug-ins and Virtual Instruments; Copyright; Contents; About the author; Acknowledgements; Introduction; 1 Overview; Pro Tools plug-in types; TDM; Pro Tools HD TDM systems; AudioSuite; RTAS; HTDM; MOTU Audio System (MAS) plug-ins for Digital Performer; VST plug-ins; Logic Audio plug-ins; Windows plug-ins; Managing plug-ins; Freeing up your DSP resources; In summary; 2 Optional Digidesign Plug-ins; Reverb One; D-Verb; DPP-1; DINR; Broadband Noise Reduction; In action; Hum Removal; Summary; Maxim; Bruno/Reso; Sound Replacer; D-FI; Lo-Fi; Sci-Fi; Recti-Fi; Vari-Fi…”

Tabla de Contenidos: “…General design considerationsSlew-rate limiting and TID; Advanced amplifier designs; Alternative design approaches; Contemporary amplifier design practice; Sound quality and specifications; Chapter 6. The compact disc and digital audio; Why use digital techniques?…”

Tabla de Contenidos: “…Some audio principles; 2.1 The physics of sound; 2.2 Wavelength…”

Tabla de Contenidos: “…CASCADING POWER AMPLIFIERSLINE AMPLIFIERS; VOLTAGE AMPLIFIERS; AUDIO LINES; COAXIAL TRANSMISSION LINES; HEARING AID INDUCTION LOOPS; DC COUPLED AMPLIFIERS; Chapter 4: Sound Waves and Decibels; THE AUDIO AND ELECTROMAGNETIC SPECTRA; THE 630 HZ TOOL; FREQUENCY AND WAVELENGTH; PROPAGATION; AUDIO MEASUREMENTS; NOISE AND DISTORTION THRESHOLDS; DECIBELS AND POWER; DECIBELS FURTHER EXPLAINED; Chapter 5: Transfer Characteristic and Networks; TRANSFER CHARACTERISTIC AND DISTORTION; ELECTRO-MECHANICAL AND ACOUSTIC TRANSFER; PREPARING FOR UNAVOIDABLE TRANSFER ERRORS; NETWORKS; ATTENUATORS…”

Tabla de Contenidos: “…-- 9.2 Perception of orchestral depth and perspective -- 9.3 General notes on placement of ancillary microphones -- 9.4 Panning and levels of ancillary microphones -- 9.5 Woodwinds -- 9.6 Brass -- 9.7 Percussion -- 9.8 Double bass section -- 9.9 Other string sectional microphones -- 9.10 Harp -- 9.11 Celeste -- 10 Surround sound techniques -- 10.1 Purpose of surround sound in classical music recording -- 10.2 Panning a Decca Tree in 5.1 surround -- 10.3 Natural reverberation: additional microphones for 5.1 surround -- 10.4 Artificial reverberation in 5.1 surround -- 10.5 Offstage effects in surround: location of sources behind the listener -- 10.6 Object-based audio: Dolby Atmos -- 11 Solo instruments and orchestra -- 11.1 Piano concerto: studio layouts -- 11.2 Single piano concerto: concert layout -- 11.3 Piano concerto conducted from the keyboard -- 11.4 A note on the size of the grand piano -- 11.5 Violin concerto: studio layouts -- 11.6 Violin concerto: concert layout -- 11.7 Wind concertos: studio and concert layouts -- 11.8 Cello concerto: studio and concert layouts -- 11.9 Guitar concerto: studio layout -- 11.10 Brass concertos: studio and concert layouts -- 11.11 Percussion concertos -- 12 Chamber ensembles -- 12.1 String quartet in studio layout -- 12.2 String quartet in concert -- 12.3 Piano quintet: studio and concert techniques -- 12.4 Piano quintet: reverse-seated studio position -- 12.5 Piano trio: studio and concert techniques…”

Materias: “…Sound recordings Production and direction…”

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Tabla de Contenidos: “…Dominique Nasta et Didier Huvelle: Introduction - Rick Altman. Cinema Sound at the Crossroads: A Century of Identity Crises ; Dominique Nasta. …”

Tabla de Contenidos: “…Memory, Sound and Occupation. Introduction to Part Two. Memory, Sound and Occupation / Jeremy E. …”