Tabla de Contenidos: “…List of Figures -- Notes on Contributors -- Synagonism: An Introduction -- Yannis Hadjinicolaou, Joris van Gastel and Markus Rath -- PART 1: Theory and Practice -- 1 El Greco’s Synagonism -- Yannis Hadjinicolaou -- 2 Touch and Trace: Clay in the Hands of the Baroque Sculptor -- Joris van Gastel -- 3 Raphael’s Mond Crucifixion and the Lesson of Santa Maria Novella -- Franz Engel -- PART 2: Collaborations -- 4 Normatively Conditioned Synagonism: Competition and Collaboration, Specialization and Quality Enhancement in the Context of Guild Monopolies on Painting -- Danica Brenner -- 5 A Soul for a Bridge: On the History of Architectural Collaborations with the Devil -- Jasmin Mersmann -- 6 The Burden of Success in Quattrocento Sculpture: Lorenzo Ghiberti, Mino da Fiesole, Donatello -- Fabian Jonietz -- PART 3: Intermedialities -- 7 Sound Spaces: Visualizations of Religious Music in Caravaggio -- Isabella Augart -- 8 Beyond the Paragone : Andrea del Sarto’s Color-Reduced Fresco Cycle in the Chiostro Dello Scalzo in Florence Considered as a Case Study of Synagonism -- Helen Boeßenecker -- 9 Medial Difference and Medial Synthesis in the Winged Altarpiece: The Oscillating Play of Artforms and the Range of Human Vision -- Sandra Hindriks -- PART 4: Nature and Art -- 10 Hands at Work: the Stone Cutter and the Artist -- Maurice Saß -- 11 Renaissance Architectural Culture and Geological Inquiry -- Elizabeth J. …”

Tabla de Contenidos: “…-- How to write about what you don't know -- Aristotle in a bottle -- Chris Vogler: the bozo's journey -- Variety of action -- Exploring possibilities -- Observing characters -- Character point of view -- A character psi chart -- Protagonist vs. antagonist -- Hit and -mis -- Modes of comedic dialogue -- The importance of subtext -- Exposition -- Yiddish sound theory -- Inexplicable humor -- Alliteration as ally -- Character, location, and other names -- Fonetic spellings/phoreign words -- Satire -- Parody -- Black comedy -- Vulgarity and bad taste -- Poetry -- Songs -- The list -- The monologue -- Letters -- Other forms -- Thoughts on TV writing -- Thoughts on playwriting -- Thoughts on audio/radio writing -- The query letter -- Sales -- Promotion -- Syndication -- On reflection: being a writer…”

Tabla de Contenidos: “…/ William Brown -- Movie-games and game-movies: towards an aesthetics of transmediality / Douglas Brown and Tanya Krzywinska -- Saw heard: musical sound design in contemporary cinema / K.J. Donnelly -- The shape of 1999: the stylistics of American movies at the end of the century / Barry Salt -- Tales of epiphany and entropy: paranarrative worlds on YouTube / Thomas Elsaesser -- Feminism, philosophy, and queer theory. …”

Tabla de Contenidos: “…The New York times -- Interlude : on backpack journalism : from an interview with Bill Gentile, American University -- Finding a story and shaping the structure : starting with character in Jigar Mehta's The recession proof artist -- Interlude : becoming a documentary journalist : from an interview with the Renaud Brothers -- Shooting the image : composition and lighting in Travis Fox's Narcocorridos and Nightlife in Mexicali and Crisis in Darfur Expands -- Interlude : short video documentaries : from an interview with Ann Derry, video director, The New York Times -- Conducting interviews and writing a script : Icarus refried : a pro-creative process -- Interlude : the most important journalists : from an interview with Jimmy Orr, managing editor, online,The Los Angeles times -- Editing for rhythm : Travis Fox's redefining China's family : women -- Interlude: starting out as a multimedia journalist : from an interview with Angela Morris, freelance video journalist -- Getting clean audio and crafting a sound design : an audio workshop with Philip Bloom, Travis Fox, and Wes Pope -- Interlude : the importance of blogging and the watchdog reporter : from an interview with John Yemma, editor, The Christian Science monitor -- The blogging journalist : Travis Fox and the Mexican border stories -- Conclusion -- Afterword : "new voices" by Bob Sacha.…”

Tabla de Contenidos: “…Modernity and the Classic Gangster Film -- Silent and early sound contexts for the 'classic' cycle -- The 'classic' cycle in its critical context -- Little Caesar: an untypical 'classic' -- The gangster and modernity -- The Public Enemy: modernity, space, and masculinity -- The gangster and the gang -- Scarface: everything to excess -- Repressing modernity: the studios and the Hays Office -- The Post-Code Gangster: Ideology and Social Conscience -- The return of ideology: the G-Man and early post-moratorium variations -- The social gangster -- 'He used to be a big shot': The Roaring Twenties, history, modernity, and the gangster -- The Death of the Big Shot: the Gangster in the 1940s -- Early variations of the 1940s -- High Sierra: re-visiting and renewing the genre -- Revisiting the family plot -- The post-war big shot -- Outside Society, Outside the Gang: the Alienated Noir Gangster -- Post-war transitions: film noir's cultural and cinematic context -- Film noir and its discourses -- Gangsters and film noir -- The emasculated male in early gangster noir -- From small gangs to big business -- Late gangster noir: the triumph of technology -- Order and Chaos, Syndicates and Heists -- Heists: rationalised gangs and fragmented individuals -- Syndicates and rogue cops: un-American visions -- Nostalgia and Renewal in the Post-Classical Gangster Film -- From retro to modern: gangsters in the 1960s -- The gangster film as epic: The Godfather trilogy -- Gangsters on the margins: the gangster-loser film and blaxploitation…”

Tabla de Contenidos: “…. -- Further reading -- Chapter 4: Playing and Manipulating Sounds -- Technical requirements -- Playing different one-off sound effects with a single AudioSource component -- Getting ready -- How to do it... -- How it works... -- There's more... -- Playing a sound at a static point in 3D world space -- Playing and controlling different sounds each with its own AudioSource component -- Getting ready -- How to do it... -- How it works…”

Tabla de Contenidos: “…Changing the Frame Rate -- Reversing Frames -- Adding and Removing Keyframes from a Classic Tween -- Scaling and Rotating a Classic Tween -- Adding Color Effects to a Classic Tween -- Creating a Classic Motion Guide Layer -- Animating Along a Classic Motion Guide -- Orienting Objects to a Classic Motion Path -- Easing In and Out of a Classic Tween -- 10 Animating with Shape Tweening -- Using Shape Tweening -- Creating a Shape Tween Form -- Adding and Removing Keyframes from a Shape Tween -- Changing Shape Positions with Shape Tweening -- Changing Shape Position and Form Simultaneously -- Adjusting Shape Tween Properties -- Changing Shape Tweening Color and Alpha Options -- Using Shape Hints -- Creating Animation Using ActionScript -- Using Inverse Kinematics -- Adding Bones to an Armature -- Editing Armatures and Bones -- Binding Bones -- 11 Creating Masks -- Understanding Masks -- Creating a Mask Layer -- Drawing a Mask -- Activating a Mask -- Editing a Mask -- Removing a Mask -- Adding Layers to a Mask -- Animating a Mask Layer -- 12 Working with Sounds -- Importing Audio -- Using Audio on the Timeline -- Loading a Sound from a Shared Library -- Using Audio with ActionScript -- Loading a Streaming MP3 File -- Syncing Sounds to the Timeline -- Adding Effects and Looping Sounds -- Publishing Documents Containing Audio -- Editing Sounds -- Editing Sounds Using Soundbooth -- 13 Working with Video -- Using the Video Import Wizard -- Working with Video on the Stage -- Working with Video on the Timeline -- Using Movie Clips with Video Files -- Adding Cue Points to a Video -- Using Video with ActionScript -- Controlling Video Through Movie Clips -- Using the FLV Playback Component -- Working with the Video Encoder -- Working with Alpha Channel Masks -- Exporting as a QuickTime Video -- Exporting as a FLV File -- 14 Using Basic ActionScripts…”

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“…Both practical and theoretically sound, this approach is drawn from current international trends in architectural, digital, and industrial design, and focuses on the structural and functional properties of the artifact being designed rather than the processes used to design it. …”
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Tabla de Contenidos: “…Conté obres de: Alberto Campo Baeza (Casa de Blas, Caja de Granada, Nueva sede para la Editorial SM), Archi-Tectonics (SoundScape, Proyecto Greenwich Street), AMP Arquitectos (Sede de la Presidencia del Gobierno de Canarias, Ampliación del Jardín de Aclimatación de La Orotava, Centro de convenciones Tenerife Sur), Asymptote (Carlos Miele Flagship, Hydra Pier), Bolles + Wilson (Nuevo Teatro Luxor, Barrio LB Dom Norte, RS + Yellow Furniture), César Pelli (Museo Nacional de Arte Contemporáneo de Osaka, Ampliación del Centro de Diseño del Pacífico), Claesson Koivisto Rune (Casa Kråkmora Holmar, Casa No 5, Edificio Sfera), Coop Himmelb(l)au (Edificio de apartamentos SEG, BMW Welt, Museo de las Confluencias), Cruz y Ortiz Arquitectos (Estadio de la Comunidad de Madrid, Pabellón de España Hannover 2000, Remodelación de la estación de Basilea), Daniel Bonilla (Pabellón de Colombia Hannover 2000, Capilla de la Milagrosa), Dominique Perrault (Biblioteca Nacional de Francia, Piscina y velódroomo olímpicos, Teatro Mariinsky -segunda fase), Döring Dahmen Joeressen (Kai 13, Metropolitan, Casa unifamiliar Panthöfer), Eduardo Souto de Moura (Estadio de Braga, Casa del Cine Manoel de Oliveira, Casas en Ponte de Lima), EMBT Arquitectes (Restauración del mercado de Santa Caterina, Campus Universitario en Vigo), Eric Owen Moss (The Box, Stealth, Museo Guangdong) -- URV…”

“…With his mother, who experiences depression and has attempted suicide in the past, Cooper has to hold truths back so that things sound better than they are in order to sustain her emotional well being. …”

“…Tailored to the specifications of the British Library’s EAP (Endangered Archives Programme) projects, it is full of sound, practical advice about planning and carrying out a successful digitisation project in potentially challenging conditions. …”

“…Time ticks in bomb countdowns. Sound is sirens. Plenitude is debris. All of it under surveillance. …”

“…Large quantities of oil were discovered in the Albertine Rift Valley in Western Uganda in 2006. The sound management of these oil resources and revenues is undoubtedly one of the key public policy challenges for Uganda as it is for other African countries with large oil and/or gas endowments. …”

“…This book represents the setting and trends that produced sound progress in American political growth «Many de facto and de jura governments in the international system are operated by various elites who, having seized the state apparatus, plunder resources; corrupt national legitimacy and viability; and facilitate individual/clique profiteering, group supremacy, ethnic and/or theocratic revenge, ruthless control, and exploitation of the population. …”

“…He explores authorial purposes ranging from technical attempts to match sound and genre to the lofty aims of improving the vernacular or ennobling culture, from the dramatist's practical search for verse forms suited to the stage to Milton's quest for a meter fit to convey divine relation…”

“…The present volume comprises novel studies – mainly of a quantitative-analytical nature – on the supply, demand and contextual aspects of modern tourism. It contains a sound mix of theory, methodology, policy and case studies on various tourism issues in different parts of the world…”