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Tabla de Contenidos: “…Vitalism and Abstraction: Rhythm and Non-Organic Life from Hans Richter to Sergei Eisenstein -- 2. New Worlds: Uexküll's Umwelt Theory at the Movies -- 3. …”

Tabla de Contenidos: “…II: The case studies of directing. Sergei Eisenstein : the historical dialectic -- John Ford : poetry and heroism -- George Stevens : the American character : desire and conscience -- Billy Wilder : existence at stake -- Ernst Lubitsch : the life force of romance -- Elia Kazan : drama as life -- Francois Truffaut : celebrate the child -- Roman Polanski : the aloneness of existence -- Stanley Kubrick : the darkness of modern life -- Steven Spielberg : childhood forever -- Margarethe Von Trotta : historical life and personal life intersect -- Lukas Moodysson : empathy and its limits -- Catherine Breillat : the warfare of sexuality -- Mary Harron : celebrity and banality -- Conclusion -- Appendix: Finding the director's idea…”

Tabla de Contenidos: “…: the general history of cinema according to Eistenstein / Pietro Montani -- Eisenstein's mummy complex : temporality, trauma, and a distinction in Eisenstein's Notes for a general history of cinema / Philip Rosen -- Sergei Eisenstein and the Soviet models for the study of cinema, 1920s-1940s / Masha Salazkina and Natalie Ryabchikova…”

Tabla de Contenidos: “…The birth of the sixth art (1911) / Ricciotto Canudo -- The montage of film attractions (1924) / Sergei Eisenstein -- Provisional instructions to Kino-eye groups (1926) / Dziga Vertov -- First principals of documentary (1932) / John Grierson -- Cinema instrument of poetry (1953) / Luis Buñuel -- An aesthetic of reality: neorealism (extract) (1948) / André Bazin -- 'Six characters in search of auteurs: discussion about the French cinema' (1957) / André Bazin ... …”

“…That is, it’s a history of the movies written from an alternative unfolding of historical time – a world in which neither the Bolsheviks nor the Nazis came to power, and thus a world in which Sergei Eisenstein never made movies and German filmmakers like Fritz Lang never fled to Hollywood, a world in which the talkies were invented in 1936 rather than 1927, in which the French New Wave critics didn’t become filmmakers, and in which Hitchcock never came to Hollywood. …”

“…With chapters focusing on photomontage, the film theories of Sergei Eisenstein, Mies van der Rohe's spatial experiments, and Rem Koolhaas's use of literary montage in his seminal manifesto Delirious New York (1978), Stierli demonstrates the centrality of montage in modern explorations of space, and in conceiving and representing the contemporary city. …”

Tabla de Contenidos: “….) -- Romance sentimentale / Sergei Eisenstein, Grigori V. Alexandrov (1930, 20 min) -- Manhatta / Paul Strand, Charles Sheeler (1921, 10 min.) -- Coquille et le clergyman / Germaine Dulac (1926, 31 min.) -- Regen = Rain / Joris Ivens (1929, 14 min.) …”

Tabla de Contenidos: “…Front matter -- Índice -- Introducción / Sergei Eisenstein: ¡Que viva México! (1930, obra inconclusa) / Antonio Moreno: Santa (1931-1932) / Arcady Boytler: La mujer del puerto (1933) / Carlos Navarro: Janitzio (1934) / Fernando de Fuentes: ¡Vámonos con Pancho Villa! …”

“…In this book, Michael Frierson synthesizes the theories of the most prominent film editors and scholars, from Herbert Zettl, Sergei Eisenstein, and Noël Burch to the work of landmark Hollywood editors like Walter Murch and Edward Dmytryk. …”

Tabla de Contenidos: “….) -- Romance sentimentale / Sergei Eisenstein and Grigori V. Alexandrov (1930, France, 20 min.) -- Autumn fire / Herman G. …”

“…In this book, Luís Fernando Morales Morante explores the international history, technology, theory, practical techniques, psychology, and cognitive effects of editing across a range of media from around the world, featuring case studies from film, dramatic television, news media, music videos, commercials, and mobile-delivered formats, from the films of Sergei Eisenstein to Michael Jackson’s "Thriller" to coverage of the 2012 U.S. presidential elections. …”

“…One of the iconic figures of the twentieth-century cinema, Sergei Eisenstein is best known as the director of The Battleship Potemkin, Alexander Nevskii and Ivan the Terrible. …”

“…Se trata de un trabajo colectivo de expertos de España, Polonia, Chequia, Rusia y Ucrania, sobre la presencia del Quijote en sus respectivos países; e incluye entrevistas a destacados cineastas como Andrej Wajda o Jiri Menzel, y sobre Andrei Tarkovsky o Sergei Eisenstein. Mi personaje dice: “llena los pulmones con el aire vivificante de la vida y piensa en cómo seguir viviendo. …”

“…La pregunta por el rostro cinematográfico ha estado presente en gran parte de la reflexión teórica sobre el cine llevada a cabo por Béla Balázs, Gilles Deleuze, Jean Epstein, Sergei Eisenstein, Jacques Aumont o Walter Benjamin, entre otros. …”

Tabla de Contenidos: “…Pudovkin: Constructive Editing and Heightened Realism; Sergei Eisenstein: The Theory of Montage; Metric Montage; Rhythmic Montage; Tonal Montage; Overtonal Montage; Intellectual Montage; Eisenstein: Theoretician and Aesthete; Dziga Vertov: The Experiment of Realism…”

Tabla de Contenidos: “…Griffith; Vsevolod Pudovkin y Lev Kuleshov; Sergei Eisenstein; ACTIVIDADES SUGERIDAS; CAPÍTULO VIII. …”