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Tabla de Contenidos: “…Railway Sheds, Expo Pavilions, Terminals - Spatial Landscapes of the Future, p. 58 ; Railways Conquer Architecture, p. 62 ; Euston Station, London, p. 64 ; Lime Street Station, Liverpool, p. 66 ; Gare d’Austerlitz, paris, p. 68 ; Station Designed by german Master Builders, p. 70 ; Field of Experimentation Expo Pavilions, p. 72 ; Crystal Palace, London, p. 74 ; Glass Palace, Munich, p. 74 ; Palais des Machines, World Exhibition, Paris, p. 78 ;Interim Worlds: The Avant-garde and Fascination with Construction, p. 80 ; Main station on Santa Maria Novella, Florence, p. 82 ; “Tensegrity” Structures for Wide Halls – Richard Buckminster Fuller and the Consequences, p. 84 ; Olympic Stadium, Munich, p. 86 ; US Pavilion, Expo Osaka, p. 88 ; A New Type of Terminal: Station and Airport Buildings, p. 90 ; Roofing Over the Postal Vehicle Shed, Chur, p. 92 ; Waterloo lnternational Terminal, London, p. 94 ; Lehrter Main Station, Berlin, p. 98 ; New Stations for Deutsche Bahn - Visions, p. 100 ; How Concrete Became Lighter - 100 Years of Concrete Pioneers, p. 102 ; Concrete: The Building Material of the 20th Century, p. 106 ; The ldeal Industrial City - Citè Industrielle, p. 108 ; The Magazine ABC, p. 110 ; The Domino Model, p. 112 ; Système Hennebique: The Strength of Reinforced Concrete in Design, p. 114 ; Apartment House, 25bis rue Franklin, Paris, p. 116 ; Bally Shoe Factory, Dottikon, p. 118 ; Fiat Automobile Factory Lingotto, Turin, p. 120 ; Key Buildings of Dutch Modernism, p. 122 ; Bauhaus Dessau, p. 126 ; The Invention of the “Mushroom Column”, p. 124 ; Van Nelle Tobacco, Tea and Coffee Factory, Rotterdam, p. 128 ; Johnson Wax, Administration Building, Racine, Wisconsin, p. 130 ; The Further Development of a Modern Culture of Building in Concrete: Concepts for Free Spatial Forms, p. 132 ; Pier Luig Nervi - Engineer Architect, p. 134 ; Angelo Mangiarotti - The Design Impact of Concrete: Structural Systems, p. 136 ; Franz Dischinger and Concrete Shell Technology, p. 138 ; Eduardo Torroja - The Logic of Form, p. 140 ; Eladio Dieste - Thin-shell Brickwork Structures: Using Concrete Technology, p. 142 ; Heinz Isler - Spatial Form and Shell Technology, p. 144 ; Concrete and Architectonically Shaped Space, p. 146 ; Portuguese Pavilion, World Exposition on the Theme of the Oceans, Lisbon, p. 148 ; Menil Collection Museum, Houston, Texas, p. 150 ; Hochschule fïr Technik und Wirtschaft and Commercial Building on Ottoplatz, Chur, p. 152 ; Transitions - From Tectonics to Morphology, Andermatt, p. 154 ; The “Liberated Façade” - From Wall to Partition to Skin, p. 156 ; Iron Skeleton Structure and Curtain Wall, p. 160 ; Office Buildings Liverpool, p. 162 ; Menier Chocolate Factory Noisiel-sur-Marne, p. 164 ; From the New York Iron Works to the “Chicago Frame”, p. 166 ; First Leiter Building and Fair Building; Chicago, Illinois, p. 168 ; The Chicago School of Architecture, p. 170 ; The “'façade libre” - A Project of Modernism, p. 172 ; The Luxfer Prism Company - Frank Lloyd Wright's Studies and Projects, p. 174 ; The Industrial Building Culture in Germany, p. 176 ; “Le mur rideau” - Studies and Projects by Le Corbusier, p. 178 ; Industrial Façade Technology - Studies and Projects by Jean Prouve, p. 180 ; The Lightness of Post-war Modernism, p. 182 ; Ludwig Mirs van der Rohe: IIT Campus and Skyscraper Technology in Chicago, p. 184 ; An American School of Thought of Post-war Modernism: Skidmore, Owings & Merrill, p. 186 ; From “Liberated Space” to Transparent Skin: Egon Eiermann and Sep Ruf, p. 188 ; After 1973 - The Future of the Intelligent Building Envelope, p. 190 ; The Technology of Structural Glazing - Peter Rice and RFR, p. 192 ; Experiments in the Field of Material Technology - the Buildings of Renzo Piano Building Workshop, p. 194 ; Concepts for New Glass Façades, p. 196 ; Transformation Strategies, p. 198 ; The “Communicative” Building Envelope, p. 200 ; Process Thinking Conquers Construction – lndustrialisation from the Balloon Frame to the Skyscraper, p. 202 ; Balloon Frame and Skyscraper: The First Symbols of Successful Industrial Building, p. 206 ; Wooden Frame Construction: Balloon Frame and Western Frame, p. 208 ; The McCormick Factory: “Interchangeable Parts” as the Forerunner of Industrial Building, p. 210 ; The Chicago Frame and the lnvention of the Skyscraper, p. 212 ; Frank Lloyd Wright – Ballon-frame Construction Technique and Tectonic Design, p. 214 ; Mass Production and the Industrial Programme of Modern Architecture, p. 216 ; Albert Kahn and the 'Industrial Office', p. 218 ; Major and Model Developments, p. 220 ; Case Study Houses, p. 224 ; Empire State Building, New York, p. 226 ; Construction System Mindset Between the “Sputnik Shock” and the “Oil Shock” - Precursors and Consequences, p. 228 ; Jean Prouve: from the “baraque demonlable” to the “2CV de l'habitat”, p. 230 ; The General Panel System, p. 232 ; The USM Construction System, p. 234 ; Concrete Construction Systems, p. 236 ; Structuralism, p. 238 ; From Mass-made to Customised Production, p. 240 ; Bercy 2 Shopping Centre Charenton le Pont near Paris, p. 242 ; Spheres, Blobs and Digital Tectonics, p. 244 ; Combination of Industrial and Manual Techniques, p. 246 ; "Sustainable Building Design" - A Future Project, p. 248 ; Efficiency and Effectiveness of Systems, Structures and Elements, p. 252 ; The Invention of the Joint, p. 254 ; The Renault Distribution Centre, Swindon, p. 256 ; Aluminium Jubilee Pavilion, Paris, p. 258 ; IBM Travelling Exhibition Pavilion, p. 260 ; Air as Construction Material, p. 262 ; Material and Technology, Resources and Processes, p. 264 ; Shigeru Ban: The “Paper Tube Structure” Technique, p. 266 ; Profiling: a Constant Theme of Industrial Design, p. 268 ; Plastics, New Materials, Composities, p. 270 ; Metamorphoses in Glass, p. 272 ; “Light Tech” and “Low Energy” - A Watershed in The Way of Thinking, p. 274 ; The “New Atrium” , p. 276 ; The City Mall, p. 278 ; The Green Skyscraper, p. 280 ; The Newsirit and Peak_Lab Research Projects, p. 282 ; Regarding the Question of Habitat, p. 286 ; 10 Points Regarding a Culture of Sustainability, p. 288 ; Learning from Nature, p. 290 ; Low-energy Strategies, p. 292 ; The Sustainable Skin Concept, p. 294 ; Jean-Marie TJibaou Cultural Centre, Nouméa, p. 296 ; Sir Ove Arup: The Key Speech, 1970, p. 298 ; Notes, p. 306 ; Bibliography, p. 313 ; Index, p. 318 ; Picture Credits, p. 318 ; lndex of Names, p. 318 ; Index of Places and Projects, p. 320 ; Exhibition and Expo Projects, p. 322.…”

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