“…Pero en el Manojuelo de Romances (1601), Lobo la ve acosada por enemigos exteriores e interiores y por una corrupción moral celestinesca. …”
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“…El archiduque Rodolfo, vive una vida sin muchos alicientes en un entorno aristocrático con todos los lujos, peros sus romances amorosos no acaban de satisfracerle hasta que conoce a Marie. …”

“…La mayor parte de la obra lírica de Moratín es de carácter tradicional y festivo, con romances sobre el mundo islámico, y poemas eróticos como el Arte de las putas, prohibido por la Inquisición. …”

“…Analyzing the narrative structure and composition of the sagas and comparing them with other medieval works, Clover shows that the Icelandic authors, using Continental models, owe the prose form of their writings, as well as some basic narrative strategies, to Latin historiography and to French romance…”

“….; concilios y decisiones de la Sagrada Rota; rubricas y ceremonias; theologos expositivos y polemicos; theologos escolasticos y dogmaticos; moralistas; canonistas y legistas; asceticos y predicables; historia ecclesiastica; disciplina y ritos ecclesiasticos; historia profana; sobre la cronologia; geografos; sobre medallas y antiguedades; philosophos; astrologos y medicos; gramaticos, rhetoricos y poetas; romances y comedias; miscelaneos…”

“…La mayor parte de la obra lírica de Moratín es de carácter tradicional y festivo, con romances sobre el mundo islámico, y poemas eróticos como el Arte de las putas, prohibido por la Inquisición. …”

“…Entre el personaje y el director cuentan a lo largo de la pelicula la vida que hubo en el Palacio Imperial tal y como era en las distintas épocas. Desde los romances de Catalina la Grande hasta el Gran Baile Real de 1913. …”
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“…For Abecassis, Cohen's diverse oeuvre forms a single "roman fleuve" exploring this perturbing theme through fragmentation and grotesquerie, fantasies and nightmares, the veiling and unveiling of the unspeakable.Abecassis argues that Cohen should not be read exclusively through the prism of European literature (Stendhal, Tolstoy, Proust), but rather as the retelling—inverting and ultimately exhausting, in the form of submerged plots—of the Biblical romances of Joseph and Esther. The romance of the charismatic Court Jew and its performance correlative, the carnival of Purim, generate the logic of Cohen's acute psychological ambivalence, historical consciousness and carnal sensuality—themes which link this modernist author to Genesis as well as to the literary practices of Sephardic crypto-Jews. …”

“…Together the papers in this volume explore the implications of Bakhtin’s concept of the chronotope for a variety of theoretical topics such as literary imagination, polysystem theory and literary adaptation; for modern views on literary history ranging from the hellenistic romance to nineteenth-century realism; and for analyses of well-known novelists and poets as diverse as Milton, Fielding, Dickinson, Dostoevsky, Papadiamandis and DeLillo…”

“…All elements of which no trace can be found in any of the Eastern or Western Alexander romances. So what sources could Evliyâ have used? This article proposes an explanation drawing on the imaginary etymologies of some toponyms quoted in the presented texts…”

“…Mirada oriental, gesto optimista y narrativa que bebe de los cuentos, fábulas y romances de abuelas, juglares y cantautores. Un viaje por los repliegues de la humanidad en compañía de Jesús. …”

“…Por isso se compõe como uma crítica comparada e histórica de dois romances que tratam da guerra pós-independência: Os sobreviventes da noite (2008), do escritor Ungulani Ba Ka Khosa, e Neighbours (1995), da escritora Lilia Momplé. …”

“…Sin embargo, se hace dándole a un tiempo entidad a las lenguas romances, en particular a la que Juan de Valdés utiliza: el espanol. …”
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“…Exploring two related medieval justifications of literary pleasure-one finding hygienic or therapeutic value in entertainment, and another stressing the psychological and ethical rewards of taking time out from work in order to refresh oneself-Glending Olson reveals that, contrary to much recent opinion, many medieval writers and thinkers accepted delight and enjoyment as valid goals of literature without always demanding moral profit as well.Drawing on a vast amount of primary material, including contemporary medical manuscripts and printed texts, Olson discusses theatrics, humanist literary criticism, prologues to romances and fabliaux, and Chaucer's Canterbury Tales. …”

“…Considering the manuscript as a “whole book” rather than a miscellany of romances, saints' lives, and religious poems, these inter-connected essays focus on the physical, contextual, and critical intersections of Bodleian Library, MS Laud Misc. 108. …”