“…The resulting thirteen essays of Soundings: Documentary Film and the Listening Experience cover films made from WWII to the present day in locations across Europe and the Americas, and in styles ranging from political propaganda, industrial promotion and educative exposition, to more aesthetically-driven films taking their bearings from avant-garde art. …”

“…The essays cast light on questions of technique and stylistic change, patronage, collecting and iconography, and engage with issues such as the representation of race, gender, sexuality, political violence and propaganda, exile, and notions of the canon. The artists discussed here include Hogarth, Blake, Roubiliac, Thorvaldsen and Canova, all subjects of books by David Bindman, as well as Morland, Rowlandson, Gillray, Millais, Munch, Nevinson, and Heartfield.…”

“…Writing and publishing are the two poles around which the various contributions revolve, whose features respond to a project aimed at probing the intention underlying the work of authors and publishers engaged in transmitting not only news, but above all contents: from religious to cultural, literary, scientific, political, or propaganda. The aim is the one of trying to read European History through a lens supporting the trends of the contemporary world, reflecting opinions, strategies and communication methods developed in different eras, so as to arouse interest around aspects of past realities which reveal new historical processes …”

“…"A parlarne è una tunisina che ha gestito la propaganda militare dellIsis sui social network e conosce molto bene i segreti inconfessabili del mondo islamico. …”

Consulta i visualització de fragments a Google Llibres

Copia digital en la Biblioteca Digital Hispánica

“…Interfaith liaisons carried powerful resonances, as such unions could function as a tool of diplomacy, the catalyst for conversion, or potent psychological propaganda. Examining a wide range of source material including legal documents, historical narratives, polemical and hagiographic works, poetry, music, and visual art, Simon Barton presents a nuanced reading of the ways interfaith couplings were perceived, tolerated, or feared, depending upon the precise political and social contexts in which they occurred. …”

“…Durante once días y diez noches, el cortejo fantasmagórico avanzará por pueblos y ciudades entre hogueras, escarcha, brazos enhiestos y propaganda: una epopeya fascista de 467 kilómetros para demostrar quién manda en la nueva España.Sin embargo, la guerra no ha terminado. …”