Tabla de Contenidos: “…. -- Figure 1.5: Complex drift geology with mainly glacifluvial sand and gravel overlain by late glacial estuarine deposits at more than one height level, fronted on the lower ground by latest Devensian pink silts and sands. These are partially buried by the H -- Figure 1.6: Sites from the Atlas of Hillforts (Lock and Ralston 2017) showing excavated examples in chronological order: Hurly Hawkin (1) -- Dunsinane Hill (2) -- Castle Law, Forgandenny (3) -- Castle Law, Abernethy (4) -- Drumharvie (5) -- Clatchard Craig (6) -- Cas -- Figure 1.7: 'MacBeth's Castle' on Dunsinane Hill at 310 m OD. …”

Tabla de Contenidos: “…Finite Impulse Response Filters -- 12.1 Introduction: Spectral Processors -- 12.1.1 Filter Characteristics -- 12.1.2 Visualizing the Spectral Response of a Filter -- 12.1.3 Units of Time Delay -- 12.2 Basic Feedforward Filters -- 12.2.1 Low-Pass Filter -- Basic LPF Impulse Response -- Sine Wave Analysis -- 12.2.2 High-Pass Filter -- Basic HPF Impulse Response -- Sine Wave Analysis -- Filter Order -- 12.3 Additional Feedforward Filters -- 12.3.1 Comb Filter -- Comb Filter Impulse Response -- Additional Comb Filters -- Sine Wave Analysis -- 12.3.2 Band-Pass Filter -- BPF Impulse Response -- 12.3.3 Feed-forward Comb Filter with Gain = -1 -- 12.4 Changing the Relative Gain of a Filter -- 12.4.1 Changing the Gain of the Delay Line -- Generalized Sine Wave Analysis -- 12.4.2 Normalizing the Overall System Gain -- 12.5 Generalized Finite Impulse Response Filters -- 12.5.1 MATLAB FIR Filter Functions -- MATLAB fir1 Function -- MATLAB fir2 Function -- 12.6 Changing the Filter Order -- 12.7 Processing a Signal Using an FIR Filter -- 12.7.1 Convolution -- 12.8 Appendix I: Combining Multiple Filters -- 12.8.1 Series Filters -- Series LPF and HPF -- Two Series LPFs -- 12.8.2 Parallel Filters -- 12.9 Appendix II: Using an FIR Filter to Synthesize Pink Noise -- Bibliography -- 13. Infinite Impulse Response Filters -- 13.1 Introduction: Filters with Feedback -- 13.1.1 Spectral Analysis of Filters with Feedback -- 13.2 Basic Feedback Filters -- 13.2.1 Negative Feedback -- 13.2.2 Inverted Comb Filter -- 13.3 Combined Feedforward and Feedback Filters -- 13.3.1 All-Pass Filter -- Frequency Response of APF -- 13.3.2 Bi-Quadratic Filter…”

Tabla de Contenidos: “…(Comprehensive Office Building, Zhujiajiao Administration Center, Quingpu, Shangai, China, 2004-06), p. 334 ; PAULO MENDES DA ROCHA (Our Lady of the Conception Chapel, Recife, Pernambuco, Brazil, 2004-06), p. 340 ; CORINNA MENN (Conn Viewinf Platform, Flims, Switzerland, 2005-06), p. 346 ; MERKX + GIROD ARCHITECTEN (Selexyz Dominicanen Bookstore, Maastricht, The Netherlands, 2005-07), p. 352 ; JOSÉ RAFAEL MONEO (Prado Museum Extension, Madrid, Spain, 2001-07), p. 358 ; MORPHOSIS (Hypo Alpe-Adria Bank Headquarters, Udine, Italy, 2004-06), p. 364 ; MVRDV (GYRE Building, Shibuya-ku, Tokyo, Japan, 2006-07), p. 372 ; MANFREDI NICOLETTI (New Arezzo Hall of Justice, Arezzo, Italy, 2001-07), p. 378 ; VALERIO OLGIATI (Atelier Bardill, Scharans, Switzerland, 2006-07), p. 382 ; STUDIO PEI – ZHU (Digital Beijing, Control Center for the 2008 Olympics, Beijing, China, 2005-08), p. 386 ; RENZO PIANO (The New York Times Building, New York, New York, USA, 2005-07), p. 394 ; PTW ARCHITECTS (The Watercube, National Swimming Center, Beijing, China, 2003-08), p. 404 ; STUDIO ARNE QUINZE (Uchronia Message out of the Future, Burning Man Festival, Black Rock City, Black Rock Desert, Nevada, USA, 2006), p. 412 ; RCR ARQUITECTES (The Edge, Bussines Bay, Dubai, United Arab Emirates, 2008-), p. 418 ; ROJKIND ARQUITECTOS (Nestlé Chocolate Museum (Phase I), Toluca, Mexico City, Mexico, 2007), p. 424 ; MARC ROLINET (Chapel of the Deaconesses of Reuilly, Versailles, France, 2004-07), p. 430 ; HANS-JORG RUCH (Chesa Madalena, Zuoz, Switzerland, 2001-02), p. 438 ; SANAA/SEJIMA + NISHIZAWA (De Kunstlinie, Theater and Cultural Center, Almere, The Netherlands, 2004-07 / New Museum of Contemporary Art, New York, New York, USA, 2005-07), p. 442 ; THOMAS SCHÜTTE (Model for a Hotel, Fourth Plinth, Trafalgar Square, London, UK, 2007-08), p. 456 ; SCOPE CLEAVER (Princeton University Gallery of the Arts, Princeton University (120, 204, 24), “Second Life”, 2007), p. 460 ; ÁLVARO SIZA VIEIRA (Adega Mayor Winery, Argamassas Estate – Campo Maior, Portugal, 2005-06 / Iberê Camargo Foundation, Porto Alegre, Rio Grande do Sul, Brazil, 1998-2008), p. 466 ; SNØHETTA (Oslo Opera House, Oslo, Norway, 2003-08), p. 484 ; TONKIN LIU (Singing Ringing Tree, Crown Point, Burnley, UK, 2005-06), p. 492 ; BERNARD TSCHUMI (Zénith Concert Hall, Limoges, France, 2005-07), p. 496 ; UNSTUDIO (Hotel Castell, Zuoz, Switzerland, 2001-04 / Theater Agora, Lelystad, The Netherlands, 2004-07), p. 502 ; URBANIS (Dafen Art Museum, Dafen Village, Shenzhen, China, 2006-08), p. 516 ; PEKKA VAPAAVUORI (KUMUU, Main Building of the Art Museum of Estonia, Tallinn, Estonia, 2003-06), p. 524 ; VARIOUS ARCHITECTS (Make It Right/Pink Project, New Orleans, Louisiana, USA, 2007-), p. 530 ; WANDEL HOEFER LORCH (Ohel Jakob Synagogue, Jewish Center in Munich, St.…”

“…With contributions by Achim Aurnhammer, Cornelia Brink, Ulrich Bröckling, Jürgen Dendorfer, Nicolas Detering, Peter Eich, Nicole Falkenhayner, Andreas Gelz, Olmo Gölz, Joachim Grage, Barbara Korte, Dietmar Neutatz, Johanna Pink, Sitta von Reden, Anna Schreurs-Morét, Magnus Striet, Stefan Tilg, Ralf von den Hoff…”

“…With plenty of distinct action items, dozens of anecdotal illustrations and examples, and lists and tips for adapting bulletproof strategies to your own situation, Bulletproof Your Job will show you how to leverage the black-and-white stuff—your title, salary, and tenure—with the gray stuff—your relationship with coworkers, visibility in the workplace, and ability to make your boss look good—to ward off the pink stuff—the dreaded layoff notice. While you're at it, you'll be creating a long-term strategy for job security and career advancement that ensures you'll never feel this vulnerable again…”

“…It's not about 'painting your products pink': it's about transforming the way you think about women. …”

“…Structured chronologically, Colours of Art provides a fun, intelligent and visually engaging look at the greatest artistic palettes in art history – from Rafael’s use of perspective and Vermeer’s ultramarine, to Andy Warhol’s hot pinks and Lisa Brice’s blue women. Colours of Art offers a refreshing take on the subject and acts as a primer for artists, designers and art lovers who want to look at art history from a different perspective. -- Editor…”

“…This book defines Street Art as a genre related to, but distinct from graffiti writing, tracing its history from cave painting through to the Paris walls photographed by Brassai in the 1920s and on to the often witty, sophisticated imagery found on city streets today.The book will feature new and exclusive interviews with key figures associated with street art of the last thirty-five years, including Henry Chalfant, Lady Pink, Lee Quinones, Jenny Holzer, Blek Le Rat, Goldie, Mode 2, Barry McGee (Twist), Shepard Fairy (Obey), Futura 2000, Malcolm McLaren, Miss Van and Os Gemeos. …”

“…I couldn't put it down once I had started!" Dave Jones, Pink Elephant Written by an ITIL / ITSM Expert Daniel McLean is an ITIL consultant with over 20 years' experience in IT. …”

“…Adam Alter's previous book, Drunk Tank Pink:And Other Unexpected Forces that Shape How We Think, Feel, and Behaveis available in paperback from Penguin…”

“…Adam Alter's previous book, Drunk Tank Pink:And Other Unexpected Forces that Shape How We Think, Feel, and Behaveis available in paperback from Penguin"-- Provided by publisher…”

“…., Canada. He has operated Pink and Yellow Media since 2002, creating web and design solutions for small businesses and individuals. …”

“…The Drucker Lectures is a riveting read that reveals the depth and subtlety of one of America's most remarkable minds." -Daniel H. Pink, author of A Whole New Mind and Drive "Rick Wartzman really has brought Peter to life in The Drucker Lectures . …”