Tabla de Contenidos: “…Berdyczewski on the Centrality of Hebrew -- Bialik's “Tsafririm”: Innocence and Experience -- Death in a Furnished Room: Rereading Isaac Rosenfeld's Obituaries -- Philip Roth, Jewish Identity, and the Satire of Modern Success -- Rachel and the Female Voice: Labor, Gender, and the Zionist Pioneer Vision -- Revising the Past: The Image of the Idyllic “Village” -- Why Did the River Turn Red? …”

Tabla de Contenidos: “…The convergence of categories: race and class passing (James Weldon Johnson, The Autobiography of an Ex-Colored Man Nella Larsen, Passing; Philip Roth, The Human Stain) 182; CONCLUSION 201; WORKS CITED 205; INDEX 225…”

“…Entre los textos se recoge "Lo que dijo la cistoscopia" (del que Philip Roth dijo en una carta: "...No sale a cuenta ni siquiera para escribir un relato tan espléndido como «Lo que dijo la cistoscopia», no al menos mientras Aristófanes no sea Dios".) …”

“…Offering a radical critique of contemporary Israeli and diaspora fiction by major writers of the generation after Amos Oz and Philip Roth, this book asks searching questions about identity formation in Jewish spaces in the twenty-first century and posits global, transnational identities instead of the bipolar Israel/diaspora model. …”

“…Considerada cuando se publicó, en 1971, como la alternativa femenina al Alexander Portnoy de Philip Roth y a las primeras comedias de Woody Allen, Sheila Levine está muerta y vive en Nueva York continúa siendo la nota de suicidio más divertida que se haya escrito nunca…”

“…Elige "La broma", de Milan Kundera; "Todo fluye", de Vassili Grossman; "Historia de un alemán", de Sebastian Haffner; "El primer hombre", de Albert Camus; "La mancha humana", de Philip Roth; "Lord Jim", de Joseph Conrad; "Apuntes del subsuelo", de Fedor Dostoyevski; "Washington Square", de Henry James; y "El festín de Babette", de Karen Blixen. …”

“…Through readings of key authors from across the canon of Jewish American literature and culture—including Abraham Cahan, the New York Intellectuals, Philip Roth, and Jonathan Safran Foer—Benjamin Schreier shows how texts resist the historicist expectation that self-evident Jewish populations are represented in and recoverable from them. …”

“…They examine memoir, film, poetry and prose fiction, and look at work from a wide range of authors, including Anne Carson, Jonathan Franzen and Philip Roth, to provide new insights into established narratives of dementia and explore the complex ways that the disease resists representation and narration and questions traditional views of selfhood and human development…”