Tabla de Contenidos: “…Cover -- Half Title -- Series Information -- Title Page -- Copyright Page -- Table of Contents -- Figures -- Contributors -- Acknowledgements -- 1 Feminist Comics: An expanding Field -- Introduction -- An Expanding Historical Context: Feminist Comic Art in Sweden and Finland -- An Expanding Geographical Perspective: Feminist Comic Art in the Baltic Sea Region -- An Expanding Collaborative Landscape: Feminist Comic Art Activity in the Baltic Sea Region -- Comic Art and Feminism in the Baltic Sea Region: Transnational Perspectives -- Notes -- References -- Part I Swedish Feminist Comics Artists -- 2 Swedish Feminist Comics and Cartoons at the Turn of the Millennium: Joanna Rubin Dranger and åsa Grennvall (schagerström) -- Introduction -- Background: The Feminist Context -- Joanna Rubin Dranger -- The Feminist Superhero "Fittflickan" -- Miss Remarkable &amp -- Her Career -- Åsa Grennvall (Åsa Schagerström) -- Fanzines -- Violence Against Women -- Conclusion -- Notes -- References -- 3 A Woman's Place (in the Panel): Positioning and Framing in Comics by Nina Hemmingsson and Lotta Sjöberg -- Introduction -- Nina Hemmingsson and Lotta Sjöberg -- The Single-Panel Comic -- Theories of Positioning and Framing -- Positioning Theory -- Framing Theory -- Analysis -- Nina Hemmingsson -- Lotta Sjöberg -- Humour As Visual and Interactional Incongruity -- A Woman's Place: Discussion -- Notes -- References -- Part II Gender, Sex, and Sexuality in German-Language Comics -- 4 A Brief History of Girlsplaining?: Reading Klengel, Patu, and Schrupp With Strömquist. Or: Reflecting visualities of Gender and Feminism in German-Language Comics -- Introduction -- Contemporary German-Language Comics on Feminism and the Influence of Liv Strömquist's Works -- "HIDDEN in Our Culture" - Vulvas -- "maybe the Thinker COULD Look Like This" - Art Quotations…”

“…Está estruturado em duas partes, a primeira destaca aspectos da cultura e cidadania na perspectiva dos indígenas de João Câmara e Assu, dos quilombolas de Patu e dos educadores potiguares; na segunda parte a ênfase é sobre história e sociedade, ao descrever aspectos relacionados ao batismo e compadrio de escravos em Assú no século XIX e sobre o papel da imprensa e da memória acerca da libertação dos escravos em Mossoró. …”