“…New treatment prospects from pharmacogenetic and neurotechnology research bring hope to clinicians and patients alike that, with continuing scientific studies, precisely targeted care is becoming available, with the potential of further alleviating the symptoms. Music therapy and patient-centered nursing practice are important aspects of clinical care as new directions are explored. …”

“…Examining a wide range of source material including legal documents, historical narratives, polemical and hagiographic works, poetry, music, and visual art, Simon Barton presents a nuanced reading of the ways interfaith couplings were perceived, tolerated, or feared, depending upon the precise political and social contexts in which they occurred. …”

“…It is fitting that the final chapter provides a mathematical perspective on musical theory, one that reveals an unexpected connection with some of the book's main themes…”
Sumario

“…Imagination in aesthetics: imagination and our engagement with music, art, and fiction; the problems of fictional emotions and 'imaginative resistance'. …”

“…Narrated by Jim Caviezel (Passion of the Christ, Person of Interest) and with original music by Joe Kraemer (Mission Impossible: Rogue Nation, Jack Reacher) this is the incredible story of one man’s unwavering faith born of deep personal suffering, his steadfast defense of the dignity of the human person amidst the horrors of Nazi and Soviet Occupation, and his unyielding belief in the spiritual unity of Europe. …”

“…C'è una brigantessa 'moderna' che lavora sul web, raccontata dal poeta Renzo Paris. Le poesie sono musicate e cantate da Andrea Del Monte con la produzione di Nick Valente e Guido Guglielminetti e vari interventi che vanno da John Jackson a Roberto Cardinali. …”
Sumario

“…Riefenstahl's techniques, such as moving cameras, the use of telephoto lenses to create a distorted perspective, aerial photography, and revolutionary approach to the use of music and cinematography, have earned "Triumph of the Will" recognition as one of the greatest films in history. …”
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“…What should the balance of classic and pop be in the music curriculum? Should we encourage young children on the stage? …”

“…Each chapter provides a chronological, narrative account of movements interspersed with complete primary sources, from political speeches, internal movement circulars and articles, police reports, oral history, songs and music, photographs, artworks, poetry, and anti-fascist sources. …”

“…It serves as a guide for undergraduates, graduate students, and high-school upperclassmen in environmental studies, business, sociology, gender and sexuality, cross-cultural studies, music, religion, and communications and media"--…”

“…In the mid-sixties, it became a focal point and shop window for the new 'swinging' London, encompassing music, the visual arts, fashion and much more. It remained continuously at the forefront of developing trends throughout the following decade until it was the key breeding-ground for punk rock, whose sound, look and attitudes continue to shape global notions of youthful rebellion almost thirty years later. …”

“…The book nalyzes the semantic contents of the Pentateuch as oral rhetoric that takes the form of stories followed by lists of laws and sanctions, Gives equal space to its ritualization in the iconic and performative dimensions as to its semantic interpretation, and ully integrates the cultural history of the Pentateuch and Bible with its influence on Jewish and Christian ritual, and in art, music, theatre, and film. Understanding the Pentateuch as a Scripture is a groundbreaking work that highlights new research data and organizes the material to focus attention on the Pentateuch's --and Bible's -- function as a scripture."…”

“…- What can we learn from cinematic and literary models of authorship--and critiques of those models--with regard to authorship not only in television and recorded music, but also interactive media such as videogames and the Internet? …”
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“…Designed to promote access to culture, culture cards and cheques allow an often specifically-targeted demographic (schoolchildren, young people, etc) to access cultural goods or services (e.g. live entertainment, museums, books, recorded music, cinema, etc.) at a discount or even free of charge. …”

“…Concentrating on Appia's aesthetic ideas, writings, and professional accomplishments, this book traces his career from early days as a music student in his native Geneva, Paris, and Germany through his association with Houston Stewart Chamberlain and the Bayreuth circle, his exchanges with Gordon Craig, his work with Jaques-Dalcroze at Hellerau, and his crowning production (for Toscanini) of Tristan at La Scala, to his declining years and death in 1928. …”

“…To explore this critical terrain, the essays and images gathered here range in subject from independent film, musical production, endurance art and the performative turn in exhibition and repatriation practices to the appropriation of hip-hop, karaoke and reality TV. …”

“…Social networking, blogging, vlogging, gaming, instant messaging, downloading music and other content, uploading and sharing their own creative work: these activities made possible by the new digital media are rich with opportunities and risks for young people. …”

“…Building on the non-standard thought of Francois Laruelle's non-philosophy, while not beholden to it, The Non-Library attempts to leave the discourse of the university behind and uses its citations of Badiou, Borges, Bataille, and Dante instead to construct a philo-fiction more akin to the immanence of music and its many expressions rather than Philosophy's demand that all questions be eventually answered, that the Real is ultimately thinkable, or that all of Life might possibly be contained in the Library…”

“…Previously, Matt worked as the Senior Product Manager for the music startup Songza (acquired by Google) and as the Head of Consumer Product at Bitly. …”