Tabla de Contenidos: “….) -- AUTONOMÍA EN LA LECTURA EXPRESIVA -- SALUT D'AMOUR -- WANDERFUL TONIGHT -- AVE VERUM CORPUS (MOTETE) K618 -- RONDINO SOBRE UN TEMA DE BEETHOVEN -- LIEBESLIED ("PENAS DE AMOR") -- REPERTORIO V. …”

Tabla de Contenidos: “…Tres Kiryes sobre el canto llano de Rex Virginum (organo) (3:24) ; Ave maris stella, de Hernando de Cabeçon : lleva el canto llano el contrabaxo (La Moranda) (1:21) ; Otra Ave maris stella : canto llano, el tenor (organo) (1:46) ; Pange lingua : canto llano tenor (regale) (1:50) ; Otra Pange lingua : canto llano, tenor : y la música esprimier tono (organo) (1:59) -- Comiençan los motetes de a cuatro I. Queramus : moton con 2 y 3 parte (La Moranda & positivo) (8:38) ; Queramus : moton con diferente glosa con segunda parte (organo) (4:22) ; Clama neceses, Jusquin (Harmonices Mundi & positivo) (5:57) -- Comiençan los favordones de todos los ocho tonos. …”

Tabla de Contenidos: “…Wolinski -- Duo seraphim clamabant: homage, parody and Marian symbolism in a Motet and Antiphon from Renaissance Sevilla / Rory McCleery -- Music and architecture in the historic façade of the University of Salamanca / Amaya Sara García Pérez -- Artes de canto and music teaching in the Renaissacne Iberian world / Ascensión Mazuela-Anguita -- Con ayuda de nuestro señor: Teachin improvised counterpoint in Sixteenth-Century Spain / Giuseppe Fiorentio -- Improvisational practice and harmonic composition in Mid-Sixteenth-Century Italy and Spain / Luca Bruno -- Non se tenga por maestra complida: the skilful medieval female performer and her challenge to the social and intellectual space dominated by males / Mauricio Molina -- The Spanish prohibition of women listening to music: some reflections on Juan Luis Vives and the Jewish and Muslim Legacy / Pilar Ramos López -- Revising polyphonic lamentations: composition transmission and performance practice context / Sergi Zauner -- Alternative to the "English a cappella heresy": performance practice of sacred spanish polyphony in English Domestic Circles Based on Elizabethan and Early Jacobean sources / Hector Sequera -- Reflections on Our Mimetic Heritage: from Plato / Leo Treitler…”

Tabla de Contenidos: “…Música viella & duduk -- Mater Dei plena gratia / Mater, virgo pia / Eius. Motet anònim (Còdez de montpeller, 66) /La Capella Reial de Catalunya & Hespèrion XXI -- Música: tambor -- Istampitta: Belicha (instr.) flauta & percussió) / Pierre Hamon, Pedro Estevan -- Narració: Blanquerna estava en oració... -- Ave, donna santíssima - Anònim. …”

Tabla de Contenidos: “…Chansons, madrigals, songs, motets and preludes from German tablatures of Matthäus Waissel (1540-1602): Pierre PHALESA (1571) Preambulum I -- Pierre PHALESA (1571) Preambulum II Ludwig SENFL (1486-1543) -- Was wirt es doc ANONYMOUS -- Zarth freundtlichs M. …”

“…Bach was a natural language; he wrote fugues in organ toccatas and voluntaries, in masses and motets, in orchestral and chamber music, and even in his sonatas for violin solo. …”

“…Bach was a natural language; he wrote fugues in organ toccatas and voluntaries, in masses and motets, in orchestral and chamber music, and even in his sonatas for violin solo. …”

“…Den oppfordrer til å skape skandinaviske byrom som i større grad gir plass til det som hele tiden oppstår i møtet mellom mennesker…”

“…Bidraga syner på ulike vis at utfallet av møtet mellom det etablerte og dei nye aktørane og praksisane i stor grad vert avgjort av samhandlinga mellom det tradisjonelle og det nye. …”

“…Denne boken tar for seg møtet mellom humor og religion i ulike sammenhenger. …”

Fitxa a l'IFMUC