Tabla de Contenidos: “…Introduction : the integrated mind -- Jane Austen and self-consciousness -- "A mind lively and at ease" : imagination and Emma -- "You pierce my soul" : feeling embodied and persuasion -- George Eliot and other-consciousness -- "A voice like music" : the problem of other minds and Middlemarch -- "Beloved ideas made flesh" : the embodied mind and Daniel Deronda -- Thomas Hardy and nonintrospective consciousness -- "Now I am melancholy mad" : mood and Jude the obscure -- "That blue narcotic haze" : dreams, dissociation, and Tess of the d'Urbervilles -- Coda : the neurology of narrative…”

Tabla de Contenidos: “…Art criticism and mid-Victorian exhibitions -- Interpreting Cleopatra : aesthetic guidance in Charlotte Brontë's Villette and George Eliot's Middlemarch -- Sensational sentiments : impressionism and the protection of difficulty in late-Victorian art criticism -- Conclusion : "An astonishingly tasteless idea"? …”

Tabla de Contenidos: “…A frame-theoretical and intermedial complement to classical narratology / Werner Wolf -- Large intermental units in Middlemarch / Alan Palmer -- Mediacy, mediation, and focalization : the squaring of terminological circles / Monika Fludernik -- Directions in cognitive narratology : triangulating stories, media, and the mind / David Herman -- Hypothetical intentionalism : cinematic narration reconsidered / Jan Alber -- Sapphic dialogics : historical narratology and the sexuality of form / Susan S. …”

Tabla de Contenidos: “…Fact, theory, and literary explanation -- The concept of genre in eighteenth-century studies -- Literary permanence and critical change -- Literary constructs : experience and explanation -- Literary form in factual narrative : the example of Boswell's Johnson -- The dramatic monologue and related lyric forms -- Notes on some structural varieties and variations in dramatic "I" poems and their theoretical implications -- Defoe, Richardson, Joyce and the concept of form in the novel -- The emergence of the novel in England : genre in history vs. history of genre -- From Richardson to Austen : "Johnson's rule" and the eighteenth-century novel of moral action -- Tom Jones : the form in history -- "Big with jest" : the bastardy of Tristram Shandy -- The comparative anatomy of three "baggy monsters" : Bleak house, Vanity fair, Middlemarch -- Barchester towers : a fourth baggy monster -- Lord Jim and the formal development of the English novel -- Exodus and return : Joyce's Ulysses and the fiction of the actual -- The logic of Ulysses, or why Molly had to live in Gibraltar…”

Tabla de Contenidos: “…Blumberg -- Florence Nightingale's contributions to economics / Mary Poovey -- The cost of everything in Middlemarch / Gordon Bigelow -- Demand and desire in Dracula / Deanna K. …”

“…Consta de tres nouvelles que aparecieron anónimamente por entregas en la revista Blackwood’s y luego se publicarían en un libro en 1858, ya firmado por George Eliot. Si Middlemarch sería la crónica de la vida en provincias, estas Escenas, situadas en las ficticias poblaciones de Shepperton y Milby, en las Midlands, lugar de nacimiento de la autora, son una crónica de la vida rural, trazada especialmente alrededor de la figura del párroco, uno de los personajes más relevantes de la narrativa británica del siglo XIX. …”

Tabla de Contenidos: “…46 : Emma / Jane Austen. Middlemarch / George Eliot. - X, 600 p.…”