“…"'Straniere a se stesse' esamina i primi tre lungometraggi a soggetto girati da Michelangelo Antonioni ("Cronaca di un amore", "La signora senza camelie" e "Le amiche") nel contesto storico e culturale dell'Italia degli anni cinquanta, mettendo in rilievo il complesso nodo che lega i personaggi femminili, centrali nelle pellicole analizzate, e le contraddizioni ancora irrisolte dell'identità nazionale del dopoguerra. …”
Sumario

Acceso restringido UPSA

Tabla de Contenidos: “…Caligari's cabinets : the set design of Ken Adam / Donald Albrecht -- Opening ceremonies : typography and the movies, 1955-1969 / Peter Hall -- Only in Hollywood : confessions of a location manager / Bob Craft -- Escape by design / Maggie Valentine -- Tearing down the house : modern homes in the movies / Joseph Rosa -- Architecture in a mode of distraction : eight takes on Jacques Tati's Playtime / Joan Ockman -- The consuming landscape : architecture in the films of Michelangelo Antonioni / Mitchell Schwarzer -- Shadows in the hinterland : rural noir / Jonathan F. …”

Tabla de Contenidos: “…Clarke & Marcus Doel -- Landscape and archive: trips around the world as early film topic (1896-1914) / Antonio Costa -- A walk through heterotopia: Peter Greenaway's landscapes by numbers / Bridget Elliott & Anthony Purdy -- Landscape and perception: on Aanthony Mann / Tom Conley -- The cinematic void: desert iconographies in Michelangelo Antonioni's Zabriskie Point / Matthew Gandy…”

Tabla de Contenidos: “…Music, Dance and the Image in Michelangelo Antonioni's Blow-Up 163 Gesture Capture: Paradigms in Interactive Music/ Dance Systems 183 Tables of Weights and Measures: Architecture and the Synchronous Objects Project 195 Synchronous Objects, Choreographic Objects, and the Translation of Dancing Ideas 207 Communicating, Distilling, Catalyzing. …”

“…In close readings of Michelangelo Antonioni's "L'Avventura", Andrei Tarkovsky's "Mirror", and the ten short films that make up Krzysztof Kieslowski's "Decalogue" series, Mroz highlights how film analysis must consider both particular moments in cinema which are critically significant, and the way in which such moments interrelate in temporal flux. …”

“…From a perspective sympathetic to popular culture, this study analyzes a large number of primarily American and French films by a variety of distinguished directors, including Alfred Hitchcock, Claude Chabrol, John Frankenheimer, Michelangelo Antonioni, and Costa-Gavras. The first section of the book is primarily theoretical. …”

Tabla de Contenidos: “…The endless endings of Michelangelo Antonioni's films / Jose Moure -- 8. The film that dreams : about David Lynch's Twin Peaks season 3 / Dominique Chateau -- 9. …”

“…Adoptem l’aparat crític de Gilles Deleuze com a base per establir un diàleg entre una obra fotogràfica en paper i les obres cinematogràfiques de quatre autors com Yasujiro Ozu, Roberto Rossellini, Michelangelo Antonioni i Chantal Akerman. Pretenem demostrar que, tot i les evidents diferències, el fotollibre es converteix en un mitjà ideal per establir ponts entre la imatge fixa i la imatge en moviment. …”
Accés lliure

Tabla de Contenidos: “…El enlace de Week-end de Jean-Luc Godard (1967) con "La autopista del sur" de Julio Cortázar (1966) -- The Jam: Cortázar y Caín en "La autopista del sur" -- De diarios y pasajes: "Diario para un cuento" de Julio Cortázar y su transposición al cine en la mirada de Jana Bokova -- La narración paradójica llevada al paroxismo: Julio Cortázar leído por Keren Cytter, Michelangelo Antonioni y Manuel Antín -- Avatares de la fricción en el corpus Operación Masacre de Rodolfo Walsh, Julio Troxler y Jorge Cedrón -- Lenguaje solidario y pantalla solitaria: Luis Puenzo ante la ética narrativa de Albert Camus en La Peste (1947/1992) -- La terraza: Torre Nilsson "despliega" un relato de Beatriz Guido -- Entre la letra y la imagen El lugar del guion en Tres de corazones de Sergio Renán -- Dibujos laboriosos de unas escenas: la translación de La prueba (César Aira) a Tan de repente (Diego Lerman) -- "De eso (no) se habla" en la obra de Lucía Puenzo -- Los autores…”

Tabla de Contenidos: “…François TruffautJean-Luc Godard; Alain Resnais; Michelangelo Antonioni; CONCLUSION; APPENDIX; BIBLIOGRAPHY; CUTTING ROOM PROCEDURE; Synchronisation of Rushes; Editing the Film; Opticals; Sound Editing; GLOSSARY OF TERMS; A; B; C; D; E; F; I; J; K; L; M; N; O; P; R; S; T; W; Z; INDEX; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z…”