“…Le présent ouvrage, qui regroupe les actes d’une seconde journée d’études - la quatrième du cycle consacré par l’équipe RESEA du LARHRA à l’antiromanisme catholique des temps posttridentins - qui s’est déroulée à Munich le 13 septembre 2012, se place dans le prolongement de la précédente session : il était apparu que la question des sources méritait des investigations plus précises, ainsi que le problème du style et celui de l’exploitation des acquis méthodologiques de l’érudition moderne. …”

“…Using five examples, it explores the social and political horizons of heterotopic concepts of space in German film from the 1930s to the 1990s: Hamburg in Werner Hochbaum's A Girl Goes Ashore [Ein Mädchen geht an Land], East Berlin in Günter Reisch's Ein Lord am Alexanderplatz, Munich in the early works of Wim Wenders, the passage from New York to Athens and Santorini via Berlin in Rudolf Thome's Die Sonnegöttin, and the reunified Berlin in Tom Tykwer's Run Lola Run [Lola rennt]. …”

Tabla de Contenidos: “…(Comprehensive Office Building, Zhujiajiao Administration Center, Quingpu, Shangai, China, 2004-06), p. 334 ; PAULO MENDES DA ROCHA (Our Lady of the Conception Chapel, Recife, Pernambuco, Brazil, 2004-06), p. 340 ; CORINNA MENN (Conn Viewinf Platform, Flims, Switzerland, 2005-06), p. 346 ; MERKX + GIROD ARCHITECTEN (Selexyz Dominicanen Bookstore, Maastricht, The Netherlands, 2005-07), p. 352 ; JOSÉ RAFAEL MONEO (Prado Museum Extension, Madrid, Spain, 2001-07), p. 358 ; MORPHOSIS (Hypo Alpe-Adria Bank Headquarters, Udine, Italy, 2004-06), p. 364 ; MVRDV (GYRE Building, Shibuya-ku, Tokyo, Japan, 2006-07), p. 372 ; MANFREDI NICOLETTI (New Arezzo Hall of Justice, Arezzo, Italy, 2001-07), p. 378 ; VALERIO OLGIATI (Atelier Bardill, Scharans, Switzerland, 2006-07), p. 382 ; STUDIO PEI – ZHU (Digital Beijing, Control Center for the 2008 Olympics, Beijing, China, 2005-08), p. 386 ; RENZO PIANO (The New York Times Building, New York, New York, USA, 2005-07), p. 394 ; PTW ARCHITECTS (The Watercube, National Swimming Center, Beijing, China, 2003-08), p. 404 ; STUDIO ARNE QUINZE (Uchronia Message out of the Future, Burning Man Festival, Black Rock City, Black Rock Desert, Nevada, USA, 2006), p. 412 ; RCR ARQUITECTES (The Edge, Bussines Bay, Dubai, United Arab Emirates, 2008-), p. 418 ; ROJKIND ARQUITECTOS (Nestlé Chocolate Museum (Phase I), Toluca, Mexico City, Mexico, 2007), p. 424 ; MARC ROLINET (Chapel of the Deaconesses of Reuilly, Versailles, France, 2004-07), p. 430 ; HANS-JORG RUCH (Chesa Madalena, Zuoz, Switzerland, 2001-02), p. 438 ; SANAA/SEJIMA + NISHIZAWA (De Kunstlinie, Theater and Cultural Center, Almere, The Netherlands, 2004-07 / New Museum of Contemporary Art, New York, New York, USA, 2005-07), p. 442 ; THOMAS SCHÜTTE (Model for a Hotel, Fourth Plinth, Trafalgar Square, London, UK, 2007-08), p. 456 ; SCOPE CLEAVER (Princeton University Gallery of the Arts, Princeton University (120, 204, 24), “Second Life”, 2007), p. 460 ; ÁLVARO SIZA VIEIRA (Adega Mayor Winery, Argamassas Estate – Campo Maior, Portugal, 2005-06 / Iberê Camargo Foundation, Porto Alegre, Rio Grande do Sul, Brazil, 1998-2008), p. 466 ; SNØHETTA (Oslo Opera House, Oslo, Norway, 2003-08), p. 484 ; TONKIN LIU (Singing Ringing Tree, Crown Point, Burnley, UK, 2005-06), p. 492 ; BERNARD TSCHUMI (Zénith Concert Hall, Limoges, France, 2005-07), p. 496 ; UNSTUDIO (Hotel Castell, Zuoz, Switzerland, 2001-04 / Theater Agora, Lelystad, The Netherlands, 2004-07), p. 502 ; URBANIS (Dafen Art Museum, Dafen Village, Shenzhen, China, 2006-08), p. 516 ; PEKKA VAPAAVUORI (KUMUU, Main Building of the Art Museum of Estonia, Tallinn, Estonia, 2003-06), p. 524 ; VARIOUS ARCHITECTS (Make It Right/Pink Project, New Orleans, Louisiana, USA, 2007-), p. 530 ; WANDEL HOEFER LORCH (Ohel Jakob Synagogue, Jewish Center in Munich, St.-Jakobs- Platz, Munich, Germany, 2003-06), p. 540 ; JEAN-MICHEL WILMOTTE (Ullens Center for Contemporary Art (UCCA), Beijing, China, 2006-07), p. 546 ; RIKEN YAMAMOTO (Yokosuka Museum of Art, Kanagawa, Japan, 2004-07), p. 552 ; PETER ZUMTHOR (St. …”

Tabla de Contenidos: “…Un viaje a Europa; Una vendimia en Fermoselle; Madrid otra vez; París; Lucerna; Castillo de Blutenburg; Bolonia; Amistades en Múnich; Salzburgo y el sonido de la música; El regreso al castillo; Frau Winter; Venecia; Una despedida en el castillo; Otra vez Lucerna; San Remo; El Museo de Antonia Mercé, la Argentina; Un viaje a Barcelona; Montserrat Guitar…”

Tabla de Contenidos: “…Conté: Editor's preface, by Nobuyuki Yoshida, p. 4-5; [Essay] The Pritzker Architecture Prize 2001, by Jacques Herzog and Pierre de Meuron, p. 6-11; [Projects] Prada Tokyo, Aoyama, Tokyo, Japan 2000-2003, p. 12-21; Walker Art Centre, expansion of the museum and cultural centre, Minneapolis, Minnesota, USA 1999-2005, p. 22-31; New de Young Museum, Golden Gate Park, San Francisco, California, USA 1999-2004, p. 32-41; Schaulager for the Emanuel Hoffmann Foundation, Basel, Munchenstein, Switzerland 1998-2002, p. 42-49; Cottbus University Library, Cottbus, Germany 1998-2003, p. 50-57; Centro Cultural - museum and cultural centre, Santa Cruz de Tenerife, Canary Islands, Spain 1999-2003, p. 58-65; The new link quai in Santa Cruz de Tenerife, Plaza de Espana, Santa Cruz de Tenerife, Canary Islands, Spain, 1998, p. 66-77; Kramlich residence and media collection, Oakville, Napa Valley, California, USA 1997-2003, p. 78-91; The virtual house, New York, New York, USA 1996-1997, p. 92-97; St Jakob Park, Basel, football stadium, commercial centre and residence for elderly people, p. 98-101; Wood house, Stuttgart, Germany 1995, p. 102-105; Greek Orthodox Church, Zurich, Switzerland 1989, p. 106-110; [Essay] Firmitas, by Herzog & de Meuron, p. 118-123; [Completed works] Blue house [Hofstetter residence], Oberwil, Switzerland 1979-1980, p. 124-127; Stone house [Meid residence] Tavole, Liguria, Italy 1982-1988, p. 128-135; Apartment and commercial building, Schutzenmattstrasse, Basel, Switzerland 1984-1993, p. 136-143; Apartment building along a party wall, Hebelstrasse, Basel, Switzerland, p. 144-149; E D E N Pavilion, Eden Hotel, Rheinfelden, Switzerland 1986-1987, p. 150-151; Ricola storage building, Baselstrasse, Laufen, Switzerland 1986-1987, p. 152-157; Railway engine depot, Auf dem Wolf, Basel, Switzerland 1989-1995, p. 158-161; Signal box, Auf dem Wolf, Basel, Switzerland 1989-1994, p. 162-167; Gallery for a private collection of modern art, Goetz Collection, Munich, Germany 1989-1992, p. 168-175; Ricola-Europa SA production and storage building, Mulhouse-Brunstatt, France 1992-1993, p. 176-183; Roche Pharma-Research Building, Basel, Switzerland 1993-2000, p. 184-193; Library of the Eberswalde Technical School, Eberswalde, Germany 1994-1999, p. 194-201; Central signal tower, Basel, Switzerland 1994-1999, p. 202-207; Tate Modern, London Bankside, UK 1994-2000, p. 208-235; House in Leymen, Haute Rhin, France 1996-1997, p. 236-243; Caricature and Cartoon Museum, conversion and new building, Basel, Switzerland 1994-1996, p. 244-249; Institute for hospital pharmaceuticals, Rossetti grounds [Rossetti Spitalapotheke at the Kantonsspital], Basel, Switzerland 1995-1998, p. 250-261; Studio Remy Zaugg, Mulhouse, France 1995-1996, p. 262-267; Dominus Winery, Yountville, Napa Valley, California, USA 1995-1998, p. 268-277; Apartment buildings, rue des Suisses, Paris 14eme, France 1996-2000, p. 278-289; Kuppersmuhle Museum - Grothe Collection, Duisburg, Germany 1997-1999, p. 290-301; Ricola marketing building, Laufen, Switzerland 1997-1998, p. 302-313; [Essay] Beyond the new materiality, by Toyo Ito, p. 318-319; Four partners [biographical notes], p. 320; Firm profile, p. 321-323; Postscript, by Erwin J S Viray, p. 324.…”

“…De todos es conocido el periplo latinoamericano del cardenal Müller en sus años de profesor de teología dogmática de Múnich, cuando dedicaba sus vacaciones académicas a atender pastoralmente a las comunidades cristianas de las remotas regiones andinas y a impartir cursos a los seminaristas y sacerdotes del continente de la esperanza. …”