Materias: “…Land Art…”

Materias:

Materias: “…Land art…”

Materias:

Materias:

Materias: Clic para texto completo. Acceso restringido UPSA.

Materias: “…Alfred Jarry, conceptual art, land art, Robert Smithson, pataphysics, scale, Spiral Jetty…”

Materias:

Materias:

Materias:

“…El joc de LAND ART t’ajuda a crear art a la natura utilitzant elements naturals com fulles, troncs, pedres, aigua ... jugant amb els materials, les formes, les textures i els colors…”

Tabla de Contenidos: “…Frontmatter -- Contents -- List of Illustrations -- Acknowledgements -- Conventions -- Abbreviations -- Introduction -- 1. The Lie of the Land. Art and Architecture Along the Roman Roads -- 2. …”

“…Mémoires perdues, mémoires vives : de la crypte de Dracula aux lieux de mémoire joyciens, du chien des Baskerville à l'écriture muséographique de Seamus Heaney, du modernisme (Gertrude Stein) au postmodernisme américain (John Barth), ce volume explore les territoires entre le blanc de l'oubli et les traces du passé dans la littérature et les arts visuels (peinture, sculpture, photographie, land art) du monde anglophone (XIXe-XXe siècles)…”

Tabla de Contenidos: “…Divagaciones estéticas en torno a algunas prácticas del land art / Xavier Antich -- III. Paisaje, cultura y territorio en el tránsito a la posmodernidad: 9. …”

“…Therefore the Andean textiles, the ceremonial Selkœnam attires, and the Nasca Lines are approached to under the work and teachings of the German artist Josef Albers, the early 20th century geometric abstraction, and the North American Land Art, correspondingly. The gaze behind these texts is not the one of anart thetheorist or historian, but the one of a visual artist, therefore the interpretations are riskier, but also openly tentative, as any such should essay be"--Verso cover…”

Tabla de Contenidos: “…Cover -- Title Page -- Contents -- Preface -- Introduction -- 1 Abstraction -- 2 Allegory -- 3 Ambiguity -- 4 Appropriation -- 5 Areas of Competence -- 6 Authenticity and Outsider Art -- 7 Autobiography -- 8 Balance -- 9 Beauty -- 10 Boundaries -- 11 Brush Techniques -- 12 Chance -- 13 Classicism and Renaissance -- 14 Collage and Assemblage -- 15 Color as Light -- 16 Color as Limit -- 17 Color Theory -- 18 Composition -- 19 Conceptual Art -- 20 Consistency of Visual Language -- 21 Craft -- 22 Creativity -- 23 Cross-Cultural Fertilization -- 24 Cubism -- 25 Dada -- 26 Decoration -- 27 Distortion -- 28 Distribution -- 29 Drawing Language -- 30 The Emotive Object -- 31 Erotic Art -- 32 Expression in the Abstract -- 33 Fantasy and Visionary Art -- 34 Finish -- 35 Formal Innovation -- 36 Form Rendered -- 37 Gender -- 38 Harmony -- 39 Hierarchical Proportion -- 40 Imagination -- 41 Installation -- 42 Intentionality -- 43 Interactive Art -- 44 Juxtaposition -- 45 Kinetic Art -- 46 Land Art -- 47 Layers -- 48 Linear Basics -- 49 Mannerism -- 50 Mass -- 51 Materials as Art -- 52 Minimalism -- 53 Mixed Media and Multimedia -- 54 Motif -- 55 Movement -- 56 Narrative -- 57 Op Art -- 58 Overload -- 59 Performance Art -- 60 Perspective -- 61 Plasticity -- 62 Politics and Polemics -- 63 Prepare and Develop -- 64 Printmaking -- 65 Process as Meaning -- 66 Proportion and Ratio -- 67 Quality -- 68 Quoting -- 69 Readymades -- 70 Realism -- 71 Religiosity -- 72 Repetition -- 73 Representation -- 74 Restraint -- 75 Rhythm -- 76 Romanticism -- 77 Scale -- 78 Semiotics -- 79 Semiotics 2: Deconstruction -- 80 Sensitivity and Sensibility -- 81 Shape -- 82 Shock -- 83 Simplification -- 84 Space and Volume -- 85 Spectacle -- 86 Style and Stylishness -- 87 Successive Approximation -- 88 Sufficiency of Means -- 89 Surrealism -- 90 Symbols -- 91 Symmetry -- 92 Temporary Art…”

Tabla de Contenidos: “…LANDSCAPE CHOREOGRAPHY -- LAND ART. ARTISTIC TRANSFORMATION OF THE LANDSCAPE -- PETER WALKER. …”

Tabla de Contenidos: “…Cover -- Half Title -- Title -- Copyright -- Contents -- Preface -- Introduction -- 001 Abstraction -- 002 Allegory -- 003 Ambiguity -- 004 Appropriation -- 005 Areas of Competence -- 006 Authenticity and Outsider Art -- 007 Autobiography -- 008 Balance -- 009 Beauty -- 010 Boundaries -- 011 Brush Techniques -- 012 Chance -- 013 Classicism and Renaissance -- 014 Collage and Assemblage -- 015 Color as Light -- 016 Color as Limit -- 017 Color Theory -- 018 Composition -- 019 Conceptual Art -- 020 Consistency of Visual Language -- 021 Craft -- 022 Creativity -- 023 Cross-Cultural Fertilization -- 024 Cubism -- 025 Dada -- 026 Decoration -- 027 Distortion -- 028 Distribution -- 029 Drawing Language -- 030 The Emotive Object -- 031 Erotic Art -- 032 Expression in the Abstract -- 033 Fantasy and Visionary Art -- 034 Finish -- 035 Formal Innovation -- 036 Form Rendered -- 037 Gender -- 038 Harmony -- 039 Hierarchical Proportion -- 040 Imagination -- 041 Installation -- 042 Intentionality -- 043 Interactive Art -- 044 Juxtaposition -- 045 Kinetic Art -- 046 Land Art -- 047 Layers -- 048 Linear Basics -- 049 Mannerism -- 050 Mass -- 051 Materials as Art -- 052 Minimalism -- 053 Mixed Media and Multimedia -- 054 Motif -- 055 Movement -- 056 Narrative -- 057 Op Art -- 058 Overload -- 059 Performance Art -- 060 Perspective -- 061 Plasticity -- 062 Politics and Polemics -- 063 Prepare and Develop -- 064 Printmaking -- 065 Process as Meaning -- 066 Proportion and Ratio -- 067 Quality -- 068 Quoting -- 069 Readymades -- 070 Realism -- 071 Religiosity -- 072 Repetition -- 073 Representation -- 074 Restraint -- 075 Rhythm -- 076 Romanticism -- 077 Scale -- 078 Semiotics -- 079 Semiotics 2: Deconstruction -- 080 Sensitivity and Sensibility -- 081 Shape -- 082 Shock -- 083 Simplification -- 084 Space and Volume -- 085 Spectacle -- 086 Style and Stylishness…”