Tabla de Contenidos: “…Cover -- Half Title -- Title -- Copyright -- CONTENTS -- Forewords -- About the editors -- Acknowledgements -- Our publishing partners -- Introduction -- CHAPTER 1 PAST SCHOOLS AND FUTURE SCHOOLS -- 1.1 Clapham Manor Primary School, Lambeth, London -- 1.2 Forest Park School, Totton, Hampshire -- 1.3 Royal Greenwich University Technical College, London -- CHAPTER 2 GETTING STARTED: Developing the Client Brief -- 2.1 Notre Dame RC Secondary School, Southwark, London -- 2.2 Cwmclydach Primary School, Clydach Vale, Rhondda Valley -- 2.3 Gloucester Academy, Gloucestershire -- CHAPTER 3 GETTING STARTED:Understanding School Specifics -- 3.1 Shoreham Academy, Shoreham-by-Sea, West Sussex -- 3.2 Fir Vale &amp -- Watermead Primary Schools, Sheffield -- 3.3 Notre Dame Catholic College, Everton, Liverpool -- CHAPTER 4 PASSMORES ACADEMY: 'One Building, One Community, One Purpose' -- 4.1 Westminster Academy at the Naim Dangoor Centre, London -- 4.2 Lime Tree Primary School, Sale, Manchester -- 4.3 Isaac Newton Academy, Ilford, London -- CHAPTER 5 THINKING OUTSIDE THE BOX: Outdoor Environments -- 5.1 Priory School, Upper Norwood, London -- 5.2 Darwen Vale High School, Darwen, Lancashire -- 5.3 Happyhansel Primary School, Walls, Shetland -- CHAPTER 6 EXISTING BUILDINGS: Refurbishment, Remodelling &amp -- Extension -- 6.1 The Henrietta Barnett School, Hampstead Garden Suburb, London -- 6.2 Elm Court School, Lambeth, London -- 6.3 Hillview School for Girls, Tonbridge, Kent -- CHAPTER 7 INTERIOR DESIGN: Enhancing the Learning Environment -- 7.1 The Charles Dickens Primary School, Southwark, London -- 7.2 Kensington Creates, Kensington Aldridge Academy, London -- 7.3 Gateacre School, Belle Vale, Liverpool -- CHAPTER 8 THINKING LONG TERM: Managing Change -- 8.1 Ercall Wood Technology College, Wellington, Shropshire…”

Tabla de Contenidos: “…Part 1, Loss and retrieval. 1 'Onslow Palace': new evidence of eighteenth-century craft technique at Clandon Park Sophie Chessum -- 2 Piercing the surface: virtuoso wooden staircases from Cassiobury Park and Eyrecourt Castle Mechthild Baumeister and Andrew Tierney -- 3 Fragments of eighteenth-century craftsmanship: the Pearson collection Peter Pearson -- 4 Experiments with historic light in Kensington Palace's early eighteenth-century interiors Lee Prosser -- 5 Retrieving craft practice on the early eighteenth-century building site Melanie Hayes -- 6 Conserving craft in eighteenth-century buildings: the role of the conservation architect Tony Barton -- Part 2, Design and making. 7 The geometry of rustication: an eighteenth-century case study Edward McParland -- 8 The rough and the smooth: stone use in Dublin 1720-60 Patrick Wyse Jackson and Louise Caulfield -- 9 Drawing out a surface in lime and hair Jenny Saunt -- 10 'Agreeable to live in': the wainscoted interior in eighteenth-century Britain and Ireland Christine Casey -- 11 A glorious ascent: staircase design, construction and craft in the circle of Richard Castle Andrew Tierney…”

Tabla de Contenidos: “…Part 1, Loss and retrieval. 1 'Onslow Palace': new evidence of eighteenth-century craft technique at Clandon Park Sophie Chessum ; 2 Piercing the surface: virtuoso wooden staircases from Cassiobury Park and Eyrecourt Castle Mechthild Baumeister and Andrew Tierney ; 3 Fragments of eighteenth-century craftsmanship: the Pearson collection Peter Pearson ; 4 Experiments with historic light in Kensington Palace's early eighteenth-century interiors Lee Prosser ; 5 Retrieving craft practice on the early eighteenth-century building site Melanie Hayes ; 6 Conserving craft in eighteenth-century buildings: the role of the conservation architect Tony Barton ;Part 2, Design and making. 7 The geometry of rustication: an eighteenth-century case study Edward McParland ; 8 The rough and the smooth: stone use in Dublin 1720-60 Patrick Wyse Jackson and Louise Caulfield ; 9 Drawing out a surface in lime and hair Jenny Saunt ; 10 'Agreeable to live in': the wainscoted interior in eighteenth-century Britain and Ireland Christine Casey ; 11 A glorious ascent: staircase design, construction and craft in the circle of Richard Castle Andrew Tierney…”

“…Jenny y Mike Pitt, un matrimonio acomodado, acaban de mudarse al barrio londinense de Kensington. Él es un ambicioso y pragmático hombre de negocios, ella es consultora de una prestigiosa cadena de muebles de diseño. …”

“…Winton Capital Management began trading in October 1997 from a small office in Kensington with three employees and less than US$2 million in assets under management. …”

Tabla de Contenidos: “…Barrie’s Peter Pan in Kensington Gardens and in Astrid Lindgren’s Karlson on the Roof / A Latin Lesson for Bad Boys, or: Kipling’s Tale of the Enchanted Bird / Laura Orvieto and the Classical Heritage in Italy before the Second World War / Saul Tchernichowsky’s Mythical Childhood: Homeric Allusions in the Idyll “Elka’s Wedding” / Jadwiga Zylinska’s Fabulous Antiquity / A Child among the Ruins: Some Thoughts on Contemporary Modern Greek Literature for Children / The Reception of Classical Antiquity in Polish Lexicography for Children and Young Adults / Our Fabled Childhood: Reflections on the Unsuitability of Aesop to Children / A Gloss on Perspectives for the Study of African Literature versus Greek and Oriental Traditions / Aesop’s Fables in Japanese Literature for Children: Classical Antiquity and Japan / Vitalis the Fox: Remarks on the Early Reading Experience of a Future Historian of Antiquity in Poland (1950's–1960's) / Aemulating Aesopus: Slovenian Fables and Fablers between Tradition and Innovation / Armies of Children: War and Peace, Ancient History and Myth in Children’s Books after World War One / Classical Antiquity in Children’s Literature in the Soviet Union / Katabasis “Down Under” in the Novels of Margaret Mahy and Maurice Gee / ‘His Greek Materials’: Philip Pullman’s Use of Classical Mythology / Orpheus and Eurydice: Reception of a Classical Myth in International Children’s Literature / Greek Mythology in Israeli Children’s Literature / Telemachus in Jeans: Adam Bahdaj’s Reception of the Myth about Odysseus’s Son / An Attempt on Theseus by Kir Bulychev: Travelling to Virtual Antiquity / Graeco-Roman Antiquity and Its Productive Appropriation: The Example of Harry Potter / J.K. …”

Tabla de Contenidos: “…""CONTENTS""; ""ILLUSTRATIONS""; ""FOREWORD""; ""FOREWORD""; ""PREFACE""; ""ACKNOWLEDGMENTS""; ""1 The Early Days of Montreal Jewry""; ""2 The Origins of the Shaar""; ""3 The Community and the Congregation in the 1870s to 1890s""; ""4 The Synagogue Service and the Leadership in the 1880s and 1890s""; ""5 The Early Abramowitz Years: To the First World War""; ""6 The First World War Years""; ""7 To Kensington and Cote St-Antoine: Events of the 1920s""; ""8 The Years of Great Growth""; ""9 The Last Abramowitz Decade: From the 1930s to the 1940s""; ""10 The Second World War""…”
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Tabla de Contenidos: “…SUEÑO DE CHURRIANA«RETIRO DE FRAY ALONSO; HOTEL DEL BALNEARIO; RUEDO DE CARRATRACA; ANITA; INÉS; «WASA», 1628; KARLSKOGA; ECLESIASTÉS 3, 5; ESTROFA 24; GODIVA EN BLUE JEANS; EL COLECCIONISTA (1979); PLACETA DE SAN MARCOS; «PIETÀ RONDANINI; HUERTO DE MELIBEA; VENUS DE MILO; SAMOTRACIA; LEDA; LA LICORNE; KENSINGTON GARDENS; «RAIN»; «VENICE»; «LIFEBOAT»; PINTURA INGLESA; DÉJAME; GAVIOTAS; FEBRERO; VENDEJA; COMPÁS BINARIO (1979); CASTELLAR; MAHLER; CRISANTEMOS; NOCHE OSCURA; AUSENTES OJOS; COMPÁS BINARIO; SHOSTAKOVICH; JORGE MANRIQUE; JOHN MOORE; PORCIA; JARDÍN; LA LÁMPARA; LA MANO; LES AMOURS…”

Tabla de Contenidos: “…Stanley Richardson. Kensington,15-12-1938…”

Tabla de Contenidos: “…Gowan : vivienda en Kensington, Londres ; J. Stirling : vivienda en hilera, Nueva York ; R. …”

Tabla de Contenidos: “…Conté: Shinro Ohtake: Naoshima Public Baths, Naoshima, Kagawa, Japan; OMA*AMO/Rem Koolhaas: Prada Transformer, Seoul, South Korea; OMA*AMO/Rem Koolhaas: CCTV Television Station and Headquarters, TVCC Television Cultural Center, Beijing, China; Paredes Pedrosa Arquitectos: La Olmeda Roman Villa, Pedrosa de la Vega, Palencia, Spain; Dominique Perrault: EWHA Womans University, Seoul, South Korea; Renzo Piano: Emilio and Annabianca Vedova Foundation, Venice, Italy; Plasma Studio: Flowing Gardens, Xi'an World Horticultural Fair 2011, Xi'an, China; Rudy Ricciotti: Villa Navarra, Le Muy, France; Peter Rich: Alexandra Heritage Center, Johannesburg, Gauteng, South Africa; Peter Rich: Mapungubwe Interpretation Center, Mapungubwe National Park, Limpopo, South Africa; Rotor: RDF181, Brussels, Belgium; Hiroshi Sambuichi: Miyajima Office, Hatsukaichi, Hiroshima, Japan; Sanaa/Kazuyo Sejima + Ryue Nishizawa: Serpentine Pavilion, Kensington Gardens, London, UK; Sanaa/Kazuyo Sejima + Ryue Nishizawa: Rolex Learning Center, EPFL, Lausanne, Switzerland; Germán del Sol: Termas Geométricas Hot Springs Complex, Coñaripe; Germán del Sol: Villarrica National Park, Los Lagos Region, Chile; Skidmore, Owings & Merrill: Burj Khalifa, Dubai, UAE; Splitterwerk: Frog Queen, Graz, Austria; Hiroshi Sugimoto: Izu Photo Museum, Nagaizumi, Shizuoka, Japan; Supersudaka: Kiltro House, Talca, Chile; Masaharu Takasaki: Tenchi House, Mono Cosmology, Nagoya, Japan; Yoshioka Tokujin: Swarovski Ginza, Tokyo, Japan; Yoshioka Tokujin: Waterfall, Tokyo, Japan; De Vylder Vinck Taillieu: Production Facilities for Les Ballets C de la B and LOD, Ghent, Belgium…”

Tabla de Contenidos: “…Conté volum 6: 3DELUXE (Leonardo Glass Cube, Bad Drinurg Germany, 200-07), p. 52 ; 3LHD ARCHITECTS (Sports Hall Bale-Valle, Croatia, 2005-06), p. 58 ; ADJAYE / ASSOCIATES (Museum of Contemporany Art/Denver, Denver, Colorado, USA, 2004-07), p. 66 ; Al WEI WEI/FAKE DESIGN (Template, Documenta 12, Kassel, Germany, 2007), p. 72 ; TADAO ANDO (21_21 Design Sight, Minato-ku, Tokyo, Japan, 2004-07), p. 76 ; ALEJANDRO ARAVENA (Centro Tecnológico, Universidad Católica, San Joaquin Campus, Santiago, Chile, 2003-06), p. 84 ; ARGE GRAZIOLI KRISCHANITZ (Museum Rietberg Extension, Zurich, Switzerland, 2004-06), p. 92 ; SHIGERU BAN (Post-Tsunami Rehabilitation Houses, Kirinda, Hambantota, Sri Lanka, 2005-07), p. 98 ; BARKOW LEISINGER (Trutec Building, Seoul, Korea, 2005-06), p. 102 ; BERNARDES + JACOBSEN (TIM Festival 2007, Rio de Janeiro, Rio de Janeiro, Brazil, 2007), p. 108 ; COOP HIMMELB(L)AU (Akron Art Museum, Akron, Ohio, USA, 2001-07 / BMW Welt, Munich, Germany, 2001-07), p. 114 ; OLAFUR ELIASSON ( The New York City Waterfalls, New York, New York, USA, 2008 / Serpentine Gallery Pavilion 2007, Kensington Gardens, London, UK, 2007), p. 134 ; EMERGENT (Shenzen Museum of Contemporany Art, Shenzhen, China, 2007 / National Library of the Czech Republic, Prague, Czech Republic, 2006-07), p. 144 ; KSP ENGEL UNO ZIMMERMANN (Bergen-Belsen Documentation and Information Center, Celle, Germany, 2005-07), p. 156 ; FAM ARQUITECTURA (March 11 Memorial for the victims, Madrid, Spain, 2005-07), p. 164 ; FOSTER AND PARTNERS (Russia Tower, Moscow, Russia, 2006- / Crystal Island, Moscow, Russia, 2006-), p. 168 ; TERUNOBU FUJIMORI (Chashitsu Tetsu (Teahouse Tetsu), Kiyoharu Shirakaba Museum, Nakamaru, Hokuto City, Yamanashi, Japan, 2005), p. 174 ; MASSIMILIANO FUKSAS(Zénith Strasbourg, Ecxbolsheim, Strabourg, France, 2003-07), p. 180 ; ANTÓN GARCÍA-ABRIL (SGAE Central Ofiice, Santiago de Compostela, Galicia, Spaim, 2005-07), p. 188 ; DIONISIO GONZALEZ (Favela Series, São Paulo, São Paulo, Brazil, 2004-07), p. 196 ; ZAHA HADID (Nordpark Railway, Innsbruck, Austria, 2004-07), p. 202 ; HEATHERWICK STUDIO (East Beach Café, Littlehampton, West Sussex, UK, 2005-07), p. 216 ; HERZOG & DE MEURON (National Stadium, Main Stadium for the 2008 Olympic Games, Beijing, China, 2003-08 / Caixa Forum, Madrid, Spain, 2001-08), p. 222 ; STEVEN HOLL (The Nelson.Atkins Museum of Art, Bloch Building, Kansas City, Missouri, USA, 2002-07), p. 240 ; HOLZER KOBLER (Arche Nebra Visitor’s Center, Wangen, Germany, 2005-07), p. 250 ; JUNYA ISHIGAMI (Facility, Kanagawa Institute of Technology, Kanagawa, Japan, 2007-08), p. 258 ; TOYO ITO (Tama Art University New Library, Hachioji City, Tokyo, Japan, 2004-07), p. 266 ; JAKOB + MACFARLANE (City of Fashion and Design, Paris, France, 2007-08), p. 274 ; JENSEN & SKODVIN (Tautra Maria Convent, Tautra Island, Norway, 2004-06), p. 280 ; CARLOS JIMENEZ (Rice Libray Service Center (2002-05) and Rice Data Center (2006-07) / Rice University South Campus Master Plan, Houston, Texas, USA), p. 288 ; KENGO KUMA (Suntory Museum of Art, Minato-ku, Tokyo, Japan, 2004-07), p. 294 ; LASSILA HIRVILAMMI (Kärsämäki Church, Kärsämäki, Finland, 1999-2004), p. 302 ; LEGORRETA + LEGORRETA (La Purificadora BoutiqueHotel, Puebla, Mexico, 2006-07), p. 308 ; DANIEL LIBESKIND ( Royal Ontario Museum Extension, Toronto, Canada, 2002-07), p. 314 ; LIN FINN GEIPEL + GIULIA ANDI (Alvéole 14, Submarine Base Rehabilitation, Quartier Ville Port, Saint-Nazaire, France, 2005-07), p. 320 ; MII ARCHITECTEN (Information Center, National Center for Arboriculture, Baarn, the Netherlands, 2001-03), p. 330 ; MADA S.P.A.M. …”

“…Chesterton was born in Campden Hill in Kensington, London, the son of Marie Louise, née Grosjean, and Edward Chesterton.[8][9] He was baptised at the age of one month into the Church of England,[10] though his family themselves were irregularly practising Unitarians. …”