Tabla de Contenidos: “…Frontmatter -- Contents -- Housing Capital: Interdisciplinary Perspectives on a Multifaceted Resource / Houses and the Range of Wealth in Early Modern Gender- and Intergenerational Relationships / Haushaben: Houses as Resources in Early Modern Frankfurt / Transforming the House: The Photography of Julia Margaret Cameron / The Country House as a Transitory Locus for Soldiers in Polish Literature on the First World War / New Farmsteads in the SOZ/GDR: Politicial Implications and Adaptation Processes / Maintaining, Repairing, Refurbishing: The Western German Do-it-Yourselfers and their Homes / Forum -- Against All Odds: How to Re-Inscribe Islam into European History / List of Contributors…”

Tabla de Contenidos: “…Introduction : Au carrefour de l'ethnique, de l'éthique et de l'esthétique : l'invention de l'Orient -- Un Orient connu... et fantasmé -- Collection, exploration et vulgarisation -- Les femmes d'Orient vues par les hommes d'Occident -- Dadd et Tissot, le harem et la crèche -- Réactiver les mythes -- La Jérusalem révélée de Thomas Seddon -- Sir David Wilkie à la conquête de la Terre sainte... et de l'Europe -- Julia Margaret Cameron, photographe à Ceylan -- Appropriations de l'Orient -- Val Prinsep, peintre du Grand Assemblage de Delhi -- Traduire c'est trahir : des Arabian Nights aux Rubaiyat of Omar Khayyam -- Après Byron, le conte oriental victorien -- Le grand désenchantement -- " Tu n'as rien vu à Constantinople " : Thackeray au Proche-Orient -- L'Orient " désorienté " dans la fiction d'Anthony Trollope -- Kipling, la fin d'une certaine idée de l'Orient…”

“…The book ranges across Sedgwick's published output, from The Coherence of Gothic Conventions (1980) to the posthumously published The Weather in Proust (2011), and features her meditations on a wide variety of art-historical topoi, including Judith Scott's queer/crip fiber art; the anality of Polykleitos's Doryphorus; queer Modernist typography; Piranesi's punitive space; Duncan Grant and Vanessa Bell's queer holy family; Manet's frontality and thalassic aesthetics; fat and thin aesthetics of various stripes; and the queer photography of Anna Atkins, Clementina Hawarden, and Julia Margaret Cameron; Baron De Mayer, Eugene Atget, and P.H. …”