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“…This book explores the relation between visual motifs and cultural representation in a range of key films by James Ivory, Martin Scorsese and Jane Campion, among others. Looking at the mannerist taste for citation, detail and stylisation, the author argues for an aesthetic of fragments and figures central to the period film as an international genre. …”

“…A través del análisis detallados de dos filmes contemporáneos 'The Age of Innocence (Martin Scorsese, 1993) y The Portrait of a Lady (Jane Campion, 1996)', este trabajo replantea la adaptación como un modo de recreación del pasado que cristaliza a través de las texturas del popularmente llamado film de época. …”
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