“…Sus aventuras las llevaron del Leningrado de Stalin a Hollywood, del Berlín de Hitler y el París ocupado a Nueva York; pero, sobre todo, dieron lugar a sus ideas revolucionarias, sin las cuales nuestro presente, y nuestro futuro, no serían los mismos. …”

“…Pero asimismo la obra traza una visión global de otros muchos aspectos esenciales, como un análisis de la situación del cine norteamericano en 1939, un largo estudio sobre la evolución de Hollywood en el periodo 1940-1993 en el que se incluyen las concesiones anuales de los Oscars y un análisis de la política artística e industrial de los grandes estudios, un ensayo sobre la evolución de la censura y un útil informe sobre la situación del cine norteamericano. …”

“…De las comedias diabólicas del Hollywood clásico como Me casé con una bruja a la fiebre satánica y pagana desatada por La semilla del diablo. …”

“…"Screenwriting has been the subject of a wealth of popular literature that seeks to offer this work to all, to reveal the 'secrets' of screenwriting or to provide accounts of how to succeed in the mainstream screen production industries, primarily in Hollywood. But the deluge of How-to style manuals and interview collections offer little systematic analysis of the histories, practices, identities and subjects which form and shape the daily working lives of screenwriters. …”

“…This book is an indispensable companion text for anyone studying or interested in film noir, film history, the bygone days of the Hollywood film factories or how movies are actually made"--Provided by publisher…”

“…Documentary Storytelling is unique in offering an in-depth look at story and structure as applied not to Hollywood fiction, but to films and videos based on factual material and the drama of real life. …”

“…Applications of the Propaganda Model are featured in Part III notably new forms of media and content not previously analysed within it: the entertainment industries through the analysis of television, professional sports, Hollywood movies and videogames using quantitative and qualitative research methods. …”

“…., and eventually in Hollywood In one memorable scene, after realizing that her friend Carmen is cleaning the house of one of the producers of Annie Hall, Maria recruits her to take her picture as she poses dramatically with Mr. …”

“…Employing a variety of approaches from industry analysis to Deleuze & Guattari's concept of the »minor«, contributions address the relationship of small cinemas to Hollywood, the role of history and memory, and the politics of place in post-Socialist cinemas »Die Globalität von Herausgebern, Autorinnen und Autoren dieses Bandes ist beeindruckend.« Hans Helmut Prinzler, www.hhprinzler.de, 28.07.2015…”

Tabla de Contenidos: “…EL CINE BURLESCO; 7 LA CINEMATOGRAFÍA ESTADOUNIDENSE (1930-1960). LA EXPANSIÓN DE HOLLYWOOD; 8 LA ESCUELA ITALIANA; 9 EL CINE BRITÁNICO; 10 TRES MAESTROS DE LA IMAGEN CINEMATOGRÁFICA: HITCHCOCK, LOSEY Y WELLES…”
Acceso restringido con credenciales UPSA

Tabla de Contenidos: “…Since World War II, From Print to the Digital Age / $rRICK BRUNSON -- $tpart, UNIT 2 Hispanic and LatinX Artists in Media -- $tchapter 4 Hollywood's Bronze Screen: Hispanics and Latinos in U.S. …”

Tabla de Contenidos: “…Design; Videogames and Hollywood; Terminology; Fundamentals of Game Design; Game Structure; More Things You Need to Know; CHAPTER 10 The Script Format; FMV/Game Intro; Design Document; Game Bible; Mobs/Monsters/Bosses…”

Texto completo en Odilo

“…Truman desconeix que la seva ciutat és un gegantí plató dirigit per un espavilat productor, realitzador i guionista; que la gent que hi viu i hi treballa són actors de Hollywood; i que fins i tot la seva dona és una actriu contractada. …”

“…Sparked by the digital revolution that has made copyright-and its violation-a part of everyday life, fights over intellectual property have pitted creators, Hollywood, and governments against consumers, pirates, Silicon Valley, and open-access advocates. …”

“…Whether you're a top Hollywood filmmaker or a first-time documentarian, at some point you are going to want to find, use, and license third-party materials--images, audio, or music that you yourself did not create--to use them in your work. …”

“…Interwoven with this history is an account of the prolific transnational circuits of popular Hindi films alongside the efflorescence of European art cinema and Cold War–era forays of Hollywood abroad. By following archival leads and threads of argumentation within commercial Hindi films that seem to be odd cases—flops, remakes, low-budget comedies, and prestige productions—this book offers a novel map for excavating the historical and ethical stakes of world cinema and world-making via Bombay…”