Tabla de Contenidos: “…: innovation and improvisation on a million-dollar ramp -- 6: Extreme is a four-letter word: this is how we do it in our world -- 7: Denim debacle: some business ideas that didn't quite fly -- 8: Final cut: the key to image control: get your own editing bay -- 9: Hashtag is not a death-metal band: reaching out through tweets, apps, and satrad -- 10: How to never get a movie made: Hollywood will break your heart, or at least piss you off -- 11: Stinky diapers in first class: how to balance travel and family -- bring 'em -- 12: Giving back: family, friends, Regis, and a very smart fifth-grader help me build a charity -- Acknowledgments -- Index…”

Tabla de Contenidos: “…Intro -- Title Page -- Copyright Page -- Contents -- Chapter 1 Introduction -- Chapter 2 Approaches to Transcultural Communication -- 2.1 Consequences of Globalization -- 2.2 Postcolonial Critique -- 2.3 Methodological Reflections -- 2.4 Integrative Analyses -- Chapter 3 The Regulation of Transcultural Communication -- 3.1 Global Commercialization and Communicative Infrastructure -- 3.2 State Regulation -- 3.3 From the Free Flow of Communication to the Regulation of Globalization -- 3.4 The Global Governance of Media -- Chapter 4 The Production of Media and their Transcultural Contexts -- 4.1 The Cultures of Production within Global Media Businesses -- 4.2 The Transculturality of Journalistic Practice -- 4.3 Alternative Forms of Media Production -- 4.4 Media Cities as Transcultural Locations -- Chapter 5 The Transculturality of Media Products -- 5.1 Hollywood, Bollywood, and Nollywood -- 5.2 The Import of Programs and the Adaptation of Formats -- 5.3 The Articulation of News -- 5.4 Media Events -- Chapter 6 The Appropriation of Media and Transculturation -- 6.1 The Appropriation of Media as Cultural Localization -- 6.2 Media Disjunctions in a Mediatized Everyday World -- 6.3 Communities and Communitization -- 6.4 Media Identity and Citizenship -- Chapter 7 Perspectives on Transcultural Communication -- Acknowledgements -- References -- Index -- EULA…”

“…A principios de los años 20 se traslada a Hollywood, donde cosecha un gran éxito gracias a comedias como Ser o no ser, La octava mujer de Barba Azul entre otras…”

“…Written by Stu Maschwitz, co-founder of the Orphanage (the legendary guerrilla visual effects studio responsible for amazing and award-winning effects in such movies as Sin City, The Day After Tomorrow, and Harry Potter and the Goblet of Fire), this book is a must-have for all those budding filmmakers and students who want to produce action movies with visual effects but don't have Hollywood budgets. The Orphanage was created by three twenty-something visual effects veterans who wanted to make their own feature films and discovered they could do this by utilizing home computers, off the shelf software, and approaching things artistically. …”

“…It starts with a wild question: In Hollywood, it might be, “What would happen if a shark swam into a resort and attacked a swimmer?” …”

“…Cashmore's answer takes him to the minstrel shows of the nineteenth century, the Hollywood film industry of the 1930s and today's hip-hop culture. …”

Tabla de Contenidos: “…Santa Rosa Avenue, Altadena, Buff, Straub & Hensman -- CSH #21: 1958, 9038 Wonderland Park Avenue, West Hollywood, Pierre Koenig -- CSH #22: Stahl House, 1959-60, 1635 Woods Drive, West Hollywood, Pierre Koenig -- The making of an icon, LA Magazine, July 2001 -- CSH #23: Triad, 1959-60, Rue de Anna, La Jolla, Killingsworth, Brady & Smith -- CHS #24: 1961, unbuilt, A. …”

Tabla de Contenidos: “…'Greek' Thomson versus Gilbert Scott / Gavin Stamp -- 'A complete and universal collection' : Gottfried Semper and the Great Exhibition / Mari Hvattum -- The interior as aesthetic refuge : Edmond de Goncourt's La maison d'un artiste / Diana Periton -- Timely untimeliness : architectural modernism and the idea of the Gesamtkunstwerk / Gabriele Bryant -- Le Corbusier and the restorative fragment at the Swiss Pavilion / Dagmar Motycka Weston -- The concrete memory of modernity : excerpts from a Moscow diary / Jonathan Charley -- Ildefonso Cerdá and modernity / Christian Hermansen -- 'To knock fire out of men' : forging modernity in Glasgow / Juliet Kinchin -- The expressionist utopia / Iain Boyd Whyte -- Walter Benjamin's Arcades project : a prehistory of modernity / David Frisby -- Impromptus of a great city : Siegfried Kracauer's Strassen in Berlin und Anderswo / Graeme Gilloch -- Orpheus in Hollywood : Siegfried Kracauer's Offenbach film / Graeme Gilloch…”
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Tabla de Contenidos: “…Rate it x? : Hollywood cinema and the end of the production code / Christie Milliken -- Make love, not war : Jane Fonda comes home (1968-1978) / Linda Williams -- The new sexual culture of American television in the 1970s / Elana Levine -- Prurient (dis)interest : The American release and reception of I am curious (yellow) / Kevin Heffernan -- Wet dreams : erotic film festivals of the early 1970s and the utopian sexual public sphere / Elena Gorfinkel -- Let the sweet juices flow : WR and midnight movie culture / Joan Hawkins -- 33 1/3 sexual revolutions per minute / Jacob Smith -- "I'll take Sweden" : the shifting discourse of the "sexy nation" in sexploitation films / Eric Schaefer -- Altered sex : Satan, acid, and the erotic threshold / Jeffrey Sconce -- The "sexarama" : or sex education as an environmental multimedia experience / Eithne Johnson -- San Francisco and the politics of hardcore / Joseph Lam Duong -- Beefcake to hardcore : gay pornography and the sexual revolution / Jeffrey Escoffier -- Publicizing sex through consumer and privacy rights : how the American Civil Liberties Union liberated media in the 1960s / Leigh Ann Wheeler -- Critics and the sex scene / Raymond J. …”

Tabla de Contenidos: “…Front Cover; Dedication; Contents; Preface; The Author; Part I Historical; Chapter 1 Good Old Times; Chapter 2 Go Forth; Part II Basic Styles; Chapter 3 Monolithic; Chapter 4 Cookbook; Chapter 5 Pipeline; Chapter 6 Code Golf; Part III Function Composition; Chapter 7 Infinite Mirror; Chapter 8 Kick Forward; Chapter 9 The One; Part IV Objects and Object Interaction; Chapter 10 Things; Chapter 11 Letterbox; Chapter 12 Closed Maps; Chapter 13 Abstract Things; Chapter 14 Hollywood; Chapter 15 Bulletin Board; Part V Reflection and Metaprogramming; Chapter 16 Introspective; Chapter 17 Reflective…”

“…En 1937 desembarca en Hollywood, de la mano de Selznik, productor de lo que el viento se llevo. …”

“…Preston Sturges, 1898-1959, guionista y director de cine, trabajó primero en Broadway para trasladarse después, como guionista, a Hollywood. Considerado como uno de los grandes maestros de la comedia americana, sus películas se caracterizan por una inteligente combinación de cinismo y sentimiento. …”

“…Hollywood, 1927. George Valentin (Jean Dujardin) es una estrella del cine mudo al que todo le sonríe. …”

“…Spotlighting the visual, spatial, and relational aspects of media-based pedagogy using a broad range of critical methodologies, textual analysis, interviews, and participant observation and placing it at the intersection of education, anthropology, and cultural studies, this book traces a path across historically specific instances of media that function as pedagogy: Hollywood films that feature teachers as protagonists, a public television course on French language and culture, a daily television "news" program created by high school students, and a virtual reality training simulation funded by the US Army. …”
Acceso restringido con credenciales, usuarios UPSA

“…With sequels, prequels, remakes, spin-offs, or copies of successful films or franchises dominating film and television production, it sometimes seems as if Hollywood is incapable of making an original film or TV show. …”
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“…El cadáver de Stanley Kent aparece una noche en un observatorio de las colinas de Hollywood. Todo apunta a que se trata de un asesinato común y la policía de Los Ángeles encarga la investigación del caso al detective Harry Bosch. …”