“…Part whodunit, part screenplay, and part love story, Fanon introduces the French film director Jean-Luc Godard to ailing Mrs. Wideman in Homewood, and chases the meaning of Fanon's legacy through our violent, post-9/11 world, which seems determined to perpetuate the evils Fanon sought to rectify…”
Acceso a las primeras páginas

“…Dieses Buch betrachtet die Sammlungen des Filmmuseums – in Bildern und Texten und entlang einer pointierten Auswahl. 50 Artefakte, die die Geschichten des Kinos erzählen: von der Stereoskopie des Teufels zum Storyboard von Amour, von Murnaus Tabu in schwarzweißen Outtakes zu Godards "Was tun?" in grünem Filzstift, vom herausgerissenen Einzelfilmkader zum Hakenkreuz auf einem Filmprogramm. …”
Sumario

“…Durante un tiempo compañero de negocios del excéntrico Howard Hughes, compañero de bebida de William Faulkner y Ernest Hemingway, fue adorado y elevado a la categoría de autor en derecho propio por los Cahiers du Cinéma, Truffaut, Godard, Bazin y compañía" -- Editor…”

“…Este acercamiento crítico invita a revisarla obra de cineastas como Dziga Vertov, Jean Epstein, Sergei Eisenstein, AlfredHitchcock, Roberto Rossellini, Stanley Kubrick, Alain Resnais, Jean-Luc Godard,Harun Farocki o Chris Marker, a partir de las conceptualizaciones deimportantes pensadores del siglo XX, como Gilles Deleuze, Félix Guattari,Walter Benjamin, Michel Foucault, Giorgio Agamben y Henri Bergson…”
Enlace del recurso

“…È quanto si spera risulti dalla lettura di queste note, avvertendo comunque che esse, nel loro andamento non sistematico, si appoggeranno a oggetti e soggetti filmici in apparenza eterogenei, da Pasolini a Orson Welles, da Rossellini a Bela Tarr, da Raul Ruiz a Bressane, da Tsai Ming Liang a Cronenberg, da Ejzenštejn a Godard, da Dreyer a Scorsese, da Fellini a Gianikian e Ricci Lucchi, da Chantal Akerman a Twin Peaks 3, non senza qualche rapido excursus teatrale, tra Artaud e Carmelo Bene…”

“…In addition to its theoretical originality, it offers a significant new reading of a major Chekhov play, the most sustained scholarly engagement to date with Benjamin's "Program for a Proletarian Children's Theatre," the first major consideration of Godard's La chinoise as a "theatrical" work, and the first chapter-length discussion of the work of The Nature Theatre of Oklahoma, an American company rapidly gaining a profile in the European theater scene. …”

“…D’où l’interférence avec les visions de Godard ou encore avec le regard-désert d’Antonioni. …”