Tabla de Contenidos: “…Berceuse from "Jocelyn" / Benjamin Godard. The red sarafan (Russian folk-song), op. 16, no. 5. …”
Acceso a copia digital - Universidad de Rochester

Tabla de Contenidos: “…-- Notes on The last laugh -- "Thinking the emergence of the event" -- The divine comedy and The convent -- Surplus seeing : Histoire(s) du cinéma -- Considerations on the current state of cinema -- The cinematic capture of the sexes -- An unqualified affirmation of cinema's enduring power -- Passion, Jean-Luc Godard -- "Say yes to love, or else be lonely" : Magnolia -- Dialectics of the fable : The matrix -- Cinema as philosophical experimentation -- On cinema as a democratic emblem -- The end of a beginning : Tout va bien -- The dimensions of art : Forgiveness -- The perfection of the world, improbable yet possible…”

Tabla de Contenidos: “…Al azar el pueblo cicládico ; Casandra flotar puede ; 108 (restos flotantes) ; Cómo hacer que te guste "Si yo le dijera: un retrato completo de Picasso" de Gertrude Stein ; Desprecios : un estudio del lucro y la ausencia de lucro en Homero, Moravia y Godard ; El doliente designado de Wally Shawn : versión final, Nueva York, junio de 2013 ; Envidia del pronombre ; Épocas de Yves Klein ; Estructuras impotentes Fif. …”

“…Incluye secciones dedicadas a algunos de los mejores directores del siglo xx, como Ingmar Bergman, John Ford, Jean-Luc Godard, Alfred Hitchcock o Akira Kurosawa…”

“…Equally at home with the theories of Deleuze, Lacan and Debord as he was with the movie-making of Bunuel, Godard and Ray, Daney was also a fan of Jerry Lewis and Hitchcock. …”

Tabla de Contenidos: “….] -- 'The Oberhausen Manifesto' (1962) -- Godard and counter-cinema: Vent d'Est (1962) / Peter Wollen -- Dogme 95: the vow of chastity (1995) -- The art cinema as a mode of film practice / David Bordwell -- Art cinema as institution / Steve Neale -- The author as public institution: the 'new' cinema in the Federal Republic of Germany / Sheila Johnston -- The concept of a national cinema / Andrew Higson -- Identity and the past in recent Russian cinema / David Gillespie -- DEFA and the traditions of International cinema / Barton Byg -- Catalan cinema: historical experience and cinematic practice / Marvin D'Lugo -- 'Temporary American citizens: cultural anxieties and industrial strategies in the Americanisation of European cinema' / Richard Maltby and Ruth Vasey -- The 'popular' cash and culture in the post-war British cinema industry / Janet Thumin -- Support mechanisms across Europe / Angus Finney -- The financial structure of Spanish cinema / Peter Besas -- From a 'prenational' to a 'postnational' French cinema / Martine Danan…”

Recurso relacionado

“…Utilizando diversas formas de conocimiento --practica personal, entrevistas, conversaciones y visionado de peliculas--, Dominique Villain deja entrever lo que sucede en la sala de montaje e invita al lector a realizar un recorrido por la historia del cine a partir de la idea de liberacion que es la marca, para ella, de los grandes nombres del montaje: Griffith, Eisenstein, Wells, Rouch y Godard…”

“…¿Por qué un cineasta como Godard eligió el dispositivo videográfico para sus historias de cine? …”
Texto completo en Odilo

Tabla de Contenidos: “…Serge Daney / Garin Dowd -- 12. Jean Luc Godard / Zsuzsa Baross -- 13. Stanley Cavell / Rex Butler -- 14. …”

Tabla de Contenidos: “…Cinema Hangs Tough -- 5. Jean-Luc Godard’s Histoire(s) du cinéma or Cinema Surpasses Itself -- PART III Technological Transformations -- 6. …”

Tabla de Contenidos: “…Post-Cool Lo-fi: An Epistemological War -- PART III Cinema and Media Technologies: A Historical Context -- Marey’s Gun: Apparatuses of Capture and the Operational Image -- Re-editing as Psychotechnique: Montage and Mediality in Early Soviet Cinema -- Technophobia and Italian Film Theory in the Interwar Period -- Jean-Luc Godard’s Histoire(s) du Cinéma: Cogito Ergo Video -- Performativity/Expressivity: The Mobile Micro Screen and Its Subject -- PART IV Discussions: Revisiting the Past -- Rethinking the Materiality of Technical Media: Friedrich Kittler, Enfant Terrible with a Rejuvenating Effect on Parental Discipline – A Dialogue -- Revisiting Christian Metz’s “Apparatus Theory” – A Dialogue -- PART V Envisioning the Future -- The Future History of a Vanishing Medium -- Experimental Media Archaeology: A Plea for New Directions -- Notes -- General Bibliography -- Notes on Contributors -- Index of Names -- Index of Film Titles -- Index of Subject…”

“…This spirited volume explores the history and diversity of improvisation in the cinema, including works by Jean Renoir, Jean-Luc Godard, and Nobuhiro Suwa. Gilles Mouëllic examines improvisational practices that can be specifically attributed to the cinema and argues in favors of their powers as instigators of unprecedented forms of expression. …”

Tabla de Contenidos: “….) ; REVERBERACIONES MUSICALES EN UN TIEMPO IMAGINARIO (...) ; JEAN-LUC GODARD O LA(S) HISTORIA(S) DEL CINE: (...) ; LA IDEA DE PROGRESO: EL TIEMPO EN LÍNEA RECTA. …”