Tabla de Contenidos: “…On the Cherubim, and the flaming sword, and Cain the first man created out of man ; On the birth of Abel and the sacrifices offered by him and by his brother Cain ; That the worse is wont to attack the better ; On the posterity of Cain and his exile ; On the giants -- 2.2. …”

Tabla de Contenidos: “…Cover Page -- Title Page -- Dedication -- BY WAY OF AN INTRODUCTION -- Part I AN OLD QUESTION ASKED ANEW -- 1 Our Pessimism -- 2 The Weakness of Strong States I -- 3 The Weakness of Strong States II or Eating Pineapples on the Moon -- 4 The Worldwide Liberal Revolution -- Part II THE OLD AGE OF MANKIND -- 5 An Idea for a Universal History -- 6 The Mechanism of Desire -- 7 No Barbarians at the Gates -- 8 Accumulation without End -- 9 The Victory of the VCR -- 10 In the Land of Education -- 11 The Former Question Answered -- 12 No Democracy without Democrats -- Part III THE STRUGGLE FOR RECOGNITION -- 13 In the Beginning a Battle to the Death for Pure Prestige -- 14 The First Man -- 15 A Vacation in Bulgaria -- 16 The Beast with Red Cheeks -- 17 The Rise and Fall of Thymos -- 18 Lordship and Bondage -- 19 The Universal and Homogeneous State -- Part IV LEAPING OVER RHODES -- 20 The Coldest of All Cold Monsters -- 21 The Thymotic Origins of Work -- 22 Empires of Resentment Empires of Deference -- 23 The Unreality of "Realism" -- 24 The Power of the Powerless -- 25 National Interests -- 26 Toward a Pacific Union -- Part V THE LAST MAN -- 27 In the Realm of Freedom -- 28 Men without Chests -- 29 Free and Unequal -- 30 Perfect Rights and Defective Duties -- 31 Immense Wars of the Spirit -- Afterword to the Second Paperback Edition of The End of History and the Last Man -- Afterword to the 2006 Afterword -- NOTES -- BIBLIOGRAPHY -- INDEX -- ACKNOWLEDGMENTS -- About the Author -- Copyright Page…”

Tabla de Contenidos: “…Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- Acknowledgments -- Introduction -- Chapter 1: The Final Rewrite -- First Man -- The Screenplay -- Notes -- Chapter 2: Best Intentions and Excellent Fails -- Not Quite Heaven -- How to Help Your Characters Succeed -- Notes -- Chapter 3: The Well of Coverage -- The Dailies -- Coverage -- Permutations of the Script -- Organization -- Chapter 4: The Scene and an Approach to Dailies -- A Word about Scenes -- Writing the Scene -- First Steps -- The First Draft -- Notes -- Chapter 5: Another approach -- The Gift of Memory and Its Limits -- Beyond "Cut" -- Keep Rolling -- Discovering What to Lose -- Movies Move -- Note -- Chapter 6: What Writers Know -- Structure -- Genre -- Sense and Setting -- Notes -- Chapter 7: What Editors Know -- Power of the Shot -- Sculpting the Story -- Establishing Tone -- Notes -- Chapter 8: Tricks of the Editor's Trade -- The Magician -- Repurposing Shots -- The Intercut -- Point-of-View -- Notes -- Chapter 9: The Essence of Time -- Clock Time versus Film Time -- Notes -- Chapter 10: The Filmic Moment -- Note -- Chapter 11: Aspects of Dialogue -- Dialogue and Subtext -- Subtext -- The Sound of Silence -- Chapter 12: Dialogue and Character Issues -- Space -- The Ensemble -- Improvisation -- Voiceover -- Notes -- Chapter 13: When "Cut to" Isn't Enough -- Transitions -- Chapter 14: Following the Line -- Non-linear Trajectories -- Notes -- Chapter 15: Formula but Not Formulaic -- Genre -- Ritual Objects and Story -- Formula -- Notes -- Chapter 16: The End Is the Beginning -- Where to Begin -- The End -- Notes -- Chapter 17: Hindsight Is 20/20 -- Emotional Logic -- Creativity and Inspiration -- Notes -- Index…”