“…The configuration of time is crucial in organizing the sensory affects of film in general but, as Wahlberg adroitly demonstrates, in nonfiction films the problem of managing time is writ large by the moving image's interaction with social memory and historical figures. …”
Sumario

“…This work breaks down the film industry and lists exactly what it takes to crack into each market (except acting). …”

“…Movies and Meaning is a comprehensive introduction to the film industry that focuses on three topics: how movies express meanings, how viewers understand those meanings, and how cinema functions globally as both an art and a business. …”

Tabla de Contenidos: “….-- Dics 3: Beyong Free Cinema: One potato two potato (1957); March to Aldermaston (1959); The vanishing street (1962); Tomorrow's saturday (1963); Small is beautiful: the story of the Free Cinema films told by their makers (2006)…”

“…Can films tweak the facts and still be faithful to history? …”
Sumario

“…Updated in a new 6th edition, Movies and Meaning is a comprehensive introduction to the film industry that focuses on three topics: how movies express meanings, how viewers understand those meanings, and how cinema functions globally as both an art and a business. …”

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Tabla de Contenidos: “…The Child as Uncanny Other / Section One / Secrets and Hieroglyphs: The Uncanny Child in American Horror Film / Chapter One: The Child and Adult Trauma in American Horror of the 1980s / Chapter Two: The Uncanny Child of the Millennial Turn / Section Two / Insects Trapped in Amber: The Uncanny Child in Spanish Horror Film / Chapter Three: The Child and Spanish Historical Trauma / Chapter Four: The Child Seer and the Allegorical Moment in / Millennial Spanish Horror Cinema. / Section Three / Our Fear Has Taken on a Life of Its Own: The Uncanny Child in Japanese Horror Film / Chapter Five: The Child and Japanese National Trauma / Chapter Six: The Prosthetic Traumas of the Internal Alien in Millennial J-Horror / Section Four[-]Trauma's Child: The Uncanny Child in Transnational Remakes and Co-productions / Chapter Seven: The Transnational Uncanny Child/ Chapter Eight: Progress and Decay in the Twenty-first Century: The Postmodern Uncanny Child in The Others / Chapter Nine: 'Round and round, the world keeps spinning. …”