Tabla de Contenidos: “…Front matter -- Table of Contents -- Preface -- Abbreviations -- Unidentified Films -- Historical Currencies -- Introduction -- I. …”

Tabla de Contenidos: “…Frontmatter -- Table of Contents -- The Throb of the Cinematograph / Section 1 -- Cinema and Modern Life / Cinematography / The Philosophy of Cinematograph / Summertime Spectacles: The Cinema / Why I Love the Cinema / The Movie Theatre Audience / The Art of Celluloid / The Triumph of the Cinema / The Death of the Word / Section 2 -- Film in Transition / The Museum of the Fleeting Moment / The Woman and the Cinema / Darkness and Intelligence / A Spectatrix is Speaking to You / Motion Pictures in Provincial Towns / Cinematic Psychology / The Cinematograph Doesn't Exist / The Cinema: School of the Will and of Energy / The Close-up / The Soul of Titles / Section 3 -- Cinema at War / The War, from Up Close / That Poor Cinema... / Families of Soldiers / War for the Profit of Industry / The War and Cinematograph / Max Linder Dies in The War / Cinema of War / Section 4 -- Politics, Morality, Education / The Motion Pictures and Education / The Intuitive Method in Religious Education / The Cinema and Its Influence on the Education of the People / The Cinematograph in the Schools / Speech at the People's Theatre / Cinema for the Cultivation of the Intellect / Educational Cinema / Section 5 -- Film, Body, Mind / Collective Psychology / About Some Psychological Observations Made During Film Screenings / Concerning the Effects of Film Viewing on Neurotic Individuals / The Ongoing Battle between Gesture and Word / The Cinematograph in the Field of Mental Illness and Criminality: Notes / Cinema and Juvenile Delinquency / Section 6 -- The Aesthetic Side / Problems of Art: Expression and Movement in Sculpture / Scenic Impressionism / The Aesthetics of Cinema / The Poetics of Cinema / Manifesto for a Cinematic Revolution / Theatre and the Cinema / The Futurist Cinematography / In the Beginning Was Sex... / Rectangle-Film (25 x 19) / The Proscenium Arch of My Cinema / My Views on the Cinematograph / Meditations in the Dark / Section 7 -- Theory in a Narrative Form / Colour Film / At the Cinema / A Phantom Pursued / Miopetti's Duel / Pamela-Films / Feature Film / Me, Rirì, and Love in Slippers / A Cinematic Performance / Life, a Glass Theatre / The Shears' Reflection / Sources -- Author Biographies -- General Bibliography -- Acknowledgements -- About the Editors -- Index of Names -- Index of Concepts -- Index of Films…”

“…Film theory in media history…”

Tabla de Contenidos: “…Thin Film Analysis by X-Ray Scattering; Table of Contents; Preface; Symbols; 1 Principles of X-ray Diffraction; 1.1 The Basic Phenomenon; 1.2 The θ/2θ Scan; 1.3 Intensity of Bragg Reflections; 1.3.1 Atomic Form Factors; 1.3.2 Structure Factor; 1.3.3 Multiplicity; 1.3.4 Geometry Factor; 1.3.5 Preferred Orientation (Texture); 1.3.6 Polarization Factor; 1.3.7 Absorption Factor; 1.3.8 Integration of the Interference Function; 1.4 Applications; Exercises; References; 2 Identification of Chemical Phases; 2.1 Histogram-Based Techniques; 2.2 Linear Attenuation Coefficient μ…”

“…This OECD Emission Scenario Document (ESD) is intended to provide information on the sources, use patterns, and potential release and exposure pathways of non-volatile chemicals used in Aqueous Film-Forming Foams (AFFFs) in firefighting applications. …”

Tabla de Contenidos: “…Frontmatter -- Table of Contents -- List of Illustrations -- Introduction : What Was a Film Society? Towards a New Archaeology of Screen Communities -- 1. …”

“…For photographers working digitally or with film, in color or black and white, in the studio or on the go, this simple visual language helps to control contrast and, through a process called Previsualization, provides photographers with the power of free creative expression. …”

Materias:

Tabla de Contenidos: “…Front Cover; Make-up, Hair and Costume for Film and Television; Copyright Page; Contents; Working in the Media; Working in Film and Video; Television; Cinema; Theatre; Photography; Working as Staff; Working as Freelance; Teamwork; Working With Others; Conduct; Safety; Multi-Skilling; Working in Studios; Studios; Production Staff; Rehearsal; Transmission: Live and Recorded; Standing by on Set; Make-up and Wardrobe Facilities; Working on Location; Location Work; Preparation for Location Work; Outside Broadcasts; Location Personnel; Location Facilites; Technical Operations…”

Materias: