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104Publicado 2011Tabla de Contenidos: “…Filming the Nation Jung, Film, neo-realism and Italian national identity; Copyright; Contents; Acknowledgments; Introduction; Primo tempo; Chapter 1The uninvited guest: film, psychoanalysis and the Jungian absence; Chapter 2Archetype and complex: the paradox of dynamic structures; Chapter 3Jung, film and nation: image as witness of a process of becoming; Intervallo; Chapter 4Italian neo-realism and the unmitigated darkness of historical truth; Secondo tempo; Chapter 51942-1945: War and archetypes - an orphan nation with a legacy of murder…”
Biblioteca Universitat Ramon Llull (Otras Fuentes: Universidad Loyola - Universidad Loyola Granada, Biblioteca de la Universidad Pontificia de Salamanca)Libro electrónico -
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112Tabla de Contenidos: “…Frontmatter 1 Inhalt 5 Einleitung 7 Indischer Stil 11 Kurze Geschichte des indischen Films 33 Klassiker des indischen Films 57 Die Wirtschaft der Filmindustrie 107 Kino und Gesellschaft 121 Kino als Kunst 147 Aktuelle Entwicklungen 151 Filmindex 161 Personenindex 163 Sachindex 167 Literatur 171 Backmatter 173…”
Electrónico -
113Publicado 2007Tabla de Contenidos: “…Introduction : film festivals as sites of passage -- 1. Berlin and the spatial reconfiguration of festivals : from European showcases to international film festival circuit -- 2. …”
Libro electrónico -
114Publicado 2008Tabla de Contenidos: “…Frontmatter 1 Contents 5 Introduction 7 Beatles History - Part One: 1956-1964 11 The Beatles on Film - Part One: 1964-1965 39 Beatles History - Part Two: 1964-1966. …”
Electrónico -
115Publicado 2009Tabla de Contenidos: “…Contents; Introduction; I Navigating the Archive; Archives and Archaeologies; Record, Rhetoric, Rationalization; Vernacular Archiving; II Visuality and Efficiency; Early Industrial Moving Pictures in Germany; Layers of Cheese; Images of Efficiency; "What Hollywood Is to America, the Corporate Film Is to Switzerland"; Poussières; Thermodynamic Kitsch; III Films and Factories; Touring as a Cultural Technique; Corporate Films of IndustrialWork; Filming Work on Behalf of the Automobile Firm; Eccentricity, Education and the Evolution of Corporate Speech…”
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