Tabla de Contenidos: “…THE TECHNIQUE OF FILM AND VIDEO EDITING History, Theory, and Practice; Copyright; Contents; Acknowledgments for the Fourth Edition; Acknowledgments; Introduction to the Fourth Edition; Introduction; I History of Film Editing; 1 The Silent Period; 2 The Early Sound Film; 3 The Influence of the Documentary; 4 The Influence of the Popular Arts; 5 Editors Who Became Directors; 6 Experiments in Editing: Alfred Hitchcock; 7 New Technologies; 8 International Advances; 9 The Influence of Television and Theatre; 10 New Challenges to Filmic Narrative Conventions; 11 The MTV Influence on Editing I…”

“…This expanded and updated edition of Digital Compositing for Film and Video addresses the problems and difficult choices that professional compositors face on a daily basis with an elegant blend of theory, practical production techniques and workflows. …”

Tabla de Contenidos: “…Lock in Your Deals -- Factors Impacting the Budget -- Type of Project and End Uses -- Locations and Incentives -- Wages, Unions and Guilds -- Project Length and Format -- Financing and Crowdfunding -- Building a Budget -- Setup -- Above the Line: Creative and Development Costs -- Below the Line: Production -- Below the Line: Post Production -- Below the Line: Other Expenses -- Sample Budgets -- End of Chapter Four Review -- Chapter Five-Helpful Scheduling and Budgeting Tips -- Evolution of the Schedule and Budget -- The Team -- Priorities, Prices, and Deal Making -- Changes During Shooting -- Safety, Insurance and Legal -- Safety and Insurance -- Legal -- Publicity, Marketing and Film Festivals -- Distribution Expenses -- Hidden Expenses -- End of Chapter Five Review -- Chapter Six-Managing Resources -- Relationship Between Script, Schedule and Budget -- Lock It Up -- Production Accountant, AD, and Line Producer -- The First Assistant Director (AKA AD) Runs the Set -- The Line Producer Runs the Production Office -- Optimize the Shoot -- No Unnecessary Movement -- Consider the Weather -- Days Off, Turnaround, Meal Times -- Using a Second Unit -- Other Factors -- End of Chapter Six Review -- Chapter Seven-Special Considerations -- Narrative Feature Film -- Marathon Mentality -- More Money -- Don't Wait to Budget (Time and Cash) for Marketing and Distribution -- Documentary Film -- Shorts, Web Videos, and Webisodes -- Television -- Who's Driving the Bus -- The Pilot -- Educational and Corporate Film -- Working Without a Script -- End of Chapter Seven Review -- Chapter Eight-Additional Topics You are Bound to Encounter -- Scheduling -- Contrast and Compare…”

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Materias: “…Photoreactive organic thin films…”

Materias: “…Film Radio Television…”

Tabla de Contenidos: “…Le film de famille, composante nécessaire de la mémoire collective / par Jean Puissant -- Jeux de l'image et du temps : construction de la mémoire familiale et adoption internationale / par Martin Pâquet -- Les films de famille--de "merveilleux documents"? …”

Tabla de Contenidos: “…5 The Interparty AgreementIntroduction; Sample Agreement; 6 The Completion Guarantee; Completion Guarantees; Application Requirements; Documentation; The Guarantee; Liability of the Completion Guarantor; Payments under the Guarantee; Force Majeure; Abandonment; Cut Through; The Completion Agreement; Completion Guarantors; How to Find Sample Completion Guarantor's Documents; Completion Bond Letter of Commitment; Film Finances' Sample Completion Guarantee; Film Finances' Sample Completion Agreement; 7 Collection Agreements; Collection Agreements; Sample Agreement; 8 Recoupment - Net Profits…”

Tabla de Contenidos: “…; Why create 'effects'?; Film, video, digital and string; Film; Video; Conclusion; Stocks and formats; Film formats; Film stocks; Video formats; Methods of creating visual effects; 2. …”

Tabla de Contenidos: “…Film Technology in Post Production; Copyright; Contents; Preface to the Second Edition; Film Technology in Context; Introduction; Origins of Film and Video; Video; Digital imaging; Film and Video: the Differences; Intermittent movement; Frame rate; Resolution; Contrast; Aspect ratio; Film Versus Video - or Film with Video; Digital Film; Digital image capture; Digital post production; Digital cinema; Post Production Pathways; Film Versus Video Production; Image quality; Production style; Production costs; Preservation; Traditional Sprocket Edit, Film Finish; Non-linear Edit, Film Finish…”

Tabla de Contenidos: “…-- Continuity script to the editor -- Dynamics of the camera -- The concept of coverage -- The mastery of matching -- Second unit filming -- Filming for television -- Film language…”

“…Packed with step by step information, hints and tips, this book provides all the basic information needed to production manage a film or video from beginning to end - from idea to delivery…”

Tabla de Contenidos: “…Front Cover; Materials Science of Thin Films: Deposition and Structure; Copyright Page; Contents; Foreword to First Edition; Preface; Acknowledgments; A Historical Perspective; Chapter 1. …”

“…We are at the tipping point of this new convergence culture, and comics is a key area affected by this emerging model.In Comics for Film, Games, and Animation Tyler Weaver teaches you how to integrate comics storytelling into your own work by exploring their past, present, and future. …”

Materias:

Materias:

Tabla de Contenidos: “…Cover; Scheduling and Budgeting Your Film: A Panic-Free Guide; Copyright; Contents; Acknowledgements; Introduction; About the Website; Chapter One Schedule and Budget Basics; QUESTION: What is Production Management?…”

Tabla de Contenidos: “…Digital Compositing for Film and Video; Copyright; Contents; Preface; Acknowledgments; Chapter 1 Introduction; Chapter 2Pulling Mattes; Chapter 3Refining Mattes; Chapter 4Despill; Chapter 5The Composite; Chapter 6Lighting; Chapter 7Camera; Chapter 8Action; Chapter 9Gamma; Chapter 10Video; Chapter 11Film; Chapter 12Log versus Linear; Chapter 13Working with Log Images; Glossary; Index…”

Tabla de Contenidos: “…Cover; Half Title; Title Page; Copyright Page; Dedication; Table of Contents; Acknowledgments; About the Author; Foreword; Preface; Introduction; Chapter 1 Postproduction; Chapter 2 The Team; Chapter 3 Spotting Music; Chapter 4 Temp Editing; Chapter 5 Editing Songs and Source Music; Chapter 6 Musicals and On-Camera Songs; Chapter 7 Working with a Composer; Chapter 8 Working with a Picture Editor; Chapter 9 Conforming; Chapter 10 The Final Film Sound Mix; Chapter 11 Delivery Requirements; Appendix: Interview with Scott Gershin; Index…”