Tabla de Contenidos: “…Reader -- Countryscape/cityscape and homelessness in Agnès Varda's Sans toit ni loi and Leos Carax's Les amants du Pont-Neuf / Raynalle Udris -- Anxious spaces in German Expressionist films / Carol Diethe -- Turkish women in German streets : closure and exposure in transnational cinema / Deniz Göktürk -- The sky over Berlin as transcendental space : Wenders, Döblin and the 'Angel of history / Martin Jesinghausen -- The Rome of Mussolini : an entrenched stereotype in film / Leonardo Ciacci -- Antonioni : space, place, sexuality / David Forgacs -- Is Pasolini an urban film-maker? …”

Tabla de Contenidos: “…Lascaux, préhistoire de l'art / un film d'Alain Jaubert (60 min.). La nuit des temps / un film de Roger Verdier (12 min.)…”
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Tabla de Contenidos: “…Introduction -- The rise of the movie geek: DVD culture, cinematic knowledge, and the home viewer -- The screen is alive: digital effects and Internet culture in the 1990s cyberthriller -- Wall-to-wall color: moviegoing in the age of digital projection -- Desktop productions: digital distribution and public film cultures -- Toppling the gates: blogging as networked film criticism -- Hollywood remixed: movie trailer mashups, five-second movies, and film culture -- Conclusion…”

Tabla de Contenidos: “…Philosophy of technology : reassessing key questions -- The philosophy of technology in the frame of film theory : Walter Benjamin's contribution / Dominique Chateau -- Toward an archaeology of the cinema/technology relation : from mechanization to "digital cinema" / Benoît Turquety -- Technē and Poiēsis : on Heidegger and film theory / Robert Sinnerbrink -- Stiegler's post-phenomenological account of mediated experience / Patrick Crogan -- What are media? …”

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Tabla de Contenidos: “…Modernity and the Classic Gangster Film -- Silent and early sound contexts for the 'classic' cycle -- The 'classic' cycle in its critical context -- Little Caesar: an untypical 'classic' -- The gangster and modernity -- The Public Enemy: modernity, space, and masculinity -- The gangster and the gang -- Scarface: everything to excess -- Repressing modernity: the studios and the Hays Office -- The Post-Code Gangster: Ideology and Social Conscience -- The return of ideology: the G-Man and early post-moratorium variations -- The social gangster -- 'He used to be a big shot': The Roaring Twenties, history, modernity, and the gangster -- The Death of the Big Shot: the Gangster in the 1940s -- Early variations of the 1940s -- High Sierra: re-visiting and renewing the genre -- Revisiting the family plot -- The post-war big shot -- Outside Society, Outside the Gang: the Alienated Noir Gangster -- Post-war transitions: film noir's cultural and cinematic context -- Film noir and its discourses -- Gangsters and film noir -- The emasculated male in early gangster noir -- From small gangs to big business -- Late gangster noir: the triumph of technology -- Order and Chaos, Syndicates and Heists -- Heists: rationalised gangs and fragmented individuals -- Syndicates and rogue cops: un-American visions -- Nostalgia and Renewal in the Post-Classical Gangster Film -- From retro to modern: gangsters in the 1960s -- The gangster film as epic: The Godfather trilogy -- Gangsters on the margins: the gangster-loser film and blaxploitation…”

Tabla de Contenidos: “…Moving in : the moving image finally 'arrives' in the English curriculum -- Adaptations : not just the film of the book -- Teaching film -- Making the most of television -- Practical work -- New technologies and the moving audience -- Imag[in]ing the future…”
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Tabla de Contenidos: “…Executive Summary; 2. The Company; 3. The Films; 4. The Industry; 5.The Markets; 6.Markets, Part II: The Nontraditional Film; 7.Distribution; 8. …”

Tabla de Contenidos: “…The autobiographical effect in the cinema of Polanski -- The absurd and how to deal with it: narratives and characters in Polanski's films -- Landscapes and inner sceneries: recurring visual motifs of Polanski's films -- All that jazz and noise: music in Polanski's films -- Trust yourself: Polanski's ideology -- Adapt to survive and express yourself: Polanski's encounters with literature -- Matrix or empty vessel: Polanski's use of genre -- Conclusion: The cinema of a cultural traveller -- Appendix: Filmography (with technical details and synopses)…”

“…The film has documented aspects of life in an old steel industry district, Tiexi district, in Shenyang, China, between 1999 and 2001. …”
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Tabla de Contenidos: “…Stauffenberg : el 20 de julio de 1944 / ein film von de Arnin D. Steuer. -- WDR-Arte, cop. 1994. -- (24 min). …”

“…This volume draws on approaches from film philosophy, media archaeology, decolonial scholarship and independent film practice to explore mapping as a mediated experience in which film becomes entangled in larger processes of historical subject-formation, as well as in dissident reconfigurations of cultural memory. …”

“…Recent scientific discoveries helped us gain a more and more accurate understanding of the structure and functioning of the tear film and how disorders in the tear film relate to dry eye syndrome. …”