“…Routledge advances in film studies…”
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“…Routledge Advances in Film Studies…”

“…Alain Delon. Film noir…”

“…Documentales (Mare Films) ; 1…”

“…Exeter studies in film history…”

“…Libros Film-historia ; 6…”

“…Studies in war and film ; 3…”

“…The MGM Library of Film Scripts…”

“…Grandes filmes classique ; 5…”

“…Les Grands films classiques…”

“…Biblioteca los Grandes Films!…”

Tabla de Contenidos: “…Jean Epstein and the Revolt of Cinema / Essays -- Epstein's Photogénie as Corporeal Vision: Inner Sensation, Queer Embodiment, and Ethics / Novelty and Poiesis in the Early Writings of Jean Epstein / The Cinema of the Kaleidoscope / Distance is [Im]material: Epstein Versus Etna / "The Supremacy of the Mathematical Poem": Jean Epstein's Conceptions of Rhythm / The "Microscope of Time": Slow Motion in Jean Epstein's Writings / A Different Nature / Cinema Seen from the Seas: Epstein and the Oceanic / A Temporal Perspective: Jean Epstein's Writings on Technology and Subjectivity / Ultra-Modern: Jean Epstein, or Cinema "Serving the Forces of Transgression and Revolt" / Thoughts on Photogénie Plastique / Translations -- Introduction: Epstein's Writings -- La Poésie d'aujourd'hui, un nouvel état d'intelligence (1921) / Bonjour Cinéma (1921) / La Lyrosophie (1922) / Le Cinématographe vu de l'Etna (1926) / L'intelligence d'une machine (1946) / Le Cinéma du diable (1947) / Later Works / Late Articles -- Afterword: Reclaiming Jean Epstein / Filmography -- Select Bibliography -- Notes on Contributors -- Index of Names -- Index of Films and Major Writings by Jean Epstein -- Index of Films…”

“…Journal for Religion, Film and Media…”

“…Film theory in media history…”

Tabla de Contenidos: “…The company : who, what, when, where, and why -- 3. The film : the investor needs to know the whole story -- 4. …”

Tabla de Contenidos: “…Intro -- Cinematic Intermediality -- Copyright -- Contents -- Figures -- Acknowledgements -- The Contributors -- Introduction -- Part 1 Mapping the Interzone -- 1 Film and Performance: Intermedial Intersections -- 2 Carving Cameras: Antonioni's Lo Sguardo di Michelangelo (2004) -- 3 The Photo-filmic and the Post-human: Picturesque Landscapes at the Peripheries of Global Cinema -- 4 Dream Screen: On Cinema and Painting, Blur and Absorption -- Part 2 The Intermedial Avant-gardes -- 5 From the Periphery to the Interstices: Avant-garde Film, Medium Specificity and Intermediality, 1970-2015 -- 6 The 'Artist as Filmmaker': Modernisms, Schisms, Misunderstandings -- 7 The Artwork/Statement as Intermedial Nexus: Paul Sharits's N:O:T:H:I:N:G -- Part 3 Technology, Apparatus, Affect -- 8 Intermediality and the Origins of Cinema -- 9 Cinematography's Blind Spots: Artistic Exploitations of the Film Frame -- 10 Filming and Feeling between the Arts: Pascale Breton, Suite armoricaine, and Eugène Green, Le Fis de Joseph -- Part 4 Intermedial Creation -- 11 What Does a Dance Filmmaker See? …”

Tabla de Contenidos: “…1980 ""; ""Film Regulation: 1934â€?1980 ""; ""TV and Film Regulation Since 1980 ""; ""Regulation: Where We Are Today ""…”

“…Film theory in media history…”