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4341Publicado 2022“…Proyectado en el Contrafestival de Venecia de 1968, el film postula una "hipótesis abierta" centrada en una audaz alegoría final sobre la violencia del poder, la cual afronta temas cruciales que preceden y anuncian los debates del 68. …”
Biblioteca de la Universidad Pontificia de Salamanca (Otras Fuentes: Biblioteca Universitat Ramon Llull, Universidad Loyola - Universidad Loyola Granada)Acceso restringido con credenciales UPSA
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4345The new woman international representations in photography and film from the 1870s through the 1960sPublicado 2011“…Chronicling nearly a century of global challenges to gender norms, &The New Woman International: Representations in Photography and Film from the 1870s through the 1960s is the first book to examine modern femininity's ongoing relationship with the nineteenth and twentieth centuries' most influential new media: photography and film. …”
Electrónico -
4346
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4347Publicado 2006Libro electrónico
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4348Gender and Age/Aging in Popular Culture Representations in Film, Music, Literature, and Social MediaPublicado 2023“…To explore this, the contributors to this volume analyse representations of the intersections of gender and age/ing in cultural and media consumption, such as literature, film, music, and social media. The interconnectedness between gender and aging has been evident since the 1990s and enabled the recognition of age as a cultural category - now is the time to take this intersectional analysis further…”
Libro electrónico -
4349
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4350Publicado 2005Biblioteca de la Universidad de Navarra (Otras Fuentes: Biblioteca Diocesana Bilbao)DVD
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4359Publicado 2001Tabla de Contenidos: “…Campos -- Constructing cultural myths : Cabeza de Vaca in contemporary Hispanic criticism, theater, and film / Santiago Juan-Navarro -- You are what you eat : Tropicalismo and How tasty was my little Frenchman / Theodore Robert Young -- Transhistorical and transgeographical seductions in Rosa Montero's Te tratarâe como a una reina / Wa-kâi Fraser de Zambrano -- Marina : a woman before the mirror of her time in Carlos Fuentes's Ceremonias del Alba / Gladys M. …”
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4360