“…Romans policiers, science-fiction, fantasy, des Cantos d’Hypérion à L.A. Quartet en passant par Fondation, tous ces genres nourrissent le questionnement d’Anne Besson. …”

Tabla de Contenidos: “…Cover -- Half Title -- Title -- Copyright -- Contents -- Preface -- Introduction -- 001 Abstraction -- 002 Allegory -- 003 Ambiguity -- 004 Appropriation -- 005 Areas of Competence -- 006 Authenticity and Outsider Art -- 007 Autobiography -- 008 Balance -- 009 Beauty -- 010 Boundaries -- 011 Brush Techniques -- 012 Chance -- 013 Classicism and Renaissance -- 014 Collage and Assemblage -- 015 Color as Light -- 016 Color as Limit -- 017 Color Theory -- 018 Composition -- 019 Conceptual Art -- 020 Consistency of Visual Language -- 021 Craft -- 022 Creativity -- 023 Cross-Cultural Fertilization -- 024 Cubism -- 025 Dada -- 026 Decoration -- 027 Distortion -- 028 Distribution -- 029 Drawing Language -- 030 The Emotive Object -- 031 Erotic Art -- 032 Expression in the Abstract -- 033 Fantasy and Visionary Art -- 034 Finish -- 035 Formal Innovation -- 036 Form Rendered -- 037 Gender -- 038 Harmony -- 039 Hierarchical Proportion -- 040 Imagination -- 041 Installation -- 042 Intentionality -- 043 Interactive Art -- 044 Juxtaposition -- 045 Kinetic Art -- 046 Land Art -- 047 Layers -- 048 Linear Basics -- 049 Mannerism -- 050 Mass -- 051 Materials as Art -- 052 Minimalism -- 053 Mixed Media and Multimedia -- 054 Motif -- 055 Movement -- 056 Narrative -- 057 Op Art -- 058 Overload -- 059 Performance Art -- 060 Perspective -- 061 Plasticity -- 062 Politics and Polemics -- 063 Prepare and Develop -- 064 Printmaking -- 065 Process as Meaning -- 066 Proportion and Ratio -- 067 Quality -- 068 Quoting -- 069 Readymades -- 070 Realism -- 071 Religiosity -- 072 Repetition -- 073 Representation -- 074 Restraint -- 075 Rhythm -- 076 Romanticism -- 077 Scale -- 078 Semiotics -- 079 Semiotics 2: Deconstruction -- 080 Sensitivity and Sensibility -- 081 Shape -- 082 Shock -- 083 Simplification -- 084 Space and Volume -- 085 Spectacle -- 086 Style and Stylishness…”

“…Des fêtes estivales aux dessins animés japonais, des séries de fantasy aux manifestations de l’extrême-droite étatsunienne, le Moyen Âge est partout, sans cesse réinventé, transformé, mobilisé pour des usages variés. …”

Tabla de Contenidos: “…Cover -- Title Page -- Contents -- Preface -- Introduction -- 1 Abstraction -- 2 Allegory -- 3 Ambiguity -- 4 Appropriation -- 5 Areas of Competence -- 6 Authenticity and Outsider Art -- 7 Autobiography -- 8 Balance -- 9 Beauty -- 10 Boundaries -- 11 Brush Techniques -- 12 Chance -- 13 Classicism and Renaissance -- 14 Collage and Assemblage -- 15 Color as Light -- 16 Color as Limit -- 17 Color Theory -- 18 Composition -- 19 Conceptual Art -- 20 Consistency of Visual Language -- 21 Craft -- 22 Creativity -- 23 Cross-Cultural Fertilization -- 24 Cubism -- 25 Dada -- 26 Decoration -- 27 Distortion -- 28 Distribution -- 29 Drawing Language -- 30 The Emotive Object -- 31 Erotic Art -- 32 Expression in the Abstract -- 33 Fantasy and Visionary Art -- 34 Finish -- 35 Formal Innovation -- 36 Form Rendered -- 37 Gender -- 38 Harmony -- 39 Hierarchical Proportion -- 40 Imagination -- 41 Installation -- 42 Intentionality -- 43 Interactive Art -- 44 Juxtaposition -- 45 Kinetic Art -- 46 Land Art -- 47 Layers -- 48 Linear Basics -- 49 Mannerism -- 50 Mass -- 51 Materials as Art -- 52 Minimalism -- 53 Mixed Media and Multimedia -- 54 Motif -- 55 Movement -- 56 Narrative -- 57 Op Art -- 58 Overload -- 59 Performance Art -- 60 Perspective -- 61 Plasticity -- 62 Politics and Polemics -- 63 Prepare and Develop -- 64 Printmaking -- 65 Process as Meaning -- 66 Proportion and Ratio -- 67 Quality -- 68 Quoting -- 69 Readymades -- 70 Realism -- 71 Religiosity -- 72 Repetition -- 73 Representation -- 74 Restraint -- 75 Rhythm -- 76 Romanticism -- 77 Scale -- 78 Semiotics -- 79 Semiotics 2: Deconstruction -- 80 Sensitivity and Sensibility -- 81 Shape -- 82 Shock -- 83 Simplification -- 84 Space and Volume -- 85 Spectacle -- 86 Style and Stylishness -- 87 Successive Approximation -- 88 Sufficiency of Means -- 89 Surrealism -- 90 Symbols -- 91 Symmetry -- 92 Temporary Art…”

Tabla de Contenidos: “…Roberts with Sheila Murnaghan -- Picturing Duality: The Minotaur as Beast and Human in Illustrated Myth Collections for Children Liz Gloyn -- Mazes Intricate: The Minotaur as a Catalyst of Male Identity Formation in British Young Adult Fiction -- Markus Janka and Michael Stierstorfer -- 'Semibovemque virum semivirumque bovem': Mythological Hybrid Creatures as Key Fairy-Tale Actors in Ovid's 'Metamorphoses' and Postmodern Fantasy Literature and Media for Children and Young Adults -- Przemyslaw Kordos -- Familiar Monsters: Modern Greek Children Face the 'Minotavros, Idra, ' and 'Kerveros' -- Elizabeth Hale -- Facing the Minotaur in the Australian Labyrinth: Politics and the Personal in 'Requiem for a Beast' 2. …”

“…How do gender and race broker queer class fantasy? How do independent filmmakers cross back and forth between industry and queer sectors, changing both places as they go and challenging queer ideas about bad commerce and bad taste?…”

“…A rare look at the role of special effects in creating fictional worlds and transmedia franchises From comic book universes crowded with soaring superheroes and shattering skyscrapers to cosmic empires set in far-off galaxies, today’s fantasy blockbusters depend on visual effects. Bringing science fiction from the studio to your screen, through film, television, or video games, these special effects power our entertainment industry. …”

“…The contributors trace the paths of Russian-Israeli prose, poetry and drama, various waves of avant-garde, fantasy, and critical thought. Today, in Russian-Israeli literature, the voices of writers of various generations and waves of repatriation are intertwined: from the "seventies" to the "war aliyah" of the recent times. …”

Tabla de Contenidos: “…Elements in the Development of the Cosmic PicturePerception; Memory; Imagination; Fantasy; Dreams: General Considerations; Empathy and Identification; Hypnosis and Suggestion; V. …”

Tabla de Contenidos: “…Introducing Each Other; Activity 24. Fantasy Career; Activity 25. Name that Participant; Activity 26. …”

Tabla de Contenidos: “…Rand, and Lorie A. Ritschel -- Fantasy realization and the bridging of time / Gabriele Oettingen and Jennifer Thorpe -- Extending the goal progress theory of rumination : goal reevaluation and growth / Leonard L. …”

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“…They are built on an elaboration of Arlow's ""fantasy function"" and Freud's ""compromise formation"". …”

“…Throughout the book are woven themes which are constant in Castle's work: fantasy, hallucination, travesty, transgression and sexual ambiguity…”

“…The book argues that although we might need to traverse the fantasy of certainty and security, we do not need to give up on hope…”

Tabla de Contenidos: “…'The apocalypse is disappointing': traversing the ecological fantasy Erik Swyngedouw ; From architectures of capital to architectures of care: the arts of dreaming otherwise in the Oslo Architecture Triennale Cecilie Sachs Olsen ; Extinction Rebellion and the future city Emma Arnold ; The urgency of hope and responses to contemporary crises Marikken Wullf-Wathne and Kristin Kjærås ; Part II, Learning the politics of urgency. …”

Tabla de Contenidos: “…Chapter 9: Leadership, Governance and Cultural PolicyLeadership: Fantasies of a cultural Superman; Governance matters: Boards safeguarding autonomy; Minima moralia for a public theatre system; Funding: Decision-makers and their criteria; Public theatre and public culture; In Place of an Epilogue: The Prospects for Public Theatre in Europe; Sources; About the Author; Afterword; Back Cover…”

Tabla de Contenidos: “…Schluss: Das Versprechen der Demokratie und die Kritik der Kommunikation -- Kommunikation als Fantasie -- Demokratie gegen die Kommunikation -- Gegen-Kommunikation: Die Körper auf den Plätzen -- Zur Kritik der Kommunikation -- Literaturverzeichnis -- Abbildungsverzeichnis…”

Tabla de Contenidos: “…Painting a Gooey SurfaceFinal Thoughts; Chapter 4: Painting a Fantasy Forest with the Image Hose; Using the Image Hose; Setting Up the Image; Painting Trees in the Forest; Adding Leaves to the Trees; Finishing Touches; Final Thoughts; Chapter 5: Painting the Sleepwalker; Painting a Night Scene; Painting the Sleepwalker; Painting the Eye Candy in the Image; Finishing Touches; Final Thoughts; Chapter 6: Painting a Sea Serpent; Using a Paper Texture for the Image; Painting the Sea Monster; Adding the Fog Bank; Adding the Sea Serpent's Reflection in the Water; Finishing Touches; Final Thoughts…”

Tabla de Contenidos: “….; 20 Journey to the Group; 21 Left Luggage; 22 Life Collage; 23 Messages from My Past; 24 My Fantasy; 25 My Secret Self; 26 Obituary; 27 Personal Shield; 28 Picture of Myself; 29 Reincarnation; 30 Shaking Out…”