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“…Family plot…”

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“…Family plot (Película cinematográfica). Políglota…”

“…Family plot (Pel·lícula cinematogràfica). Castellà…”

Tabla de Contenidos: “…"My Yiddishe mama": the multiple faces of the immigrant Jewish mother -- Molly Goldberg: "the prototype of the Jewish mother" in the twentieth century -- Margaret Mead and Ruth Benedict: social science uncovers the Jewish "family plot" -- From Marjorie Morningstar to Jennie Grossinger: the suburbs, the Catskills, and the Jewish mother joke -- "American mother of the year" versus monster mothers: will the real Sophie Portnoy please stand up? …”
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Tabla de Contenidos: “…Modernity and the Classic Gangster Film -- Silent and early sound contexts for the 'classic' cycle -- The 'classic' cycle in its critical context -- Little Caesar: an untypical 'classic' -- The gangster and modernity -- The Public Enemy: modernity, space, and masculinity -- The gangster and the gang -- Scarface: everything to excess -- Repressing modernity: the studios and the Hays Office -- The Post-Code Gangster: Ideology and Social Conscience -- The return of ideology: the G-Man and early post-moratorium variations -- The social gangster -- 'He used to be a big shot': The Roaring Twenties, history, modernity, and the gangster -- The Death of the Big Shot: the Gangster in the 1940s -- Early variations of the 1940s -- High Sierra: re-visiting and renewing the genre -- Revisiting the family plot -- The post-war big shot -- Outside Society, Outside the Gang: the Alienated Noir Gangster -- Post-war transitions: film noir's cultural and cinematic context -- Film noir and its discourses -- Gangsters and film noir -- The emasculated male in early gangster noir -- From small gangs to big business -- Late gangster noir: the triumph of technology -- Order and Chaos, Syndicates and Heists -- Heists: rationalised gangs and fragmented individuals -- Syndicates and rogue cops: un-American visions -- Nostalgia and Renewal in the Post-Classical Gangster Film -- From retro to modern: gangsters in the 1960s -- The gangster film as epic: The Godfather trilogy -- Gangsters on the margins: the gangster-loser film and blaxploitation…”

Tabla de Contenidos: “…Goodbye cinema, hello cinephilia -- In defense of spoilers -- Potential perils of the director's cut -- Southern movies, actual and fanciful: a personal survey -- À la recherche de Luc Moullet: 25 propositions -- Bushwhacked cinema -- What dope does to movies -- Fever dreams in Bologna -- From playtime to the world: the expansion and depletion of space within global economies -- Kim Novak as midwestern independent -- Marilyn Monroe's brains -- A free man: white hunter, black heart -- Bit actors -- Rediscovering Charlie Chaplin -- Second thoughts on Stroheim -- Sweet and sour: Lubitsch and Wilder in old Hollywood -- Ritwik Ghatak: reinventing the cinema -- Introducing Pere Portabella -- Portabella and continuity -- Neglected filmmakers: Eduardo de Gregorio and Sara Driver -- Vietnam in fragments: William Klein in 1967-68: a radical reevaluation -- Movie heaven: defending your life -- The world as a circus: Tati's parade -- The sun also sets: the films of Nagisa Oshima -- Inside the vault [on Spione] -- Family plot -- "The doddering relics of a lost cause": John Ford's The sun shines bright -- Prisoners of war: Bitter victory -- Art of darkness: Wichita -- Cinema of the future: still lives: the films of Pedro Costa -- A few eruptions in The House of Lava -- Unsatisfied men: Beau travail -- Viridiana on DVD -- Doing the California split -- Mise en scène as miracle in Dreyer's Ordet -- David Holzman's Diary/My girlfriend's wedding: historical artifacts of the past and present -- Early long-take climaxes -- Wrinkles in time: Alone. …”