Tabla de Contenidos: “…Introduction -- Project selection : Superformula / David Dessens (Sanch) -- extracts of local distance / FELD -- 10,000 digital paintings / FIELD -- Reflection / Andreas Fischer, Benjamin Maus -- A week in the life / Andreas Fischer -- Gestalt / Thorsten Fleisch -- Aperiodic symmetries / THEVERYMANY (Marc Fornes, Skylar Tibbits) -- Recursive growth THEVERYMANY (Marc Fornes) -- Platonic solids / Michael Hansmeyer -- Subdivided pavilions / Michael Hansmeyer -- Der Wirklichkeitsschaum / Eno Henze -- Red ambush / Eno Henze -- Subjektbeschleuniger / Eno Henze -- Growing data / Cedric Kiefer -- Similar diversity / Andreas Koller, Philipp Steinweber -- Generative lamps / Janne Kyttänen -- Segmentation and sympton / Golan Levin -- Footfalls / TMEMA (Golan Levin, Zachary Lieberman) -- Poetry on the road / Boris Müller, Florian Pfeffer -- Actelion imagery wizard / onformative -- Talysis II, autotrophs / Paul Prudence -- Delaunay raster / Jonathan Puckey -- Tile tool / Jonathan Puckey -- Process compendium / Casey Reas -- con\texture\de\structure / Tim Riecke -- Being not truthful / Ralph Ammer, Stefan Sagmeister -- Casa da Múusica identity / Stefan Sagmeister -- Type & form sculpture / Karsten Schmidt -- Faber finds / Karsten Schmidt -- genoTyp / Michael Schmitz -- Evolving logo / Michael Schmitz -- _grau / Robert Seidel -- well-formed.eigenfactor / Moritz Stefaner, Martin Roswall, Carl Bergstrom -- Cyberflowers / Roman Verostko -- Stock space / Marius Watz -- Basic principles : Introduction to processing -- Color -- Shape -- Type -- Image -- Complex methods : Randomness and noise -- Oscillation figures -- Formulated bodies -- Attractors -- Tree diagrams -- Dynamic data structures…”

“…He begins with an 'Introduction: Distinguishing Pity'; followed by chapters on the Aristotelian framework; Buddhism and pity; the pieta in the Middle Ages and Renaissance; Shakespeare on pity; Milton's pitiless Christianity; pity and charity in the early novel; Blake's views on pity; the Victorian debate; from Austen to Dickens and George Eliot; Brecht and Chekhov on pity and self-pity; 'war, and the pity of war'; Jean Rhys and Stevie Smith; pity, immigration and the colony and finally three contemporary texts by Michel Faber, Kazuo Ishiguro and Cormac McCarthy…”

Tabla de Contenidos: “…. - Pacific Century Cyberworks Connect Kiosk Shops, 2004-2007 / James Law Cybertecture - DIM mobile retail unit, Uniglo Pop-Up Store, 2005 / LOT-EK - Big M, 2000; Unipart Structure, 2005; Smirnoff Cube, 2006 / Inflate - Airtecture Air Hall, 1996-2000; Airquarium, 2000 / Festo - Dyson Mobile Exhibition Pavilion, 2004 / FTL Design Engineering Studio - Screen Machine 2, 2004 / Toutenkamion - Bathing Ship, Berlin, Germany, 2005 / AMP arquitectos / Wilk-Salinas - U2 Vertigo Tour Stage Set, 2005-2006; The Rolling Stones Bigger Bang Tour Stage Set, 2005-2007 - Superbowl Half-Time Shows, 2001,2002, 2004, 2006 / Mark Fisher - Harley-Davidson Machine Tent, 2002 / FTL Design Engineering Studio - Valhalla, 2000 / Rudi Enos - Portable House, 2007 / Office Mobile Design - micro-compact home, 2005 / Richard Horden - Caravan of the future, 2007 / Paul Burchill and Herve Delaby - Mobile dwelling unit, 2003 / LOT-EK - Mobile museums, 2004, 2006 / Public Art Lab - Classrooms of the future, 2007 / Gollifer Langston Architects - Animaris Rhinoceros transport, 2004 / Theo Jansen - Karaza Theatre, Sendai and Tokyo, Japan, 1987-1988 / Tadao Ando Architect and Associates - ISS TransHAB, 1997-2000 / NASA - Halley VI, 2004-2010 / Faber Maunsell - BHP Geological Survey Camp, Nortwest Territories, Canada,1993-1994 / Weatherhaven…”

Tabla de Contenidos: “…Museale Inszenierungen von fortwährenden Genies 79 »Meine Dämonen füttern«: Paradoxe Bearbeitungen von Geschlechtertabus in der sadomasochistischen Subkultur 99 Sciences/Silences - Die Naturen und Sprachen der ›Sodomie‹ in Petrus' von Abano Problemata-Kommentar 117 Recht verschwiegen: Das ›Tabu‹ der Sodomie in der Sprache des spätmittelalterlichen Rechts 141 Der Inzest als Symptom der Shoah: Zur Wiederkehr des Verdrängten in Max Frischs Homo faber und Ingeborg Bachmanns Malina 155 (Ent-)Tabuisiertes Erzählen: Sexuelle Gewalt an ›deutschen‹ Frauen am Ende des Zweiten Weltkriegs 171 Das ›unsägliche‹ Verbrechen. …”