“…Among the issues addressed are the relation between natural law and natural inclination, how far natural law depends on knowledge of human nature, what its obligatory force consists in, and, above all, how it is related to what for Aquinas is the first principle of all being, the divine will.--Contracubierta…”

“…Kim demonstrates that the author references the negative fear of the divine in the polytheistic world which contrasts with the Johannine love of God, and that his countercultural message continues to the very end, with a concluding warning against the many worldly idols. …”

“…The book's thesis is that nothing human, natural or divine guarantees respect for the ethical values and commitments that are most needed in contemporary human existence, but nothing is more important than our commitment to defend them, for they remain as fundamental as they are fragile, as precious as they are endangered…”
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“…Blenkinsopp shows how the temple singers, with their close connections with the circles which transmitted and eventually committed to writing the Book of Isaiah, demonstrate that the divine word is not incompatible with other forms of religious experience and expression, affective and even mystical, articulated and embodied in the performance of music, song, ritual prayer, and dance. …”

“…Today collective deaths can no longer be explained by divine vengeance or a furious Nature, it is human responsibility that is in question. …”

“…A dark plot, in which erotic passion culminates in sex, and sex leads to tragedy and death in the human realm, unfolds within the larger horizon of a supernatural sphere, dominated by power-conscious divinities. Dido is Aeneas' most significant other, and in their encounter Virgil explores timeless themes of love and loyalty, fare and fortune, the justice of the gods, imperialambition and its victims, and ethnic differences. …”

“…Mettant souvent en scène l'irruption de l'étranger ou de l'inédit dans un univers conservateur, les nouvelles de Flannery O'Connor sont parcourues de tensions entre dedans et dehors, conscience des personnages et vie sociale, préoccupations narcissiques et ouverture au divin. Néanmoins, la déclinaison de termes, d'images et de formules tout au long des nouvelles produit une impression de continuité, qui se superpose aux tensions et relations conflictuelles, tout en ouvrant l'espace à l'ironie par le jeu de leurs connotations changeantes. …”

“…A dark plot, in which erotic passion culminates in sex, and sex leads to tragedy and death in the human realm, unfolds within the larger horizon of a supernatural sphere, dominated by power-conscious divinities. Dido is Aeneas' most significant other, and in their encounter Virgil explores timeless themes of love and loyalty, fate and fortune, the justice of the gods, imperial ambition and its victims, and ethnic differences. …”

“…He shows how the preliterate Great Bharata song depicts both archaic and classical models of kingly and premonetary polity and how the king becomes a ruler who is viewed as ritually divine. Based on his precise and empirical close reading of the text, McGrath then addresses the idea of heroic religion in both antiquity and today; for bronze-age heroes still receive great devotional worship in modern India and communities continue to clash at the sites that have been-for millennia-associated with these epic figures; in fact, the word hero is in fact more of a religious than a martial term.One of the most important contributions of Raja Yudhisthira, and a subtext in McGrath's analysis of Yudhisthira's kingship, is the revelation that neither of the contesting moieties of the royal Hastinapura clan triumphs in the end, for it is the Yadava band of Krsna who achieve real victory. …”

“…In dealing with the problem of human sin, Eriugena brings out Christ's saving role, but it seems counterbalanced by man's intrinsic potential as the "divine image" to rehabilitate himself. In this respect Eriugena's flexible method of reasoning - his handling of negative theology, theophany and allegorical exegesis - serves as a remarkable example of human independence in what has so often been portrayed as the "static" early-medieval world…”

“…For Aquinas, Christ's humanity, at its deepest foundations, incarnates the very personal being of the divine Son and Word of the Father, and hence every action of Christ reveals the Father, is from the Father, and leads back to the Father. …”

“…How can the extraordinary power of a divine god be reconciled with the imperfection of the world that he has created and rules over? …”

“…The spectacle of the wounded body figured prominently in the Middle Ages, from images of Christ’s wounds on the cross, to the ripped and torn bodies of tortured saints who miraculously heal through divine intervention, to graphic accounts of battlefield and tournament wounds—evidence of which survives in the archaeological record—and literary episodes of fatal (or not so fatal) wounds. …”

“…With his commentary, the young Swiss pastor paved the way for a renewed, intensely theological interpretation of the Scriptures.The volume thus centers of some of the key themes which run through Barth’s commentary: faith as divine gift beyond any human experience or psychological data, the Easter event as the turning point of the world’s history, God’s judgment and mercy and God’s one Word in Jesus Christ.This volume represents a major contribution to the interpretation of Karl Barth’s early thought…”