Tabla de Contenidos: “…COVER; Genius!; Contents; Dragons Dance In the Eyes of My SonIn the Eyes of My Son; Acknowledgements; In the crucible; The importance of identifying the genius of 'attention different' children; The Spirit in the Bottle1; PART I Understanding and nurturing the positive genius of your attention different child; Introduction; CHAPTER 1 First criterion: Caregivers recognize the AD child's genius; CHAPTER2 Second criterion: Caregivers are attuned to the AD child; CHAPTER 3 Third criterion: Caregivers help the child discover a Great Story that moves him forward…”

Tabla de Contenidos: “…Swahili Covers, Sufi Prayers, and Liberation Hymns: Women's Mobilities in Competitive Tufo Dance Associations in Northern Mozambique -- 4. An Untouchable Kīrtan: Sonic Liberation on the Andaman Islands -- 5. …”

Tabla de Contenidos: “….: Stompin' At The Savoy I Won't Dance -- Gee Baby Ain't -- I Good To You -- Let's Call The Whole Thing Off -- I've Got My Love To Keep Me Warm -- I'm Putting All My Eggs In One Basket -- Fine Romance -- Our Love Is Here To Stay -- Learnin' The Blues.-- CD 3: Overture -- Summertime I Wants To Stay Here-- My Man's Gone Now -- I Got Plenty O' Nuttin' -- Buzzard Song-- Bess You Is My Woman Now It Ain't Necessarily So-- What You Want Wid Bess? …”

Tabla de Contenidos: “…Disco 1: Hound dog / Elvis Presley -- Rebel Rouser / Duane Eddy -- (I don't know why) But I do / Clarence "Frogman" Henry -- Walk right in / The Rooftop Singers -- Land of 1000 dances / Wilson Picket -- Blowin' in the wind / Joan Baez -- Fortunate son / Creedence Clearwater Revival -- I can't help myself (Sugar pie honey bunch) / The Four Tops -- Respect / Aretha Franklin -- Rain day women #12 & 35 / Bob Dylan -- Stoop John B / The Beach Boys -- California Dreamin' / The Mamas and The Papas -- For waht it's worth / Buffalo Springfield -- What the world needs now is love / Jackie De Shanon -- Break on through (To the other side) / The Doors -- Mrs. …”

Tabla de Contenidos: “…Introduction -- George Baird -- "A Promise as Well as a Memory": Toward an Intellectual Biography ofJoseph Rykwert -- Dalibor Vesely -- The Architectonics of Embodiment -- John Onians -- Greek Temple and Greek Brain -- Mark Wilson Jones -- Doric Figuration -- Robert Tavernor -- Contemplating Perfection through Piero's Eyes -- Alina Payne -- Reclining Bodies: Figural Ornament in Renaissance Architecture -- Simon Pepper -- Body, Diagram, and Geometry in the Renaissance Fortress -- Harry Francis Mallgrave -- Dancing with Vitruvius: Corporeal Fantasies in Northern Classicism -- Vaughan Hart -- On Inigo Jones and the Stuart Legal Body: "Justice and Equity and Proportions Appertaining" -- Karsten Harries -- Sphere and Cross: Vitruvian Reflections on the Pantheon Type -- Alberto Perez-G6mez -- Charles-Etienne Briseux: The Musical Body and the Limits of Instrumentality in Architecture -- Richard Sennett -- The Foreigner -- Neil Leach -- Vitruvius Crucifixus: Architecture, Mimesis, and the Death Instinct -- Marcia F. …”

Tabla de Contenidos: “…The shadow of Vietnam (1963-1974) -- Back to the brink (1975-1980) -- The gloves come off (1981-1982) -- Dancing blindly on the edge (1983) -- Endgame (1984-89) -- Part 5: The era of intervention. …”

Trailer

“…Cognitively modern minds produced a staggering list of behavioral singularities--science, religion, mathematics, language, advanced tool use, decorative dress, dance, culture, art--that seems to indicate a mysterious and unexplained discontinuity between us and all other living things. …”

“…This book brings together studies on the state of independent theatre in different European countries, focusing on the fields of dance and performance, children and youth theatre, theatre and migration and post-migrant theatre. …”

“…La Turquie est le premier État à reconnaître la République d'Azerbaïdjan lorsque celle-ci déclare son indépen­dance le 30 août 1991. Les relations diplomatiques sont établies quelques mois plus tard. …”

“…He also designed for opera and dance and was named Radio City Music Hall’s first art director in 1932. …”

“…Aspects covered include language (Jamaican Patwa), religion, folklore, music, and dance to identify the continuities in an African-Jamaican aesthetic, which is understood here as an ongoing dialogue of cultural memory between the Caribbean, Africa, and diasporic spaces. …”

“…The sessions are divided into different types of activity including cookery, arts and crafts, drama and dance, and outside events…”

“…In Rated A, Darshana Sreedhar Mini examines the local and transnational influences that shaped Malayalam soft-porn cinema--such as vernacular pulp fiction, illustrated erotic tales, and American exploitation cinema--and maps the genre's circulation among blue-collar workers of the Indian diaspora in the Middle East, where pirated versions circulate alongside low-budget Bangladeshi films and Pakistani mujra dance films as South Asian pornography. Through a mix of archival and ethnographic research, Mini also explores the soft-porn industry's utilization of gendered labor and trust-based arrangements, as well as how actresses and production personnel who are marked by their involvement with a taboo form negotiate their social lives. …”

“…Romeo and Juliet calls upon the full forces of a great company of dance-actors to present the street fights of the feuding Capulets and Montagues in renaissance Verona, and also to convey the splendour of such scenes as the Capulet ball. …”

Tabla de Contenidos: “…-- V -- Preface to Part V -- Re-conceptualizing Mathematics Education as a Design Science -- Commentary 1 on Re-conceptualizing Mathematics Education as a Design Science -- Commentary 2 on Re-conceptualizing Mathematics Education as a Design Science -- Commentary 3 on Re-conceptualizing Mathematics Education as a Design Science -- VI -- Preface to Part VI -- The Fundamental Cycle of Concept Construction Underlying Various Theoretical Frameworks -- Commentary on The Fundamental Cycle of Concept Construction Underlying Various Theoretical Frameworks -- VII -- Preface to Part VII -- Symbols and Mediation in Mathematics Education -- Commentary on Symbols and Mediation in Mathematics Education -- VIII -- Problem Solving Heuristics, Affect, and Discrete Mathematics: A Representational Discussion -- Commentary on Problem Solving Heuristics, Affect, and Discrete Mathematics: A Representational Discussion -- IX -- Preface to Part IX -- Problem Solving for the 21 Century -- Commentary 1 on Problem Solving for the 21 Century -- Commentary 2 on Problem Solving for the 21 Century -- X -- Preface to Part X -- Embodied Minds and Dancing Brains: New Opportunities for Research in Mathematics Education -- Commentary on Embodied Minds and Dancing Brains: New Opportunities for Research in Mathematics Education -- XI -- Preface to Part XI -- DNR-Based Instruction in Mathematics as a Conceptual Framework -- Commentary on DNR-Based Instruction in Mathematics as a Conceptual Framework -- XII -- Appreciating in Qualitative Research -- XIII -- Preface to Part XIII -- Understanding a Teacher’s Actions in the Classroom by Applying Schoenfeld’s Theory : Reflecting on Goals and Beliefs -- Commentary on Understanding a Teacher’s Actions in the Classroom by Applying Schoenfeld’s Theory : Reflecting on Goals and Beliefs -- XIV -- Preface to Part XIV -- Feminist Pedagogy and Mathematics -- Commentary 1 on Feminist Pedagogy and Mathematics -- Commentary 2 on Feminist Pedagogy and Mathematics -- Commentary 3 on Feminist Pedagogy and Mathematics -- XV -- Preface to Part XV -- Networking of Theories—An Approach for Exploiting the Diversity of Theoretical Approaches -- Commentary on Networking of Theories—An Approach for Exploiting the Diversity of Theoretical Approaches -- XVI -- Preface to Part XVI -- On Networking Strategies and Theories’ Compatibility: Learning from an Effective Combination of Theories in a Research Project -- Modalities of a Local Integration of Theories in Mathematics Education -- Commentary on On Networking Strategies and Theories’ Compatibility: Learning from an Effective Combination of Theories in a Research Project -- Commentary on Modalities of a Local Integration of Theories in Mathematics Education -- XVII -- Preface to Part XVII -- Complexity Theories and Theories of Learning: Literature Reviews and Syntheses -- XVIII -- Preface to Part XVIII -- Knowing More Than We Can Tell -- Commentary on Knowing More Than We Can Tell -- XIX -- Politicizing Mathematics Education: Has Politics Gone too Far? …”

Tabla de Contenidos: “…GLOBAL TELEVISION FORMATS Understanding Television Across Borders; Copyright; Contents; List of Illustrations; List of Contributors; Acknowledgements; Introduction: Television Formats-A Global Framework for TV Studies; PART I Format Theories and Global Television; 1 More than Copycat Television: Format Adaptation as Performance; 2 "Calling Out Around the World": The Global Appeal of Reality Dance Formats; 3 Television Formats and Contemporary Sport; 4 A Political Economy of Formatted Pleasures; 5 Interpreting Cubanness, Americanness, and the Sitcom: WPBT-PBS's ¿Qué pasa U.S.A.? …”

“…Weaving together a vast corpus of colonial French children's comics, Francophone novels, and African popular music, fashion, and dance, Knox traces how the ways colonial 'human zoos' invited their French spectators to gaze on their colonized others still inform the frameworks through which racial and ethnic minorities are made-and make themselves-visible in contemporary France. …”

“…Globalization and particularly the internet, has a complex effect on the transmission of intangible heritage: while music, dance, and other expressions are now shared easily, the performances often lack context and may be shared with a group that does not fully understand what they are seeing or hearing. …”

“…The Costume Supervisor’s Toolkit explores the responsibilities of a Costume Supervisor within a theatrical, opera or dance production company. Rebecca Pride provides an insight into all manner of processes, beginning with a definition of the role, and offers explanations of the timeline from the first design meetings, leading all the way up to managing fittings and final rehearsals. …”