Tabla de Contenidos: “…Conté: Have an angst day: the scream meme -- Cotoon candy autopsy: deconstructing psycho-killer clowns -- Return to abnormalcy: gaffes, geeks, and freaks at the fin-de-millennium -- Anus horribilis: Jim Carey's excremental excess -- Mad cows and englishmen: reading Damien Hirst's entrails -- Mysteries of the organism: the operation -- Nature morte: formaldehyde photography and the new grotesque -- Past perfect: Disney celebrates us home -- Trendspotting: I shop, therefore I am -- Grim fairy tales: Renée French's kinderculture -- The Unheimlich maneuver: the doll hour -- Empathy bellies: cloned sheep and pregnant men -- Wild nature, wired nature: the unabomber meets the digerati -- Sapce oddities: heaven's gate and Homo cyber. …”

Tabla de Contenidos: “…i) Graffitiii) The Term Street Art; iii) Definition of Street Art; (1) Street (and) Art; (2) »Illegal« versus »Self-authorized«; (3) Word versus Image; (4) The Viewer of Street Art; (5) Street Art Is Site-Specific; (6) The Performative Aspect of Street Art; (7) Street Art Is Ephemeral and Participatory; (8) Street Art and Advertising; (9) Quality Characteristics of Street Art; iv) Urban Art; 3) London at the Turn of the Millennium; a) The London Art Scene since 1980; b) Damien Hirst and Young British Artists; c) What makes a British artist in the 1990s a Young British Artist?…”

“…Engaging with sources from The Epic of Gilgamesh to Shakespeare, Carlyle, Dickens and Damien Hirst, Professor Watt draws a revealing history of dress and civil order and offers challenging conclusions about the nature of truth and the potential for individuals to fit within the forms of civil life."…”

“…Se cuestiona el valor del arte transgresor y se plantea el dilema entre la pérdida de referentes y el valor de las ideas recibidas y entre la ruptura con los esquemas y las reglas artísticas preexistentes, a través de las obras de artistas como Duchamp, los hermanos Chapman, Andrés Serrano, Damien Hirst, Gilbert & George, Paul McCarthy, Jeff Koons, Hans Haacke o Anselm Kiefer…”

Tabla de Contenidos: “…Austell, Cornwall, England, 1996-2001 / Nicholas Grimshaw - Steel House, Mooball, New South Wales, Australia, 1996-97 / Grose Bradley - Contemporary Arts Center, Cincinnati, Ohio, United States, 1998-2001 / Zaha Hadid - JR Kyoto Railway Station, Kyoto, Japan, 1991-97 / Hiroshi Hara - Miyagi Prefectural Library, Sendai, Miyagi, Japan, 1993-98 / Hiroshi Hara - Niigata Performing Arts Center, Niigata City, Niigata, Japan, 1993-98 / Itsuko Hasegawa - Studio Remy Zaugg, Mulhouse, France, 1995-96 / Herzog & de Meuron - Dominus Winery, Yountville, Napa Valley, California, United States, 1995-98 / Herzog & de Meuron - Tate Gallery of Modern Art, London, England, 1995-99 / Herzog & de Meuron - Pharmacy Restaurant, London, England, 1997-98 / Damien Hirst and Mike Rundell - Kiasma Museum of Contemporary Art, Helsinki, Finland, 1993-98 / Steven Holl - Haishi 'Mirage City', Zhuhai City, Hengqin Island, China, 1996-97 / Arata Isozaki - Nara Centennial Hall, Nara, Japan, 1992-98 / Arata Isozaki - Shizuoka Convention and Arts Center 'Granship', Shizuoka, Japan, 1993-98 / Arata Isozaki - Odate Jukai Dome Park, Odate, Japan, 1995-97 / Toyo Ito - Nagaoka Lyric Hall, Nagaoka, Niigata, Japan, 1993-96 / Toyo Ito - Ota-ku resort complex, Shouken District, Nagano, Japan, 1995-98 / Toyo Ito - Type/Variant house, Northern Wisconsin, United States, 1994-97 / Vincent James - House, Higashi-Osaka, Osaka, Japan, 1995-97 / Waro Kishi - Rodin Pavilion, Seoul, South Korea, 1995-97 / Kohn Pedersen Fox - Educatorium, University of Utrecht, The Netherlands, 1995-97 / Rem Koolhaas - Noh Stage in the Forest, Toyama City, Toyama, Japan, 1996 / Kengo Kuma - Felix Nussbaum Museum, Osnabruck, Germany, 1996-98 / Daniel Libeskind - Jewish Museum, Berlin, Germany, 1989-99 / Daniel Libeskind - Kaze-no-Oka crematorium, Nakatsu, Oita, Japan, 1995-97 / Fumihiko Maki - Makuhari Messe phase II, Nakase, Chiba, Japan, 1996-97 / Fumihiko Maki - Central Library, Delft Technical University, Delft, The Netherlands, 1993-98 / Mecanoo - Church of the Year 2000, Rome, Italy, 1996-2000 / Richard Meier - Issey Miyake Pleats Please Boutique, New York, New York, United States, 1998 / Toshiko Mori and Gwenael Nicolas - Private residence, Mount Wilson, New South Wales, Australia, 1989-94 / Glenn Murcutt - Villa VPRO, Hilversum, The Netherlands, 1993-97 / MVRDV - Stade de France, Saint-Denis, France, 1994-97 / MZRC - Lucerne Culture andh Congress Center, Lucerne, Switzerland, 1992-99 / Jean Nouvel - Water Pavilion H2O Expo, Neeltje Jans, The Netherlands, 1994-97 / NOX - V2_Media Lab, Rotterdam, The Netherlands, 1998 / NOX - Jean-Marie Tjibaou Cultural Center, Noumea, New Caledonia, 1992-98 / Renzo Piano - Debis Tower, Berlin, Germany, 1993-99 / Renzo Piano - Law Courts, Bordeaux, France, 1993-98 / Richard Rogers - Baumschulenweg Crematorium, Berlin, Germany, 1992-98 / Axel Schultes and Charlotte Frank - ZKM Center for Art and Media Technology, Karlsruhe, Germany, 1993-97 / Schweger+Partner - Museum of Islamic Arts, Doha, Qatar, 1997 (project) / SITE - Church and Parish Center, Marco de Canavezes, Portugal, 1990-96 / Alvaro Siza - Vieira de Castro House, Famalicao, Portugal, 1984-98 / Alvaro Siza - Portuguese Pavilion Expo '98, Lisbon, Portugal, 1996-98 / Alvaro Siza - Experimental housing, Freiburg, Germany, 1996-97 / Thomas Spiegelhalter - National School of Decorative Arts, Paris, France, 1995-98 / Philippe Starck and Luc Arsene-Henry - Shoji Ueda Museum of Photography, Kishimoto, Tottori, Japan, 1993-95 / Shin Takamatsu - Meteor Plaza, Mihonoseki, Shimane, Japan, 1994-95 / Shin Takamatsu - Worship Hall Seirei, Kawanishi, Hyogo, Japan, 1996-98 / Shin Takamatsu - Televisa Services Building, Mexico City, Mexico, 1993-95 / Ten Arquitectos - Mura-no Terrace, Ibi-Gun, Gifu, Japan, 1994-95 / Makoto Sei Watanabe - K-Museum, Tokyo, Japan, 1995-96 / Makoto Sei Watanabe - National Diet Building, New Capital, Japan, 1996 (project) / Makoto Sei Watanabe - New York City House, New York, New York, United States, 1995-97 / Williams and Tsien - Gana Art Center, Seoul, South Korea, 1996-98 / Jean-Michel Wilmotte - Guthrie Pavilion, Shah Alam, Selangor, Malaysia, 1995-98 / Ken Yeang - Nagoya Expo 2005 Tower, Seto, Nagoya, Japan, 1997 (project) - Prospecta '92 Toyama Observatory Tower, Kosugi, Toyama, Japan, 1990-92 / Shoei Yoh - Glass station, Oguni, Kumamoto, Japan, 1991-93 / Shoei Yoh - Kanada Children Training House, Kanada, Fukuoka, Japan, 1992-94 / Shoei Yoh…”

“…La ragione per cui l’arte contemporanea è così frammentata e diversificata nelle sue espressioni – pensiamo solo alla distanza tra Jackson Pollock e Lucian Freud, tra Francis Bacon e la Pop Art, tra Ettore Spalletti e Damien Hirst – è probabilmente che essa è abitata dall’ansia di una ricerca di senso che è sempre insoddisfatta e di fronte alla quale la Chiesa si sente talvolta impreparata e confusa. …”