Tabla de Contenidos: “…McPherson -- The northwestern Shoshone / Mae Parry -- The Goshute Indians of Utah / Dennis R. Defa -- The Paiute Tribe of Utah / Gary Tom and Ronald Holt -- The northern Utes of Utah / Clifford Duncan -- The White Mesa Utes / Robert S. …”

Tabla de Contenidos: “…From Everyday Life to the Crisis Ordinary : Films of Ordinary Life and the Resonance of DEFA -- 4. Future Feminism : Political Filmmaking and the Resonance of the West German Feminist Film Movement -- 5. …”

Tabla de Contenidos: “…in 1960s West Germany -- 3: Images as Weapons: DEFA, Studio H&amp -- S, and the Global Cold War -- 4: KriegsErklärung (Declaration of War): Volker Braun's Cold War Camera -- 5: The Vietnam Veteran in Anna Seghers's Steinzeit (Stone Age, 1975) -- 6: "So It Has to Be Said: Hammer and Sickle Here, Hammer and Sickle There": Heynowski-Scheumann's Die Angkar (1981) and the Problem of Khmer Rouge Violence for the GDR -- 7: Narrating Violent Agency Elsewhere in Inge Viett's Nie war ich furchtloser (Never Was I More Fearless, 1996) -- 8: Problematizing Political Violence in the Federal Republic of Germany: A Hauntological Analysis of the NSU Terror and a Hyper-Exceptionalized "9/11 -- Selected Bibliography -- Contributors -- Index…”

Tabla de Contenidos: “….] -- 'The Oberhausen Manifesto' (1962) -- Godard and counter-cinema: Vent d'Est (1962) / Peter Wollen -- Dogme 95: the vow of chastity (1995) -- The art cinema as a mode of film practice / David Bordwell -- Art cinema as institution / Steve Neale -- The author as public institution: the 'new' cinema in the Federal Republic of Germany / Sheila Johnston -- The concept of a national cinema / Andrew Higson -- Identity and the past in recent Russian cinema / David Gillespie -- DEFA and the traditions of International cinema / Barton Byg -- Catalan cinema: historical experience and cinematic practice / Marvin D'Lugo -- 'Temporary American citizens: cultural anxieties and industrial strategies in the Americanisation of European cinema' / Richard Maltby and Ruth Vasey -- The 'popular' cash and culture in the post-war British cinema industry / Janet Thumin -- Support mechanisms across Europe / Angus Finney -- The financial structure of Spanish cinema / Peter Besas -- From a 'prenational' to a 'postnational' French cinema / Martine Danan…”

Accés lliure

Tabla de Contenidos: “…-- National Cinema: Re-Definitions and New Directions -- European Culture, National Cinema, the Auteur and Hollywood -- ImpersoNations: National Cinema, Historical Imaginaries -- Film Festival Networks: The New Topographies of Cinema in Europe -- Double Occupancy and Small Adjustments: Space, Place and Policy in the New European Cinema since the 1990's -- Auteurs and Art Cinemas: Modernism and Self-Reference, Installation Art and Autobiography -- Ingmar Bergman - Person and Persona: The Mountain of Modern Cinema on the Road to Morocco -- Late Losey: Time Lost and Time Found -- Around Painting and the "End of Cinema": A Propos Jacques Rivette's La Belle Noiseuse -- Spellbound by Peter Greenaway: In the Dark ... and Into the Light -- The Body as Perceptual Surface: The Films of Johan van der Keuken -- Television and the Author's Cinema: ZDF's Das Kleine Fernsehspiel -- Touching Base: Some German Women Directors in the 1980's -- Europe-Hollywood-Europe -- Two Decades in Another Country: Hollywood and the Cinephiles -- Raoul Ruiz's L'Hypothèse du Tableau Volé -- Images for Sale: The "New" British Cinema -- "If You Want a Life": The Marathon Man -- British Television in the 1980's Through The Looking Glass -- German Cinema Face to Face with Hollywood: Looking into a Two-Way Mirror -- Central Europe Looking West -- Of Rats and Revolution: Dusan Makavejev's The Switchboard Operator -- Defining DEFA's Historical Imaginary: The Films of Konrad Wolf / Under Western Eyes: What Does Žižek Want? …”

Tabla de Contenidos: “…Proyecciones de prueba en RFA -- La edad de los espectadores -- El exilio de la lengua: Paul Celan traductor -- Fremde Nähe -- "Las tinieblas del discurso asesino" -- El genocidio en filigrana -- Alemania en el corazón -- La voz de Glass -- Batalla de Traductores en RDA -- Primeros pases de armas -- La versión Defa -- ¿Una "remake" clandestina? -- Un lugar de memoria portátil -- Mojigaterías nipo- británicas -- La neutralidad suiza -- En el Este nada nuevo... -- Film "en kit" para los americanos -- Noche y niebla en Jerusalén -- Desplazamientos de las miradas: la institución escolar -- La obsesión de la transmisión en Francia -- Conflicto de generaciones en RFA -- La construcción de la mirada cinéfila -- Conmoción -- Primer contratiempo al neoformalismo -- Hacia una ética de la puesta en escena -- De la justeza -- Una obra de sepultura -- La tumba de Olga -- Desacuerdos -- El honor perdido -- El lobo sale del bosque -- Rebotes -- Recursos -- Referencias -- Agradecimientos de la autora…”