Tabla de Contenidos: “…Wild beasts caged : the Salon d'automne, Paris, 1905 -- ch. 2. Cubism meets the public: the Salon des independants and the Salon d'automne, Paris, 1911 ; The Salon of the section d'or, Paris, 1912 -- ch. 3. …”

Tabla de Contenidos: “…The Film und Foto, Stuttgart, 1929 ; 16. Cubism and Abstract Art, New York, 1936 ; 17. Degenerate Art, Munich, 1937 ; 18. …”

“…. - Tony Robbin, artist and author of Shadows of Reality: The Fourth Dimension in Relativity, Cubism, and Modern Thought The classic reference for how to present topological information visually, full of amazing hand-drawn pictures of complicated surfaces. - John Sullivan, Technische Universitat Berlin A Topological Picturebook lets students see topology as the original discoverers conceived it: concrete and visual, free of the formalism that burdens conventional textbooks. - Jeffrey Weeks, author of The Shape of Space A Topological Picturebook is a visual feast for anyone concerned with mathematical images. …”

Tabla de Contenidos: “…Aesthetic Experience -- Aisthesis -- Appearance -- Architecture -- Antonio Banfi -- Beauty -- Simone de Beauvoir -- Oskar Becker -- Chinese Aesthetics -- Waldemar Conrad (1878–1915) -- Creativity -- Cubism -- Dance -- Jacques Derrida (1930–2004) -- Dream -- Mikel Dufrenne (1910–1995) -- Ecological Aesthetics -- Empathy -- Enjoyment -- Fashion -- Film -- Eugen Fink (1905–1975) -- Hans-Georg Gadamer (1900–2002) -- Moritz Geiger (1880–1937) -- Gender Aesthetics -- Nicolai Hartmann (1882–1950) -- Martin Heidegger (1889–1976) -- Michel Henry (1922–2002) -- Dietrich von Hildebrand (1889–1977) -- Edmund Husserl (1859–1938) -- Imagination -- India and Intercultural Aesthetics -- Roman Ingarden (1893–1970) -- Japanese Worlds -- Fritz Kaufmann (1891–1958) -- Emmanuel Levinas (1906–1995) -- Literature -- Henri Maldiney (1912–) -- Jean-Luc Marion (1946–) -- Media -- Maurice Merleau-Ponty (1908–1961) -- Metaphor -- Methodology -- Music -- Maurice Natanson (1924–1996) -- Nature -- NISHIDA Kitaro (1870–1945) -- José Ortega y Gasset (1883–1955) -- Painting -- Jan Pato?…”

Tabla de Contenidos: “…Machine generated contents note: Part 1: Business Intelligence -- Chapter 1: Equipping the Organization for Effective Decision Making -- Chapter 2: Making the Most of What You've Got--Using Business Intelligence -- Chapter 3: Seeking for the Source--The Source of Business Intelligence -- Chapter 4: Two, Two, Two Model in One--The BI Semantic Model -- Chapter 5: First Steps--Beginning the Development of Business Intelligence -- Part 2: Defining Business Intelligence Structures -- Chapter 6: Building Foundations--Creating the Data Marts -- Chapter 7: Transformers--Integration Services Structure and Components -- Chapter 8: Fill'er Up--Using Integration Services for Populating Data Marts -- Part 3: Working with a Tabular BI Semantic Model -- Chapter 9: Setting the Table--Creating a Tabular BI Semantic Model -- Chapter 10: A Fancy Table--Tabular BI Semantic Model Advanced Features -- Part 4: Working with a Multidimensional BI Semantic Model -- Chapter 11: Cubism--Measures and Dimensions -- Chapter 12: Bells and Whistles--Special Features of OLAP Cubes -- Chapter 13: Writing a New Script--MDX Scripting -- Chapter 14: Pulling It Out and Building It Up--MDX Queries -- Part 5: Modeling and Visualization with Power BI -- Chapter 15: Power BI Modeling -- Chapter 16: Power BI Reporting -- Part 6: Delivering -- Chapter 17: Special Delivery--Microsoft Business Intelligence Client Tools -- Chapter 18: Let's Get Together--Integrating Business Intelligence with Your Applications…”

Tabla de Contenidos: “…Lowry -- Abstraction in 1936 : Cubism and abstract art at the Museum of Modern Art / Leah Dickerman…”

Tabla de Contenidos: “…Cover -- Half Title -- Title -- Copyright -- Contents -- Preface -- Introduction -- 001 Abstraction -- 002 Allegory -- 003 Ambiguity -- 004 Appropriation -- 005 Areas of Competence -- 006 Authenticity and Outsider Art -- 007 Autobiography -- 008 Balance -- 009 Beauty -- 010 Boundaries -- 011 Brush Techniques -- 012 Chance -- 013 Classicism and Renaissance -- 014 Collage and Assemblage -- 015 Color as Light -- 016 Color as Limit -- 017 Color Theory -- 018 Composition -- 019 Conceptual Art -- 020 Consistency of Visual Language -- 021 Craft -- 022 Creativity -- 023 Cross-Cultural Fertilization -- 024 Cubism -- 025 Dada -- 026 Decoration -- 027 Distortion -- 028 Distribution -- 029 Drawing Language -- 030 The Emotive Object -- 031 Erotic Art -- 032 Expression in the Abstract -- 033 Fantasy and Visionary Art -- 034 Finish -- 035 Formal Innovation -- 036 Form Rendered -- 037 Gender -- 038 Harmony -- 039 Hierarchical Proportion -- 040 Imagination -- 041 Installation -- 042 Intentionality -- 043 Interactive Art -- 044 Juxtaposition -- 045 Kinetic Art -- 046 Land Art -- 047 Layers -- 048 Linear Basics -- 049 Mannerism -- 050 Mass -- 051 Materials as Art -- 052 Minimalism -- 053 Mixed Media and Multimedia -- 054 Motif -- 055 Movement -- 056 Narrative -- 057 Op Art -- 058 Overload -- 059 Performance Art -- 060 Perspective -- 061 Plasticity -- 062 Politics and Polemics -- 063 Prepare and Develop -- 064 Printmaking -- 065 Process as Meaning -- 066 Proportion and Ratio -- 067 Quality -- 068 Quoting -- 069 Readymades -- 070 Realism -- 071 Religiosity -- 072 Repetition -- 073 Representation -- 074 Restraint -- 075 Rhythm -- 076 Romanticism -- 077 Scale -- 078 Semiotics -- 079 Semiotics 2: Deconstruction -- 080 Sensitivity and Sensibility -- 081 Shape -- 082 Shock -- 083 Simplification -- 084 Space and Volume -- 085 Spectacle -- 086 Style and Stylishness…”

Tabla de Contenidos: “…Cover -- Title Page -- Contents -- Preface -- Introduction -- 1 Abstraction -- 2 Allegory -- 3 Ambiguity -- 4 Appropriation -- 5 Areas of Competence -- 6 Authenticity and Outsider Art -- 7 Autobiography -- 8 Balance -- 9 Beauty -- 10 Boundaries -- 11 Brush Techniques -- 12 Chance -- 13 Classicism and Renaissance -- 14 Collage and Assemblage -- 15 Color as Light -- 16 Color as Limit -- 17 Color Theory -- 18 Composition -- 19 Conceptual Art -- 20 Consistency of Visual Language -- 21 Craft -- 22 Creativity -- 23 Cross-Cultural Fertilization -- 24 Cubism -- 25 Dada -- 26 Decoration -- 27 Distortion -- 28 Distribution -- 29 Drawing Language -- 30 The Emotive Object -- 31 Erotic Art -- 32 Expression in the Abstract -- 33 Fantasy and Visionary Art -- 34 Finish -- 35 Formal Innovation -- 36 Form Rendered -- 37 Gender -- 38 Harmony -- 39 Hierarchical Proportion -- 40 Imagination -- 41 Installation -- 42 Intentionality -- 43 Interactive Art -- 44 Juxtaposition -- 45 Kinetic Art -- 46 Land Art -- 47 Layers -- 48 Linear Basics -- 49 Mannerism -- 50 Mass -- 51 Materials as Art -- 52 Minimalism -- 53 Mixed Media and Multimedia -- 54 Motif -- 55 Movement -- 56 Narrative -- 57 Op Art -- 58 Overload -- 59 Performance Art -- 60 Perspective -- 61 Plasticity -- 62 Politics and Polemics -- 63 Prepare and Develop -- 64 Printmaking -- 65 Process as Meaning -- 66 Proportion and Ratio -- 67 Quality -- 68 Quoting -- 69 Readymades -- 70 Realism -- 71 Religiosity -- 72 Repetition -- 73 Representation -- 74 Restraint -- 75 Rhythm -- 76 Romanticism -- 77 Scale -- 78 Semiotics -- 79 Semiotics 2: Deconstruction -- 80 Sensitivity and Sensibility -- 81 Shape -- 82 Shock -- 83 Simplification -- 84 Space and Volume -- 85 Spectacle -- 86 Style and Stylishness -- 87 Successive Approximation -- 88 Sufficiency of Means -- 89 Surrealism -- 90 Symbols -- 91 Symmetry -- 92 Temporary Art…”

Tabla de Contenidos: “…Cover -- Title -- Table of Contents -- Introduction -- How To Use This Book -- Pronunciation Guide -- Languages Table of Contents -- English Terms -- A -- ACCORDION FOLD -- ALIASING, ANTI-ALIASING -- ALIGNMENT -- ALL CAPS -- ANALOGOUS COLORS -- ANIMATION -- APOSTROPHE -- AQUEOUS COATING -- ART DECO -- ART NOUVEAU -- ARTS AND CRAFTS -- ASCENDER -- ASYMMETRY -- B -- BACK MATTER -- BALANCE -- BARREL FOLD -- BASELINE -- BAUHAUS -- BÉZIER CURVE -- BINDING -- BITMAP -- BLACKLETTER -- BLEED -- BODY COPY -- BOLD/BOLDFACE -- BORDER -- BRANDING -- BRIGHTNESS -- BULLET -- C -- CALIPER -- CALLIGRAPHY -- CALLOUT -- CAP HEIGHT -- CAPTION -- CASE BINDING -- CENTERED TYPE/TEXT -- CHANNELS -- CHROMA -- CLIP ART -- CMYK -- COATED PAPER -- COLLAGE -- COLOR -- COLOR CORRECTION -- COLOR-MATCHING SYSTEM -- COLOR MODEL -- COLOR PALETTE -- COLOR SPACE -- COLOR WHEEL -- COLUMN -- COMPLEMENTARY COLORS -- COMPOSITE -- COMPOSITION -- CONDENSED TYPE -- CONSTRUCTIVISM -- CONTRAST -- COPYFITTING -- COUNTER -- CROP -- CUBISM -- D -- DADA -- DE STIJL -- DEBOSS -- DESCENDER -- DIE CUT -- DINGBATS -- DISPLAY TYPE -- DITHER -- DROP CAPITAL/CAP -- DUOTONE -- E -- EGYPTIAN -- ELLIPSIS -- EM -- EM DASH -- EM SPACE -- EMBOSS -- EN -- EN DASH -- EN SPACE -- END MATTER -- EXPERT SET -- EYE FLOW -- F -- FACING PAGES -- FIGURE-GROUND -- FLUSH-LEFT/FLUSH-RIGHT -- FOCAL POINT -- FOIL STAMPING -- FONT -- FOR POSITION ONLY (FPO) -- FORM-COUNTERFORM -- FOUR-COLOR PROCESS -- FRONT MATTER -- FUTURISM -- G -- GALLEY PROOF -- GRADIENT -- GRAYSCALE -- GREEKING -- GRID -- GUTTER -- H -- H&amp -- J -- HALFTONE -- HANGING PUNCTUATION -- HEADING -- HEADLINE -- HIERARCHY -- HUE -- HYPHEN -- HYPHENATION -- I -- ICON -- IDENTITY -- IMPOSITION -- INDENT -- INITIAL CAPITAL/CAP -- INTERACTION DESIGN -- ITALIC -- J -- JUSTIFIED TYPE/TEXT -- K -- KERNING -- KISS DIE CUT -- L -- LASER CUT -- LAYER -- LAYOUT…”

Tabla de Contenidos: “….); PASSAGE FROM REALISM TO CUBISM: THE SUBVERSIÓN (...)…”

Tabla de Contenidos: “…, as its customary -- The layout of a HoloLens project -- Unity directory structure -- Saving the scene -- Objects and components -- Objects -- Components -- First project -- Our cubism period -- Adding a little color -- Material plane -- Creating the text -- Physics simulations -- Building the project in Unity -- Build settings -- Player settings -- Compiling our project -- Setting Up Visual Studio -- Using the HoloLens emulator -- Compilation time -- Summary -- Chapter 3: I am in Control -- Prefabs -- Let's save the HelloWorld -- Parent/Child relationship -- Creating prefabs -- Installing the HoloToolkit -- User Input overview -- InputManager prefab -- New Camera prefab ­- updated HoloToolkit -- Cursor -- Gaze -- Gesture -- Voice -- Animation -- A quick history -- Humble beginnings -- Time to move! …”

Tabla de Contenidos: “…Learn By Doing-Adding a Second Fact Table to the Manufacturing Data Mart -- Learn By Doing-Populating the Fact Tables in the Manufacturing Data Mart -- Putting Integration Services Packages into Production -- Parameters -- Associating Properties with Parameters -- The Integration Services Catalog -- Deploying SSIS Projects from SQL Server Data Tools -- Importing Packages into the SSIS Catalog -- Learn By Doing-Deploying the Packages to a Server -- Managing Packages in the Integration Services Catalog -- Utilizing Environments -- Setting Permissions -- Executing Packages from the SSIS Catalog -- Execution Dashboard Reports -- Meanwhile, Back at the BI Semantic Model -- Part III: Working with a Multidimensional BI Semantic Model -- Chapter 9: Cubism-Measures and Dimensions -- Building a Multidimensional BI Semantic Model -- Creating a Cube -- Learn By Doing-Building a Multidimensional BI Semantic Model for the Manufacturing Data Mart -- Measures -- Measure Groups -- Measure Groups and Dimensions -- Granularity -- Made-up Facts-Calculated Measures -- Creating Calculated Measures -- It Doesn't Add Up-Measure Aggregates Other Than Sum -- Semiadditive Measures -- Aggregate Functions -- Learn By Doing-Working with Measures and Measure Groups -- Dimensions -- Managing Dimensions -- Learn By Doing-Cleaning Up the Dimensions in the Max Min Manufacturing DM Cube -- Relating Dimensions to Measure Groups -- Learn By Doing-Relating Dimensions in the Max Min Manufacturing DM Cube -- Types of Dimensions -- Fact Dimensions -- Parent-Child Dimensions -- Role Playing Dimensions -- Reference Dimensions -- Data Mining Dimensions -- Many-to-Many Dimensions -- Slowly Changing Dimensions -- Type 1 Slowly Changing Dimensions -- Type 2 Slowly Changing Dimensions -- Type 3 Slowly Changing Dimensions -- Loading the Max Min Sales DM Data Mart -- You Are Special…”

“…On y voit pourtant s'affirmer une critique d'art originale, gageant sur la diversité des opinions suscitées par l'impressionnisme et ses suites, Gauguin, Cézanne ou Van Gogh, et largement ouverte aux mouvements artistiques naissants — fauvisme, cubisme et futurisme…”