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Tabla de Contenidos: “…. -- Qui pependit in Cruce : Sacred contrafactum of Ecco Silvio colei from Musica tolta da i madrigali di Claidio Monteverdi e d'altri autori... e falta spirituale da Aqulino Coppini, Milan 1607 (3 min 37 s) / Claudio Monteverdi, Aquilino Coppini, comp -- O magnum mysterium : from Componimenti musicali..., Venice 1623 (3 min 39 s) / Lucrezia Orsina Vizzana, comp -- Lamentione di Geremia : from Canti delle Monache, Bologna 1670 : anonyme (3 min 39 s) -- Lamentatione seconda, Feria quinta : from Lamentationi sagre e motetti ad una voce col nbasso continuo, Venice 1650 (7 min 46 s) / Alessandro Della Ciaia, comp -- Dialogo delle due Mariae : from Harmonia d'affetti devoti..., Libro primo Venice 1655 (5 min 13 s) / Giovanni Legrenzi, comp -- Madrigale al Crocifisso : from Cantate morali e spirituali a voce sola..., Bologna 1659 (3 min) / Maurizio Cazzati, comp -- O vos omnes : from Secondo libro de motteti, Venice 1638 (3 min 52 s) / Lorenzo Agnelli, comp -- Adoramus te, Christe : from Adoramus te, Christe Ms. …”

Tabla de Contenidos: “…Versteegen -- Ordini religiosi e politica nelle corti italiane del XVII secolo : la teoria, le pratiche / Flavio Rurale -- "Non est enim potestas, nisi a deo" : grazia divina e governo dello stato / Marcello Fantoni -- Política y religión en la capilla real aragonesa : el misal-breviario de Fernando el Católico / Tess Knighton -- Aspects politico-religieux de la chapelle royale de Versailles sous Louis XIV / Alexandre Maral -- Musica, politica e religione alla corte di Mantova tra Cinque e Seicento : il caso di Claudio Monteverdi / Paola Besutti -- La construcción musical de un monarca : los emblemas de Juan del Vado para Carlos II / Luis Robledo Estaire -- Mecenazgos musicales en Nápoles a finales del siglo XVII / José María Domínguez -- La música en El Escorial y en la orden de San Jerónimo durante el reinado de Felipe II / Gustavo Sánchez -- La capilla real de Felipe IV : ceremonial de exaltación en un espacio integrador / Jesús Bravo Lozano -- La espiritualidad en palacio : los capellanes de Felipe IV / José Eloy Hortal Muñoz -- Fray Pedro de Urraca, confesor de la reina Isabel de Borbón (1624-1628) / Henar Pizarro Llorente -- Tra parroci confessori e confessori gesuiti : il governo della coscienza di Enrico IV di Borbone / Gigliola Fragnito -- Os confessores das rainhas de Portugal (1640-1750) / Maria Paula Marçal Lourenço -- Predicadores de la orden del Carmen en la corte de Madrid (siglo XVII) / María Jesús Fernández Cordero -- "Sacar bueno o mal General y todo lo demas son accidentes" : due elezioni del Generale dei frati minori osservanti fra Santa Sede e Monarchia cattolica (1633 e 1639) / Massimo Carlo Giannini -- L'antijansénisme à la cour de France au XVIIème siècle / Thierry Issartel -- Gli ordini religiosi tra Roma e la "Monarquía" : dialettica e interazioni sulle sponde del Mediterraneo / Silvano Giordano -- The gods in the palace / Charles C. …”
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“…And as early as 1607, Claudio Monteverdi's prologue to Orfeo transformed the silent standstill into an imperative of stillness. …”

Tabla de Contenidos: “…Documentary studies (Archives; Lists and indexes; Editions of printed music; Bibliographies of secondary literature; Iconography) -- Life-and-works studies (Comprehensive works; Pictorial works; Encyclopedia and dictionary essays; Miscellaneous essays; Essay collections; Books (including program books); Specialized journals; Journal issues) -- Hindemith in his own words : autobiographical materials (General studies; Correspondence; Diaries; Interviews) -- Reminiscences -- Specialized life-and-works studies (Ancestry and family; Teachers; Colleagues; Studies by location; Activity in interwar music festivals; The "Hindemith case" (Der "Fall Hindemith"); Hindemith as émigré; Religion) -- Hindemith's musical world : ethics, aesthetics, and the compositional process (Hindemith and musical tradition; Reception of individual composers; Writings and opinions about the musical world; Studies of individual works) -- Hindemith's musical theories and theoretical works (Unterweisung im Tonsatz : theoretischer Teil (Craft I) and general studies; Unterweisung im Tonsatz : Übungsbücher (Craft II-III); A concentrated course in traditional harmony; Elementary training for musicians) -- Hindemith as teacher (General studies; Studies by location or institution) -- Hindemith as performer (As violist; As conductor; Early music activities) -- Aspects of the Hindemith reception (Collections; Early reception; Contemporary American reception; Marxist receptions; The Adorno reception; Initial postwar European reception; The avant-garde rejection; Homages and memorial essays; The legacy of the Adorno reception; Recent assessments) -- General studies of Hindemith's music (Comprehensive studies; General essays; Studies of Hindemith's use of folk elements; Studies of Hindemith's use of jazz elements; Studies of Hindemith's revisions of his earlier works; Studies of periods and artistic movements; Studies of specific technical and stylistic aspects; Form studies) -- Works for stage (Operas, Horspiele, and plays; Ballets) -- Works for orchestra and larger ensembles (General studies; Studies of individual works and work groups) -- Chamber music (General studies; Studies by instrument; Larger chamber works) -- Keyboard music (General studies; Studies of individual works) -- Choral music (General studies; Large choral-orchestral works; Unaccompanied choral works) -- Solo vocal music (General studies; Studies of vocal works by Period; Studies of individual vocal works) -- Music for children and amateurs (General studies; Hindemith and the Jugendmusikbewegung; Studies of individual works) -- Music for new media and instruments (General studies; Film; Gramophone; Mechanical piano and organ; Radio; Trautonium) -- Arrangements and editions of other composers' works (Claudio Monteverdi, L'Orfeo; Perotin, Sederunt principes; Max Reger, Der 100. …”
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